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Classy, Feverish, a Mess? The second feature film directed by future critical darling Stanley Kubrick, Killer's Kiss isn't a particularly good film. With its very basic "B" film noir plot, choppy editing, post-dubbing and "interesting" acting from the unknown cast, the film should really be a chore to get through. However, it represents a worthwhile investment of our time for two main reasons. One is of course to witness the early work of a most revered and talented director. The other is because of some indelible images that exist within the piece, images crafted around authentic New York locations. The plot revolves around Davey Gordon (Jamie Smith), a 29 year old New York boxer at the end of his career, and his relationship with a dancer and her violent employer. Love, violence and revenge all crammed into one sweaty New York weekend. Kubrick co-wrote the screenplay with Howard Sackler, he also edited, co-produced and photographed the picture himself. All financed by cash generated from friends and family of the novice director. While there is nothing to write home about in the writing, certainly there is no hint of the creative writing flair Kubrick would show later in his career, it's with the visuals - and to a lesser extent - the sound work, that this shows that the powerful director was quick out of the traps. The whole film comes across as some feverish fairy-tale, one which at frequent moments shifts to some sort of surrealistic nightmare. The effects are aided by the use of negative film stock and the tilting blend of opposing character scenes. Sexual aggression segues with a brutal boxing match, and a ballerina dancing sequence takes one away from the hustle and bustle of the loud streets. Streets where bizarre fez wearing musicians prance about gaily and where shadowy figures follow men down alleyways to enact a brutal crime. All distorting, memorable stuff, capped off by an axe fight in a mannequin factory, the dismembered parts used not only a weapons, but also as a point of reference to the weird thematics laid down by Kubrick. With stark black and white imagery augmented by the harsh music, and Kubrick dallying with close ups and low angle camera shots, Killer's Kiss is never less than engrossing from a technical viewpoint. Think of it like that weird dream you had when you had taken too much cough syrup that one time, and you will then be half way there... 6/10
Stephen Neale is released into WWII England after two years in an asylum, but it doesn't seem so sane outside either. On his way back to London to rejoin civilization, he stumbles across a murderous spy ring and doesn't quite know to whom to turn.
A Korean War vet returns to his job as a railroad engineer and becomes involved in a sordid affair with a co-worker's wife and murder. Preserved by the Academy Film Archive, in partnership with Sony Pictures Entertainment, in 1997.
Upon waking up to the news that the man she’d gone on a date with the previous night has been murdered, a young woman with only a faint memory of the night’s events begins to suspect that she murdered him while attempting to resist his advances.
A young promoter is accused of the murder of Vicky Lynn, a young actress he "discovered" as a waitress while out with ex-actor Robin Ray and gossip columnist Larry Evans.
The Scottish tragedy 'Macbeth' set in the contemporary underworld of India's commercial capital; two corrupt, fortune telling policemen take the roles of the weird sisters, and "Duncan" is Abbaji, the head of a crime family.
An ex-convict sets out to uncover who framed him for an armored car robbery.
Jack Casey used to be a hot-shot stock market whiz kid. After a disastrous professional decision, his life in the fast lane is over. He loses his nerve and joins a speed delivery firm which relies on bicycles to avoid traffic jams of San Francisco, is attracted to a fellow bicycler, Terri, and befriends Hector, a budding entrepreneur. Can Jack regain his nerve and his self-respect, and rebuild his life on a more sound basis?
Ex-con turned private investigator Bradford Galt suspects someone is following him and maybe even trying to kill him. With the assistance of his spunky secretary, Kathleen Stewart, he dives deep into a mystery in search of answers.
An American ballistics expert in Turkey finds himself targeted by Nazi agents. Safe passage home by ship is arranged for him, but he soon discovers that his pursuers are also on board.
Henry Hart is a young gay artist living in New York City. When his grandfather has a stroke, Henry puts his career on hold and returns home to the small town of Big Eden, Montana, to care for him. While there, Henry hopes to strike up a romance with Dean Stewart, his high-school best friend for whom he still has feelings. But he's surprised when he finds that Pike, a quiet Native American who owns the local general store, may have a crush on him.
