O Nó do Diabo

An old professor in love with one of his students is rejected by her because of his advanced age. He then sells his soul in return for youth and a chance at love but things don't go as he planned.

A mute phantom hero takes on skull-masked killers, a disembodied living hand and a corpse that won't stay in its grave. This is the first in a trilogy of horror/western hybrids that also includes the films La marca de Satanás ("The Mark of Satan") and La cabeza de Pancho Villa ("The Head of Pancho Villa").

Jess, a struggling dancer, is trying out for a part in a musical about Medusa. As she practices, the director notices how much she resembles his former lover, a ballerina who died in a bizarre on-stage accident while performing the exact same dance that Jess is doing. As more unexplainable coincidences surround the production, someone or something must be behind them all. But who? Or what?

A woman suffering from dementia relives her traumatic past

Martina and Sonja, cross-dress in vampire capes and werewolf claws, re-enacting familiar horror tropes. A corresponding soundtrack of stock screams and "scary" music suggests that the girls' toying with gender roles and power dynamics may have dire consequences.

Self-absorbed and stressed-out yuppie Robert is so caught up with his thankless office job that he neglects his lovely young wife Doris. The sad, unhappy, and frustrated Doris seeks some form of relief and sexual fulfillment from both a lusty lady ghost and two equally voracious female demons.

A year after the murder of her mother, a teenage girl is terrorized by a masked killer who targets her and her friends by using scary movies as part of a deadly game.

Two years after the first series of murders, as Sidney Prescott acclimates to college life, someone donning the Ghostface costume begins a new string of killings.

While Sidney Prescott and her friends visit the Hollywood set of Stab 3, the third film based on the Woodsboro murders, another Ghostface killer rises to terrorize them.