Pure Fucking Mayhem

An overview of black metal culture in Belgian youth.

Bill Zebub interviews various musicians about black metal. Includes members of Behemoth, Darkthrone, Dark Funeral, Gorgoroth, Belphegor, Mayhem, Marduk, Immortal, and others.

Chronicles the history, ideology and aesthetic of Norwegian black metal, a musical subculture infamous as much for a series of murders and church arsons as it is for its unique musical and visual aesthetics. This is the first film to truly shed light on a movement that has heretofore been shrouded by rumor and obscured by inaccurate and shallow depictions. Featuring exclusive interviews with the musicians themselves, Until the Light Takes Us explores every aspect of the controversial movement that has captured the attention of the world.

BLACK METAL SATANICA is an in-depth documentary capturing the dark, mystical and evil history of the Black Metal genre. Based on Scandinavian Viking lore, Black Metal borrows from ancient Viking melodies, lyrics and mythology dating back to the 11th century.

Heavy Left-Handed & Candid is Cradle of Filth's second foray into visual entertainment's arena and with it comes a madness the likes of which may preferably never be seen again. A lethal injection of both concert and studio documentation, this DVD is testament to the maxim "Do what thou wilt shall be the whole of the Law," the veritable life code of one Aleister Crowley, who, in his time, was widely regarded as the most dangerous man in the world. Whether Cradle of Filth even come close to the prestigious title of "the most dangerous band in the world" remains as yet to be seen, but if there's one thing watching this marriage of Heaven, Hell, and the worst bits in between will assure you of, it's the Filth's ability to shock, shake, and deliver where it hurts the most... right on your grave. Open up and say.... "Aaarrrggh!"

A 5-part documentary produced by VBS/Vice Magazine focusing on some aspects of the life of black metal vocalist Gaahl, known for his work with Gorgoroth.

Blistering live performance by British black metal pioneers Venom captured at the Hammersmith Odeon in London in June of 1984. One of the most legendary shows in the history of metal featuring the classic line-up of Cronos (vocals/bass), Mantas (guitar) and Abaddon (drums). TRACKLIST: 01. Leave Me In Hell 02. Countess Bathory 03. Die Hard 04. 7 Gates Of Hell 05. Buried Alive 06. Don't Burn The Witch 07. In Nomine Satanus 08. Welcome To Hell 09. Warhead 10. Stand Up And Be Counted 11. Blood Lust

The main themes of Murder Music are: the musical origins of black metal, from Birmingham, UK hard rock group Black Sabbath to Newcastle extreme metal pioneers Venom; the anti-Christian sentiment of its practitioners; the controversies surrounding the criminal acts (arson and murder) of the early Norwegian scene; and the paradox of a Christian form of black metal, represented by Scandinavian band Frosthardr. The 64-minute documentary eschews much of the tabloid sensationalism that shrouded the genre in the early to mid-'90s, focusing instead on the music itself, an element thus far overlooked by the mainstream media.

Murder, rape, satanism and necrophilia is the staple diet of millions of teenagers who listen to the lyrics of extreme heavy metal music. This World investigates the potential links between "death metal" and a series of gruesome crimes around the world. In Italy a group of young death metal fans formed a satanic cult called the Beasts of Satan. At least four gruesome killings resulted. But death metal musicians deny that they have any responsibility for the actions of people who profess to be their fans. With exclusive access to the families, one of the killers and graphic police footage, the film tells the inside story for the first time. We hear from the musicians, the children and the parents from Oslo to California and ask just how far can music go in its ability to shock, and just how damaging might it be?

Shadows of Light combines the loud and soft tones of life. The centerpiece is an Austrian mountain pasture where the summer solstice is celebrated with international artists and where tradition and zeitgeist are not contradictory.

In the realm of contemporary music, Adam “Nergal” Darski surely needs no further introduction. Yet the guitarist and singer has even made inroads into general pop culture and shaped social discourse, all the while not moving away an iota from the underground ethos his ongoing career is based on. Rising from his humble beginnings in Cold-war Poland to global fame with his band Behemoth, striving for musical excellence throughout the ignominies of life-threatening illness and dubious legal battles, staying deeply spiritual and focused during even the most casual appearances in mundane limelight, it is safe to say the 1977-born has many faces, the sum of which defies categorization. Satanist or dexterous money spinner? Academically certified historian or shallow media figure? Inspired and inspiring spokesperson of a generation or mere agent provocateur? Make your guesses...