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This is a great looking film depicting the abject poverty, despite their best efforts, of a subsistence farming community in Malawi. The cinematography is glorious as we follow the Kamkwamba family's struggles to educate their children and feed themselves at the same time - in the face of some pretty brutal government corruption and a severe drought. Son "William" (Maxwell Simba) is thirteen, and he has more than an average degree of nouse to him - he concludes, after studying a few engineering books in his school's library - that by cannibalising an old bike and an old ghetto-blaster, he can create a turbine mechanism that could be used to generate electrical power to pump water and help them to improve their harvest, and their lives... Chiwitel Ejiofor is his rather sceptical father, struggling under the pressures of keeping his family alive and the two have quite a forceful battle of wills as the young man attempts to convince his father that sacrificing the family's only mode of transport is a risk worth taking! I found the establishing parts of the story a bit too slow; once I understood the extent of their predicament and what the young man was trying to do, I was itching for him to succeed - and the behaviour of the father I found irritating and incongruous, slightly, with a man so keen on educating his family. That said, once it starts to focus on the project, I was astonished by the ingenuity of "William" and his young student friends as they materially change the lives of their famines for ever. It's a good film this - a try triumph of optimism over experience that I largely enjoyed watching.
This documentary of repressive political realities in Cameroon begins with the 1990 publication of an open letter to President Biya calling for a national conference - and the immediate arrest of the letter's author and publisher. The narration then examines the nation's colonial history, beginning with the first German missionary in 1901, the establishment of schools, French occupation following World War I, the paucity of books written by and published by Cameroonians, and the repression of the CPU, a leftist organization of the 1950s and 1960s. Cameroon and its people are the lark, its feathers plucked first by colonialism and then by native strongmen: 'Alouette, je te plumerai.'
White hunter Allan Quartermain and his enigmatic guide help a young Irish woman locate her missing father in unexplored Darkest Africa.
On her way to visit her childhood home in a colonial outpost in Northern Cameroon, a young French woman recalls her childhood, her memories concentrating on her family's houseboy.
French colonists in Africa, several months behind in the news, find themselves at war with their German neighbors. Deciding that they must do their proper duty and fight the Germans, they promptly conscript the local native population. Issuing them boots and rifles, the French attempt to make "proper" soldiers out of the Africans. A young, idealistic French geographer seems to be the only rational person in the town, and he takes over control of the "war" after several bungles on the part of the others.
Internationally-renowned photographer Mae Jordan, professionally known as 'Emanuelle', is hired by a wealthy British expat to go to Nairobi to shoot the ruins and wildlife. While there, she explores sexual situations with her hosts and their friends.
The lives of two Danish families cross each other, and an extraordinary but risky friendship comes into bud. But loneliness, frailty and sorrow lie in wait.
In July 1860, the schooner Clotilda slipped quietly into the dark waters of Mobile, Ala., holding 110 Africans stolen from their homes and families, smuggled across the sea, and illegally imported to be sold into slavery. Surviving Clotilda is the extraordinary story of the last slave ship ever to reach America's shores: the brash captain who built and sailed her, the wealthy white businessman whose bet set the cruel plan in motion, and the 110 men, women, and children whose resilience turned horror into hope.
A film delivery man promises a beautiful young woman to deliver a film reel on time to a movie theater, but the the whole city seems to conspire against him.
A young woman, Jill Young, grew up on her father's ranch in Africa, raising a large gorilla named Joe from an infant. Years later, she brings him to Hollywood to become a star.
When a woman shelters a group of girls from suffering female genital mutilation, she starts a conflict that tears her village apart.
Tarzan was a small orphan who was raised by an ape named Kala since he was a child. He believed that this was his family, but on an expedition Jane Porter is rescued by Tarzan. He then finds out that he's human. Now Tarzan must make the decision as to which family he should belong to...
