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Decent enough 1980s-era espionage action-thriller that pretty much combines Atomic Blonde, Red Sparrow and Besson's La Femme Nikita. Sasha Luss in the lead was quite good and the fight scenes were well choreographed. The story isn't special but twists were good and it did keep me entertained thanks to a nice supporting cast, especially Helen Mirren. **3.5/5**
If _Red Sparrow_ was the crap version of _Atomic Blonde_, when the Hell does that make the crap version of _Red Sparrow_? ...Fuckin' _Anna_ I guess. _Final rating:★½: - Boring/disappointing. Avoid where possible._
I'm a sucker for Luc Besson's films. Even when they're bad they're better than most of the action schlock churned out both by Hollywood and cash-grab direct-to-video indies. There is a lot I could rip to shreds from the implausibility of pretty much everything that happens to the less-than-stellar acting at times... but that's not why one watches a Luc Besson film. It's a wild and fun ride that doesn't let up and has some truly inspired action set pieces, some campy humor, and hyper-stylized imagery that makes this a joy to watch.
**In a genre filled with solid spy action thrillers with small budgets, Anna disappoints even with a solid cast and experienced director.** My hopes were high with the promise of a spy film with a John Wick-type female protagonist and a supporting cast with Luke Evans, Helen Mirren, and Cillian Murphy. But Anna doesn't even manage to entertain. The screen time is chewed up by developing her undercover identity, her various romances, hurts, betrayals, and very little subterfuge or action. Anna might have been released in theaters, but it was the quality of a direct-to-stream b-movie that had the dreams of a bigger budget film. I had expected more from Luc Beeson, the director of Leon, Nikita, and the Fifth Element. It's surprising with a director with successful films in the genre and an excellent supporting cast that, Anna ended up subpar and bland.
Luckily, Luc Besson has just enough notoriety left over to stimulate a bit of interest in his films. Had that not remained the case, then this derivative effort would probably never have seen the light of day. It tells the tale of the young model "Anna" (Sasha Luss) who is recruited by "Tchenkov" (Luke Evans) and his boss "Olga" (Dame Helen Mirren) to work for the KGB. She has the looks, the beauty - and the ninja skills, and is soon proving very effective and attracting the attention of the CIA in the form of "Miller" (Cillian Murphy). Quickly she, he, and her Soviet mentor are all caught up in a rather predictable game of cat and mouse. This has got really nothing to help it to stand out or to redeem the repetitive nature of the story. Fight, escape, fight, escape... It's all so routine, and frankly dull. Evans and Dame Helen deliver accents that are as thick as last months Tiramisu and though she does enter into the spirit off her character, Luss just doesn't cut through at all as the ambidextrous and glamorous assassin. It's almost two hours of your life, so I'd think carefully about whether to not you might need to be doing the ironing instead?
Sam, a freelance journalist, decides to investigate the growing phenomenon of disaffected youth joining extremist groups. He infiltrates a group of four young people who have been tasked with the creation of a jihadist cell and whose mission is to destabilise the city centre of Paris.
A tale of cheats and impostors, taking its inspiration from true facts and from one of the most intriguing characters of recent decades: the spy Francisco Paesa.
After a day of filming her popular "Window On The World" television series, hostess Katherine returns to her hotel room to find Clifford, an ex-CIA agent who reveals a saga of a worldwide organization that seeks to destroy the economic stability of every major country. Katherine seizes this opportunity to become a "real journalist" like star reporter Jerry, against the direct orders of news director Carl.
Hank Thompson, a burned-out former baseball player, is unwittingly plunged into a wild fight for survival in the downtown criminal underworld of '90s New York City.
It's Christmas Eve, 1986, and Borja is a precocious teenager with a passion for film. As his family comes together to celebrate the holiday, the combined forces of the suffocating Chilean heat, free-flowing drinks, and repressed desire contribute to the eruption of long-held secrets. Both an enticing family melodrama and an explicit erotic thriller, this is a story about the ways that passion and desire control our lives - from pop-culture tastes to sexual fantasies.
After Alicia Velorus' father is convicted as a communist spy, CIA asks her to prove her loyalty by getting close to her father's friend, who's a suspected arms dealer. In the meantime she and her CIA contact Devlin fall in love.
New York, 1961. Alexander Ivanov, a high-ranked Soviet bureaucrat, reluctantly defects to the West while is part of a diplomatic mission, feeling the grief of being unable to know the fate of his wife Katya, whom he has had to leave behind in Moscow. Only many years later, in 1991, he will finally find out the truth when his niece Lauren travels to Moscow to participate in a painting exhibition.
Young drug dealer Pablo and his sister Appoline bond over an online game called Darknoon. Pablo falls for Night, neglecting his sister. While Appoline finishes the game, Pablo and Night become embroiled in a dangerous gang conflict.
A reflection on love and identity with detours towards magical realism, which winks at the oral tradition of coastal populations and introduces us to Leo, a young 21-year-old sailor who revisits his relationship with Jimena after his great-aunt reminds him of his favorite myth from when he was a child: the story of the nereids.
A black ops assassin is forced to fight for her own survival after a job goes dangerously wrong.
Pierre Blum, 40, is a writer who had his time of glory in the early 2000s. One evening, on a casino terrace, he meets Joseph Paskin. This mysterious man, charismatic and manipulative, is influential in the world of politics and persuades Pierre to take on a strange mission that takes him back to a past he’d prefer to forget, and puts his life in danger. In the middle of all this, Pierre falls in love with Laura, a young extreme-left activist. But in this world of subterfuge, who can really be trusted?