蜻蜓之眼

The viewer becomes the eyes of two detectives who never appear on camera as they unravel a mystery on a video screen, watching tapes from twenty-one hidden cameras which have captured a crime in progress. Three gunmen break into the home of gem dealer Seth Collison to steal the Sophia Diamond, a thirty-three carat stone valued at ten million dollars. Five minutes later the gunmen are dead. The case is closed before police find out about the hidden cameras. At eleven o'clock that night, the task of watching the tapes falls to secondary detectives Blu and Scotty. Through their eyes we discover what really went down.

The true history of a collection of some 500 films dating from 1910s to 1920s, which were lost for over 50 years until being discovered buried in a sub-arctic swimming pool deep in the Yukon Territory, in Dawson City, located about 350 miles south of the Arctic Circle.

After 20 years of living in Washington, D.C., Mark Klein seeks much-needed solace by moving to the remote wilds of West Virginia. To ease his loneliness, he sends regular video updates to members of his OCD-support group back in the city. But Mark gradually realizes that despite his new, isolated setting, he may not be alone. From the endless woods surrounding his home, something else is watching.

On a bitterly cold December night, a paranormal investigations team has set their sights on the bloody Hillcrest Sanatorium to answer the age old question: Is there life after death? With rumours of hauntings and local children gone missing, they may just get their answer the hard way when members of the team mysteriously disappear, leaving behind unnerving evidence.

Three filmmakers receive an unsettling postcard from an estranged friend living in a secluded commune. The filmmakers take their cameras into the wilderness of Montana to document the mysterious inner workings of the group. On their disconcerting road to self-sufficiency, witnessing something more shocking than they ever imagined.

American religious extremism collides with independent filmmaking when Harmony Hope Bryant sets out to create a cautionary movie about the dangers of roleplaying games.

A television reporter and cameraman follow emergency workers into a dark apartment building and are quickly locked inside with something terrifying.

An alien narrates the story of his dying planet, his and his people's visitations to Earth and Earth's self-made demise, while human astronauts in space are attempting to find an alternate planet for surviving humans to live on.

How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.

Directed by Richie Mehta, executive produced by Ridley Scott and powered by Google, India in a Day is a new form of non-fiction filmmaking that uses footage shot by millions of people in India on one single day to assemble a lyrical portrait of modern India.