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“Scotty and the Secret History of Hollywood” wears a lot of hats, none of which quite fits. A salacious tell-all about the hidden sex lives of postwar movie stars; a peek at the underbelly of the repressive moral dictates of the studio system; a breezy biography of a self-described Hollywood prostitute and procurer; and a psychosexual study of a possibly damaged victim of extreme childhood abuse. Only the last offers a clue to interpreting the movie’s more astonishing revelations and unprobed corners. Until then, Matt Tyrnauer’s gossipy portrait of Scotty Bowers, an impish nonagenarian and former Marine, listens without judgment as he describes decades of servicing the closeted hungers of stars like Rock Hudson and Katharine Hepburn, helped by an eager network of World War II buddies. Back then, in a couple of trailers behind a gas station on Hollywood Boulevard, $20 could buy just about anything. Meandering behind Mr. Bowers as he shares faded photographs of extravagantly endowed young men and prurient factoids about his famous “tricks” — cheekily illustrated with scenes from classic movies that read rather differently in hindsight — Mr. Tyrnauer surreptitiously hoses away the layers of dirt to reveal the fragility of his subject’s anything-goes hedonism. Benevolent hustler (he never took a cut of others’ action) or naughty fabulist — perhaps both — Mr. Bowers putters around his hoarded Hollywood Hills home and gazes into the hole in his patio deck as if searching for something lost long ago. Consequently, what starts out salty ends up as something sadder and more complicated. And when he unabashedly recalls a childhood rife with sexual encounters — which he insists were consensual — with adults, the camera fixes on his mile-wide grin and we wonder if his mission to meet the needs of others has somehow ignored his own.
How did a poor little black girl from Missouri become the Queen of Paris, before joining the French Resistance and finally creating her dream family “The Rainbow Tribe”, adopting twelve children from four corners of the world? This is the fabulous story of the first black superstar, Josephine Baker.
A self-potrait of the influent Swiss psychologist Jean Piaget.
The gripping story of legendary American actor John Travolta: his rise to stardom in the 1970s; his agonizing fall in disgrace in the 1980s; and his stunning artistic rebirth in the 1990s.
A look at the life and career of the influential post-colonial writer and champion of the Palestinian cause in the West, through interviews with his immediate family and closest friends.
Antonio Hens from Cordoba delivers a fascinating and unusual look at the world of the porn industry, in which a convention acts as a melting pot that allows us to meet a number of people whose way of life is "live" sex. Through the stories of a series of men who are involved in gay porn, and the particularities of this work in which the body is a tool (erections being a sensitive element in this equation), another perspective is opened up: the one of the mise en scène of others' fantasies and what this implies for the bodies that carry them out.
Our life is like a movie. It has a beginning, middle, and end. We all have questions about this movie that we are in. Is this movie a tragedy? Is it a love story? Or is it a comedy? Do we win in the end? What is the meaning of my life?
This timely exploration of Hollywood and LGBTQ+ identity examines the life of legendary actor Rock Hudson, from his public "ladies' man" persona to his private life as a gay man.
A documentary highlighting the Soviet Union's legendary and enigmatic hockey training culture and world-dominating team through the eyes of the team's Captain Slava Fetisov, following his shift from hockey star and celebrated national hero to political enemy.
Glamorously eccentric and enigmatic Theremin master Armen Ra recounts his dynamic journey in this life-spanning documentary that mixes rare concert performances, candid interviews, and archive material with the magical power of music that can alchemize ancient sorrow into timeless beauty.
The “Film about the Father” is a difficult genre. Andreas Goldstein, son of the GDR cultural functionary Klaus Gysi (1912–1999) has tackled this task with a complete lack of vanity, but with insistence: measured and calm, honest and intellectual, analytical and personal. He uncovers a mosaic that renounces both the teleologies of the self-styled winners of history and the simplifications of (West) German Oscar nominees. This film is not about the lives of others, but about his own life. Not about yesterday, about today, too.
