ਤਾਂਘ

Technicolor scenes from an Indian Durbar, held for the Maharaja of Alwar in Rajasthan.

Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.

Set in a small town in the region of Tamil Nadu, in southern India, the film follows the days and works of a hijra family. Silky, Mahima, Trisha, Durga, Kuyili, Priyanka, Vasundhara and Yamuna, under the firm protection of their guru Lakshmi Ma, deliver snippets of their marginal but sovereign existence. From a millenia-old sacred tradition to getting by every second, "Guru" composes with them a poem of intertwined voices in which the world is a tough playground, where the third gender is primarily the resistance force of a life shared.

Bo Kata, loosely translated in English means hacked! That is the victory battle cry when kites are eliminated in raging sky duels, sometimes lasting hours. Filmed entirely in Lahore, Pakistan, over three continuous days, Bo Kata is a rare cinematic documentary treat, depicting uniquely the rooftop kite flyers of Lahore, who have been a traditional part of Pakistan's culture and heritage that has lasted for over 400 years. Their sport is now under threat from a complete ban, after a series of tragic fatalities involving children and motorcyclists, resulting in decapitations and dismemberment from illegal chemically coated strings used to fly the kites. The documentary highlights a population that is associated with the mysterious art of kite dueling amidst the political backdrop of an impending ban

An insight into the life and works of Michel Foucault and how his work on Knowledge and Power still has an impact on daily life. This is applied practically to the real world of SOAS University and the online world of Social Media. Presented by Merle Tschirschnitz, Kiran Thomas and Adam Brocklesby

On Saturday, July 27, 1996, a terrorist’s bomb exploded in Centennial Olympic Park at the Atlanta Summer Games, killing two and injuring 111. The toll would have been far higher if not for security guard Richard Jewell, who discovered the bag holding the bomb and helped clear the area. Yet within hours, praise of his heroism turned to vicious accusations. Jewell would be hounded for months by investigations and the media. Eventually, the FBI would capture and convict Eric Robert Rudolph for the crime. Judging Jewell revisits the scene in Atlanta where Richard Jewell, a man simply doing his job, lost the one thing he valued most — his honor.

Violinist and songwriter Kishi Bashi travels on a musical journey to understand WWII era Japanese Incarceration, assimilation, and what it means to be a minority in America today.

In the run-up, everything actually spoke against the Chinese capital as the host of the XXIV Olympic Winter Games: Beijing is neither a winter sports region nor are human rights respected in China. The IOC obviously didn't care. Topics such as sustainability, freedom of expression and climate protection were also pushed aside. It's about power and profit instead of the Olympic idea and its values. But more and more athletes are speaking up and calling for a reform of the Olympic Games. A pioneer in this matter is ARD Olympic expert Felix Neureuther, a former alpine skier, who sucked up the Olympic spirit with his mother's milk, because his parents are alpine ski legend Rosi Mittermaier, double gold medalist at the 1976 Winter Games in Innsbruck, and father Christian, a ski racer, who took part three times at the Olympics. Based on interviews with athletes, experts, IOC officials and persecuted Uyghurs, Felix gets a glimpse behind the scenes of the Olympic system.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

On February 4, 2022, the opening ceremony of the 24th Winter Olympic Games was held at the Beijing National Stadium.