Wolf Man 2025 - Movies (Mar 10th)
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The Chase Australia - (Mar 10th)
Gladiators- Epic Pranks - (Mar 10th)
United States of Scandal - (Mar 10th)
Piers Morgan Uncensored - (Mar 10th)
Crimewatch Live - (Mar 10th)
The Tucker Carlson Show - (Mar 10th)
Alan Titchmarshs Gardening Club - (Mar 10th)
Tipping Point - (Mar 10th)
Marie Antoinette - (Mar 10th)
Bargain Hunt - (Mar 10th)
When Calls the Heart - (Mar 10th)
WWE LFG - (Mar 10th)
Family Feud Canada - (Mar 10th)
Panorama - (Mar 10th)
Murdoch Mysteries - (Mar 10th)
Saint-Pierre - (Mar 10th)
First Dates - (Mar 10th)
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Australian Idol - (Mar 10th)
Married at First Sight - (Mar 10th)
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
Dalits, in the Indian caste system, belong to the lowest social sphere and are therefore subject to regular discrimination and violation of their basic human rights. Also referred as “untouchables,” this group was vindicated by B. R. Ambedkar, a Dalit who earned doctorate degrees abroad and fought for the emancipation of his people. In 1997 a statue honoring him was desecrated, unleashing the rage of the Dalit community, but instead of getting support by the authorities, ten persons were murdered. This documentary took 14 years to be made and it captures the music and poetry of this people, showing a tradition against superstition and religious bigotry that has strived since the times of Buddha.
‘Bahattar Hoorain’ is a dark comedy that examines the real consequences of violent extremism and urges that every human life should be treated with dignity and respect.
A memoir celebrating yesteryears of cinema and how silver screen has evolved over the years, this documentary is ode to cinema by the audience, for the audience.
Examines how a US value system built on the extreme masculine ideals of money, power and control has glorified individualism, institutionalized inequality, and undermined the ability of most Americans to achieve the American Dream.
In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.
Following Israeli author Amos Oz over two years, as he meets readers and discusses the Israeli-Palestinian conflict. Along the way, Oz offers advice to Israeli president Shimon Peres, and is seen with fellow writers Salman Rushdie, Paul Auster and Nadine Gordimer, and the Palestinian intellectual Sari Nusseibeh.
In the indigenous communities around the town of Juchitán, the world is not divided simply into males and females. The local Zapotec people have made room for a third category, which they call “muxes” - men who consider themselves women and live in a socially sanctioned limbo between the two genders.
Matt Walsh's controversial doc challenges radical gender ideology through provocative interviews and humor.
At the age of 54, Binode Bihari Mukherjee, an accomplished painter, lost his sight following an unsuccessful cataract operation. He continued to create art despite his loss of sight. The documentary explores Binode Bihari’s inner eye that guides his fingers to create art.