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The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
A short dance film about a mother’s relationship to her pregnancy, as she deals with fear and hope about bringing a black baby boy into the world in 2020.
Ballerina Polina Semionova performs the mythic parts of Odette and Odile (white swan and black swan) with her great partner Stanislav Jermakov. The Zurich Opera House Orchestra is conducted by Russian musical director Vladimir Fedoseyev acclaimed in this repertoire.
Short dance film participating in the competition "Quand le son crée l'image 2023" and submitted to the Cannes festival "short film" selection, produced by a 16 years old students in cinema specialty group from the Lycée Pasteur Besançon
Inspired by Mary Shelley’s Gothic masterpiece, Frankenstein is the world premiere of Liam Scarlett’s new full-length ballet. A story of betrayal, curiosity, life, death and, above all, love, exploring the very depths of human nature. Federico Bonelli dances the role of Victor Frankenstein, Laura Morera is his Elizabeth, and Steven McRae is the creature. Koen Kessels conducts Lowell Liebermann’s newly commissioned score in this co-production between The Royal Ballet and San Francisco Ballet.
Italian singer Mario Vanni visits the Royal Opera in Stockholm and fall in love with ballet dancer Linda Corina.
County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.
When rebellious street dancer Andie lands at the elite Maryland School of the Arts, she finds herself fighting to fit in while also trying to hold onto her old life. When she joins forces with the schools hottest dancer, Chase, to form a crew of classmate outcasts to compete in Baltimore s underground dance battle The Streets.
The government has set up a special agency to stamp out what it considers the number one public menace: the jitterbug. They aren't after the many followers, but the primary perpetrator of the jitterbug, who they've coined "Public Jitterbug No. 1". Hal Sturges is one of several agents working on the case who goes undercover as a dancer in Broadway haunts to find and capture Public Jitterbug No. 1. In his investigation, Hal runs across the beautiful Betty, a seemingly innocent bystander. Hal and Betty fall for each other. However Betty is unaware that Hal is a federal agent, and Hal is unaware that Betty is Public Jitterbug No. 1. Will their roles as agent and public menace number one take priority over their roles of man and woman?
