War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
For folks used to watching the beautiful undersea imagery from the likes of the "Blue Planet" (2001) or it's 2017 sequel, this might seem a little bit unremarkable - but if you watch this documentary on this visionary man, you will soon realise that he and his "oceanic musketeers" were the source of so much of the basic building blocks upon which the latter programmes are based. From designing the "Aqualung" to pioneering waterproof cameras, this Frenchman comes across here as a forward thinking and inspirational figure. Of course he had flaws - much of what he did was funded by and produced for the oil industry, but this film serves to illustrate just how little even those closest to the ocean environment understood about human impact on that space, and gradually how his increasing awareness became the vehicle for a global attempt to profoundly change attitudes towards the seas. His life was not without it's struggles - personal and professional, and though the film does reflect those, it doesn't dwell on them: this is essentially an interesting and compelling story of a man well ahead of the curve. The photography is astonishing; not so much the beautiful underwater stuff, but of his early life - he clearly was a film maker long before anyone saw commercial returns from such ventures. It's let down a bit by the nature of the production. It uses a lot of out-of-vision commentaries and interviews which are sometimes quite hard to follow, and the contemporaneous chronology of the narrative means we don't really get any retrospective, objective, sense from his peers as to his achievements or his vision. Still, for many of us who remember his television series of the 1970s, thus film is an interesting reminder of our time on the "Calypso". A time that clearly demonstrates that pollution and climate change issues have been an high profile issue - and have fallen on many a deaf ear - for many, many years.
Adam Bartlett started Gilead Media record label in 2005. His first releases were small runs of LPs and CDs, but fast forward to the present, he now he runs a celebrated underground label that is renowned internationally for putting out black metal, doom, and noise rock releases of well-known bands. He and his partner Dave Adelson from the record label, 20 Buck Spin, put on Migration Fest every two years where heavy music fans from around the world come together to perform, hang out, and create strong personal bonds. Through live performances, interviews, and BTS footage, we meet musicians, learn how they write and perform music as a means to cope with issues such as sexual abuse, depression, childhood indoctrination of Christianity, and grief from loss of loved ones. Features appearance from members of Thou, Neurosis, Enslaved, Panopticon, Emma Ruth Rundle, Yellow Eyes, Couch Slut, Blood Incantation, Krallice, Mizmor, Weigedood, Hell, Leech, Mania, Inter Arma and much more.
Fully authorized, access-all-areas feature doc on the hugely charismatic and globally adored Usain Bolt – officially the fastest man alive. With never-before-seen archive footage of his youth in Jamaica, through to original footage that will be captured at his fourth and final Olympic Games in Rio, where he will compete for the gold in both the 100 and 200 metres races, for a third straight Games before his retirement in 2017. I AM BOLT will reveal the man and define the legacy of this incredible athlete.
From abject poverty to becoming a ten-time boxing world champion, congressman, and international icon, Manny Pacquiao is the true definition of a Cinderella story. In the Philippines, he first entered the ring as a sixteen-year-old weighing ninety-eight pounds with the goal of earning money to feed his family. Now, almost twenty years later, when he fights, the country of 100 million people comes to a complete standstill to watch. Regarded for his ability to bring people together, Pacquiao entered the political arena in 2010. As history’s first boxing congressman, Pacquiao now fights for his people both inside and outside of the ring. Now at the height of his career, he is faced with maneuvering an unscrupulous sport while maintaining his political duties. The question now is, what bridge is too far for Manny Pacquiao to cross?
Documentary about veteran character actor Dick Miller, whose career in and outside of Hollywood has spanned almost 200 films across six decades, featuring a diverse range of interviews with directors, co-stars, and contemporaries.
Story of Chuck Berry told by his relatives and friends.
The Bit Player tells the story of an overlooked genius, Claude Shannon (the "Father of Information Theory"), who revolutionized the world, but never lost his childlike curiosity.
"I often say sociology is a martial art, a means of self-defence. Basically, you use it to defend yourself, without having the right to use it for unfair attacks." (Pierre Bourdieu) The world has witnesses who speak out loud what others keep to themselves. They are neither gurus, nor masters, but those who consider that the city and the world can be thought out. The sociologist, Pierre Bourdieu is one such witness." Over a three- year period, Pierre Carles' camera followed him through different situations: a short conversation with Günter Grass, a lively conference with the inhabitants of a working-class suburb, his relations with his students and colleagues and his plea that sociology be part of the life of the city. His thinking has a sort of familiarity, which means it is always within our reach. It is the thinking of a French intellectual who has chosen to think his times.
Following the 1974 French presidential campaign with Valéry Giscard d’Estaing.
What makes European cinema so special? Find out in Paul Joyce’s feature-length documentary, Pictures of Europe, which examines the differences between American independent and Hollywood movies and films from European directors. Featuring luminary iconoclasts from European cinema such as Agnes Varda, Bernardo Bertolucci and Pedro Almodovar, as well as American counterpoints from Paul Schrader, and those who have crossed back and forth, such as Paul Verhoeven