Death Metal Murders

July 1, 2000. British 21-year-old Lucie Blackman goes missing in Tokyo, sparking an international investigation — and an unyielding quest for justice.

The frontwoman for an Iranian death metal band risks everything as she plots to call the cops on her own underground concert in the hopes that the raid will help her secure her asylum in another country.

Recorded doing the Summer Breeze Open Air Festival 2017 on the 17th. of August in Dinkelsbühl, Bavaria, Germany. Set-List: 1. The Pursuit of Vikings / 2. As Loke Falls / 3. First Kill / 4. The Way of Vikings / 5. At Dawn's First Light / 6. Cry of the Black Birds / 7. Deceiver of the Gods / 8. Destroyer of the Universe / 9. Death in Fire / 10. Father of the Wolf / 11. Runes to My Memory / 12. War of the Gods / 13. Raise Your Horns / 14. A Dream That Cannot Be (with Doro) / 15. Guardians of Asgaard / 16. Twilight of the Thunder God.

In 1973, 15-year-old William Miller's unabashed love of music and aspiration to become a rock journalist lands him an assignment from Rolling Stone magazine to interview and tour with the up-and-coming band, Stillwater.

A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.

An experimental docu-fiction short from hours of collected material shot by the director. Different scenes, from drunk parties with friends to shots of the Dutch landscape during a train ride, are cut together to see if a narrative story can be constructed from nothing but randomly shot footage.

Documentary about a musician's plan to kill himself.

An comprehensive look at the life and music of Mark Linkous, a influential figure in the alternative music scene. Critically-acclaimed Linkous had a dramatic life that saw him battle with drug and alcohol addiction, paralysis, and debilitating depression that resulted in his eventual suicide. Mark's music was heralded by his peers and critics; a mix of delicate pop, discordant punk and melodic odyssey; it has been described as defiantly surrealist with all manner of references to smiling babies, organ music, birds, and celestial bodies. The film mines Marks life and music and navigates the sacrifices and highs and lows of his art.

What started out as an inside joke amongst two self proclaimed weirdos in Ft. Worth, Texas soon becomes much more than they bargained for. Frustrated by the rising consumer-driven culture, out-of-work pals Douglass St. Clair Smith and Steve Wilcox decide to turn their conservative southern ideology on its head and invent a new religion all their own. Spurred on by the overreach of religion and zealous televangelists of the day, the pair concoct religious monikers (Reverend Ivan Stang and Dr. Philo Drummond), a newly minted prophet (J.R. "Bob" Dobbs), and devise a crusade to expose the conspiracy of normalcy by using humor as the ultimate weapon.

The adventures of two amiably aimless metal-head friends, Wayne and Garth. From Wayne's basement, the pair broadcast a talk-show called "Wayne's World" on local public access television. The show comes to the attention of a sleazy network executive who wants to produce a big-budget version of "Wayne's World"—and he also wants Wayne's girlfriend, a rock singer named Cassandra. Wayne and Garth have to battle the executive not only to save their show, but also Cassandra.

In the early 1900s, the fictional Catfish Row section of Charleston, South Carolina serves as home to a black fishing community. Crippled beggar Porgy, who travels about in a goat-drawn cart, loves the drug-addicted Bess, who lives with stevedore Crown, the local bully.