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Hoodlum Glum! The Hoodlum is directed by Max Nosseck and written by Sam Neuman and Nat Tanchuck. It stars Lawrence Tierney, Allene Roberts, Marjorie Riordan, Edward Tierney and Lisa Golm. Music is by Darrell Calker and cinematography by Clark Ramsey. Career criminal Vincent Lubeck (L. Tierney) is paroled five years into a ten year stretch for armed robbery. Moving in with his Mother (Golm) and Brother Johnny (E. Tierney), he goes to work for Johnny pumping gas at the family gas station. Sure enough though, with a bank over the road from the gas station, it's not long before Vincent is up to his old tricks again. "It's like a kid working in a candy factory. First he tastes everything that comes along, after a while the only thing he touches is the silver wrapped stuff. Then he's sick of that and he looks for something real special - like you!" Real life tough guy Lawrence Tierney slots seamlessly into another portrayal of a remorseless thug, the actor and the characterisation at home in such a low budget short length (61 minutes) feature. Vincent doesn't care about who he tramples on, he is all about self preservation. Using family and women alike to further his ends, it's the character's traits that give the pic its edgy appeal. In the mix is sexual menace, bolstered by Calker's imposing music which paints the picture for us. Suicide features, as of course does murder and robbery, so the makers get some good story strands into the hour long play, but they feel like vignettes, with so many promising ideas undeveloped. Things aren't helped by the poor acting around L. Tierney, while crude back projection and old stock footage shots compound the cheap feel of it all. Ramsey's photography is suitably dark in filters, befitting the story of course, but the key robbery scene is poorly constructed by Nosseck to leave the viewer confused as well as disappointed. There's still enough to enjoy here for fans of 50s crime or noir in tone pictures, and it's a must for fans of big bad Lawrence, even if ultimately it's just a short sharp shock type filler piece. 6/10
Story of a young woman who marries a fascinating widower only to find out that she must live in the shadow of his former wife, Rebecca, who died mysteriously several years earlier. The young wife must come to grips with the terrible secret of her handsome, cold husband, Max De Winter. She must also deal with the jealous, obsessed Mrs. Danvers, the housekeeper, who will not accept her as the mistress of the house.
Career criminal Johnny Clay recruits a sharpshooter, a crooked police officer, a bartender and a betting teller named George, among others, for one last job before he goes straight and gets married. But when George tells his restless wife about the scheme to steal millions from the racetrack where he works, she hatches a plot of her own.
A rich woman and a calculating insurance agent plot to kill her unsuspecting husband after he signs a double indemnity policy.
In postwar Vienna, Austria, Holly Martins, a writer of pulp Westerns, arrives penniless as a guest of his childhood chum Harry Lime, only to learn he has died. Martins develops a conspiracy theory after learning of a "third man" present at the time of Harry's death, running into interference from British officer Major Calloway, and falling head-over-heels for Harry's grief-stricken lover, Anna.
A self-assured businessman murders his employer, the husband of his mistress, which unintentionally provokes an ill-fated chain of events.
Mrs. Elizabeth Bright Murdock hires Marlowe to find an old rare coin, the Brasher Doubloon, that belonged in her deceased husband's collection. Marlowe begins investigating, but quickly finds himself entangled in a series of unexplained murders.
Private eye Phillip Marlowe wants to get out of the detective racket and into crime writing. But when he's called to the office of editor Adrienne Fromsett, it's not to talk about his story ideas — she wants him to locate the missing wife of her boss, Mr. Kingsby. The assignment quickly becomes complicated when bodies start turning up.
Kathy leaves the newspaper business to marry homicide detective Bill, but is frustrated by his lack of ambition and the banality of life in the suburbs. Her drive to advance Bill's career soon takes her down a dangerous path.
The relatives of a rich old woman unsuccessfully try to have her declared insane, so they can divide up her money. To show them that there are no hard feelings, she invites them to her estate for the weekend so she can decide to whom she actually will leave her money when she dies. Soon, however, family members begin turning up dead.
Ambulance driver Frank Jessup is ensnared in the schemes of the sensuous but dangerous Diane Tremayne.