The Last Kiss

A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.

Joe Ryan, a veteran train engineer, is demoted to a flagman position after a disastrous crash- one caused by his cowardly and opportunistic partner. Though Ryan's failing eyesight is named as the cause of the crash, he's undeterred as he designs an automatic braking invention.

Else Riedel (Lissy Arna), locked out by her authoritarian father, seeks refuge with her boyfriend Hans. Complications threaten when Hans's roommate Max falls in love with her, but the situation is resolved: the three remain friends, and decide to form a music hall act. They want to ascend, but how? A way out beckons when a theatrical agent named Nevin enters Else’s life. He is played by Hubert von Meyerinck as a slick and oily villain, who oozes refinement; his experience behind bars is waved away with a silk scarf. He is cunning to the point of perfidiousness, but is not completely unsympathetic. He also embodies a new type - the scrounger.

She dances- The Dance of Death. She Sings- The song of Life. Scintillating, Fascinating, Desirable, Swifty She Weaves the Web of Destruction and then Regeneration. A Drama of Lights and Shadows.

Therese Roger, daughter of a West Indian planter, whose parents are murdered while she is a baby, becomes the adopted daughter of her aunt, Madame Roger, keeper of a haberdashery shop in one of the smaller villages in southern France. She grows up with Camille, Madame Roger's son, a sickly, sexless creature, whom she ultimately marries in deference to her aunt's wishes.

Robin Hood is a 1912 film made by Eclair Studios when it and many other early film studios in America's first motion picture industry were based in Fort Lee, New Jersey at the beginning of the 20th century. The movie's costumes feature enormous versions of the familiar hats of Robin and his merry men, and uses the unusual effect of momentarily superimposing images different animals over each character to emphasize their good or evil qualities. The film was directed by Étienne Arnaud and Herbert Blaché, and written by Eustace Hale Ball. A restored copy of the 30-minute film exists and was exhibited in 2006 at the Museum of Modern Art in New York City.

Ethel, whose financially distressed parents depend on her marrying into wealth, may be forced to abandon the man she loves for her father's rich friend.

A film with no protagonist revolving around being trapped inside and going toward the beauty of nature and freedom.

The just-out-of-college, effete son of a no-nonsense steamboat captain comes to visit his father whom he's not seen since he was a child.

In this realistic, unsentimental portrait of Germany’s dire economic situation, a middle-aged payroll clerk loses his job due to technological advances and, unable to find another, descends into despair. The film’s director, Marie Harder, was one of only a few women directors of the time and was also the head of the German Social Democratic Film Office. She made only two known films before her accidental death in exile in Mexico in 1936.

In 15th century France, a gypsy girl is framed for murder by the infatuated Chief Justice, and only the deformed bellringer of Notre Dame Cathedral can save her.