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The Last American Vagabond - (Jan 18th)
Jesse Watters Primetime - (Jan 18th)
The Five - (Jan 18th)
Gutfeld - (Jan 18th)
Shark Tank India - (Jan 18th)
On Patrol- Live - (Jan 18th)
The Last Word with Lawrence ODonnell - (Jan 18th)
WWE SmackDown - (Jan 18th)
Diners, Drive-Ins and Dives - (Jan 18th)
My Lottery Dream Home - (Jan 18th)
The Young and the Restless - (Jan 18th)
Gold Rush - (Jan 18th)
Lets Make a Deal - (Jan 18th)
Listen to the Earth - (Jan 18th)
The Price Is Right - (Jan 18th)
Alex Wagner Tonight - (Jan 18th)
The One Show - (Jan 18th)
Someday at a Place in the Sun - (Jan 18th)
Lopez vs Lopez - (Jan 18th)
The ReidOut with Joy Reid - (Jan 18th)
I really enjoyed this Cronenberg film. Though my favourite films of his are the incredible ones he did in my teens, during the 80's ('Videodrome', 'The Dead Zone' and 'The Fly' are nothing short of outstanding, and works that no one else could have come up with), he's really been thinking outside of the box for the past decade (even for a consistently interesting creature such as he), and it's only been recently, with both Sarah Polley and Denis Villeneuve emerging as vital directors, that his ranking as the greatest Canadian director ever has even had suitable competition for comparison. I remembered when this came out, and I believe a critic from 'The Globe and Mail' interviewed Cronenberg at its opening at Cannes, and he was almost apologetic about using Pattinson. It sounded like he didn't want to have to direct him. He made the excuse that he couldn't get funding for his projects from North America anymore, which is a dirty rotten shame, and had to go to Europe and Asia any time he wanted to make a film in order to have it bankrolled, and the Japanese insisted on star power to put moviegoers in the seats, and said there'd only be financial backing if Cronenberg directed Pattinson. This was my first experience watching the actor's work, and he did a fine job, no problem. The supporting cast was strong, with many of my favourite character actors of late, such as Paul Giamatti and Jay Baruchel. The script, co-written by Cronenberg, was a strong statement about just how out of touch the very rich are with the other 99% of us. I docked my mark by 1/10 because I was pissed off that Cronenberg degraded one of the finest actresses of our lifetime, Juliette Binoche here. I can't even talk about it. It was as difficult for me to tolerate as Spike Lee having Christopher Plummer call Jodie Foster something awful in the otherwise excellent 'Inside Man'. Lee's off my Christmas card list for sure this year, but Cronenberg being a fellow Canadian (I bet you thought I was going to say white, hahaha), I'll be less angry. But he better look over his shoulder if he tries something like THAT again. I was THAT close to crossing HIM off my Christmas card list too... I also remember from the time the film came out, an article and rating on the film (I think it was 'The Globe and Mail' as well, and by the same critic who had earlier interviewed him), saying that when he watched it, he watched a few teenage girls leaving the theatre (most probably because Pattinson was in it), saying it was the worst movie they had ever seen. That's the only evidence you need that this is a fine movie, well worth your time.
Terry Malloy is a kindhearted dockworker, and former boxer, who is tricked by his corrupt bosses into leading his friend to death. After falling in love, he tries to leave the waterfront and expose his employers.
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.
A fatalistic car crash in Mexico city sets off a chain of events in the lives of three people: a supermodel, a young man wanting to run off with his sister-in-law, and a homeless man. Their lives are catapulted into unforeseen situations instigated by the seemingly inconsequential destiny of a dog.
Nine years later, Jesse travels across Europe giving readings from a book he wrote about the night he spent in Vienna with Celine. After his reading in Paris, Celine finds him, and they spend part of the day together before Jesse has to again leave for a flight. They are both in relationships now, and Jesse has a son, but as their strong feelings for each other start to return, both confess a longing for more.
Expecting the usual tedium that accompanies a summer in the Catskills with her family, 17-year-old Frances 'Baby' Houseman is surprised to find herself stepping into the shoes of a professional hoofer—and unexpectedly falling in love.
Lola receives a phone call from her boyfriend Manni. He lost 100,000 DM in a subway train that belongs to a very bad guy. She has 20 minutes to raise this amount and meet Manni. Otherwise, he will rob a store to get the money. Three different alternatives may happen depending on some minor event along Lola's run.
A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.
Two children, Ignacio and Enrique, know love, the movies and fear in a religious school at the beginning of the 1960s. Father Manolo, director of the school and its professor of literature, is witness to and part of these discoveries. The three are followed through the next few decades, their reunion marking life and death.
Ura Hee's sexually charged Emmanuelle in Rio tells the tale of an world-famous fashion photographer who is constantly dealing with the romantic advances of a music-video director. Their passions erupt in the exotic city of Rio de Janeiro