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Two brothers "Vicente" (Santiago Rodríguez Costabal) and "Borja" (his real life brother Cristóbal) are gearing up with their mother "Irene" (Carmina Riego) to celebrate their first Christmas without their father. As the family assembles, the drink flows and the claustrophobic environment takes hold and the young "Borja" begins to let the badger loose a little. His hither-to repressed sexuality begins to take hold and he also makes rather a startling discovery when exploring the drawers (furniture) of his elder brother. What now ensues is a sort of uncomfortably constructed family melodrama with very little dialogue and, for me anyway, very little purpose. It has vaguely incestuous undertones - and there is plenty of nudity (active and passive) but the story and the characterisations are woefully undercooked. What drama there is seems to be contrived, repetitive and as it rumbles on there is a frankly ridiculous scene with their mother and the ending just really doesn't deliver. It is curious to see to siblings working together with some pretty honest intimacy but otherwise this is a poorly paced and rather lacklustre story, prone to stereotype, that you will instantly forget. The soundtrack isn't bad, though!
In the 1970s, a young transgender woman called “Kitten” leaves her small Irish town for London in search of love, acceptance, and her long-lost mother.
During her wedding ceremony, Rachel notices Luce in the audience and feels instantly drawn to her. The two women become close friends, and when Rachel learns that Luce is a lesbian, she realizes that despite her happy marriage to Heck, she is falling for Luce. As she questions her sexual orientation, Rachel must decide between her stable relationship with Heck and her exhilarating new romance with Luce.
Leonard is a young gay man with a patchy beard and clip in his hair. It’s the eve of his birthday, and he’s moving into a new place and getting some advice along the way from his sister, a questionable guru, and his mom, as he prepares for a date with his ex.
Mervi is a gay girl living in the hipster quarters of Helsinki. She has been together with Kata for a year, and now they are encouraged by the circumstances to come out from closet. When they do, Mervi realises that she is not the only one in her family with secrets – her parents have been living in an open-bisexual-swinger-relationship for 20 years. On the other hand Kata is pretty surprised that she might be living with a hetero girl that once was dating a neo-nazi. And the ex-boy friend cannot swallow that Mervi is now with a person both of wrong color, and sex. The real threat appears when Kata’s parents arrive from Berlin and the local skinhead chief finds out that a black muslim celebrity politician has arrived to town.
An ex-seminarian slash communist runs a hotel in Baguio. He then meets a handsome upcoming lawyer. A once-a-year trip to Baguio by the lawyer and conversations with the hotel owner develop into an affair which encompasses decades of socio-political changes in the country.
James, a newly unemployed man whose personal life is falling apart. Opting to leave his problems behind he encounters entirely new and unexplained ones at the cabin. Strange things happen once he arrives, and James is unsure whether they happen because of an eccentric local named Val or something more sinister.
Fifteen year-old Xian goes to live with her father while her mother, a doctor, takes a job in Africa. Soon, she becomes fascinated by her father's stepdaughter, a swaggering, liberated and slightly melancholic young woman.
Nina, an end-of-teenage orphan with mental problems, starts a new job as a garden cleaner when she meets Toni. They fell in love with each other, but soon Toni starts betraying Nina. In the meantime, Francoise is picked up at a psychic department of a Berlin hospital by her husband, Pierre. After seeing Nina, Francoise believes that she has found her kidnapped daughter Marie, but neither Toni nor Pierre believe her. Nina is unsure about what to think...
Tom Ripley is a calculating young man who believes it's better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.
Manuela (14) and Toña (15) are caught in their school bathroom giving each other a hickey. After being suspended for the day, both embark on a journey through desire, guilt, and goodbyes in the city's outskirts.
Trisha, a Filipino transgender woman, suddenly dies while being crowned in a beauty pageant. Her last wish was to be presented as a different celebrity on each night of her wake, but her conservative father wants to bury her as a man.