Ταξίδι στα Κύθηρα

Hell's Kitchen, New York. Terry Noonan returns home after a ten-year absence. He soon reconnects with Jackie, a childhood friend and member of the Irish mob, and rekindles his love affair with Jackie's sister Kathleen.

Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.

During the conflict in the former Yugoslavia many soldiers were convinced to kill fellow citizens including friends and relatives in the name of patriotism. The Kolaborator follows the story of Goran, 24, a promising young soccer player who is forced to become a soldier. Goran goes from being a talented athlete to an executioner virtually overnight. Following orders, Goran lines up civilians, shoots them and drags them into mass graves. Justifying his role as a protector of his people, Goran becomes increasingly detached from the task until his soccer coach and life-long friend, Asim, is led in front of him. As a familiar face stands defeated before him, Goran must reconsider his actions and choose between his own life and that of his dear friend.

This is the story of Pablo, a young uruguayan exiled in México, whose father was disappeared during the military dictatorship.

In medieval Japan, a woman and her children journey to find the family's patriarch, who was exiled years earlier.

A sorcerer (played by the director himself) controls all activities in a village. Manipulating the different parties, the sorcerer promises love, good health and riches in exchange for the most extravagant rewards. One day someone exposes him, and the sorcerer becomes the laughing stock of the whole village. Desperate, he throws himself of a cliff.

In the hot summer of 1917, the nineteen-year-old peasant Georgy Zakareishvili left his village in search of work and, settling on a French ship, soon found himself in Paris, where he married a Frenchwoman. Modest wealth, beloved wife, sons and a faithful friend helped him to endure separation from his homeland. When the opportunity came to his homeland, George was already old and could not postpone the upcoming meeting with his native Georgia. He tried to convey his love to his grandson George: he sang folk songs, taught Georgian, talked about the people of his village. And now, in fulfillment of his grandfather’s orders, George the Younger took his ashes to his homeland...

No hay olvido, composed of three parts, each directed by a young Chilean filmmaker forced to flee his country, is about the difficult condition of exiles in a specific political and social context, in this case, Quebec. The first part, entitled J'explique certaines choses, is in Spanish with French subtitles, and shows us more precisely the lifestyle of a group of Chileans. In Slowly, which forms the second part, we are asked, through Lucia, a young Chilean exile, the problem of integration into a new social environment. Finally, Jours de fer (Steel Blues), the third and only part available in English, is a cruel reminder of the harsh condition of the uprooted man who must find work at all costs to ensure his survival.

A haunted Vietnam veteran, living in exile in the forests of the Pacific Northwest, is faced with a life-changing decision after he is visited by a former platoon member and his young Amerasian daughter.