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As far as found footage films go, this is one that exists. The first two-thirds of the film certainly can't be called much of a horror film. It honestly could be some sort of indie drama focused on a quirky road trip and an all-too-real relationship. Frankly, I thought it was more than a tad boring. The last third is where the 'magic' happens. Well, it's supposed to. There's a good chunk, which holds the majority of the scares of the movie, where the sound is all whispers intermixed with a handful of screams. This was my least favorite part of the film. Where I think the film is strongest is the very final scene. It doesn't do anything particularly frightening; we don't even see the main focus of the movie. No, the movie introduces a bit of lore, a bit of incredibly interesting information which is barely a callback. Regardless, the resulting Google searches after the movie was over were almost, if not more, interesting than the movie itself. While so far, this has seemed like a rather damning review, it really isn't nearly as bad as it seems. Sure, the film falls into the same traps so many found footage films do, in that it's boring until the climax and the action afterward just doesn't make up for the first two thirds, but it's also not nearly as bad as some of the found footage movies I've seen. It's also not campy in the slightest. It's all rather just mediocre.
Steve Morgan kills a man in a holdup and hitches a ride to Los Angeles with Fergie. At a gas station, they pick up two women. Encountering a roadblock, Morgan takes over and persuades the party to spend the night at an unoccupied beach house. The police close in as one by one, the others learn that Morgan is a killer.
A wilderness camp for troubled teens and tells of a 13-year-old boy named Ben who is sent there as part of a reform program. Although the counselors are overly happy, a sinister current runs through the place. The boys Ben befriends seem to have unique skills, which is lucky, because the group is going to need all the help it can get in uncovering the mystery behind mysterious events and disappearances, and the evil lurking beneath the camp itself.
Plot details are being kept under wraps other than it revolving around a mythical monster.
Three people driving into Los Angeles for a Dodgers game have car trouble and pull off into an old wrecking yard where they are held at bay by a bloodthirsty psycho and his crazy girlfriend.
Twelve years ago, a plague swept through, wiping out most of the population; in San Francisco, only 186 people remain. Two of them use jury-rigged batteries to power a camera and make a documentary. We see a variety of approaches to survival, from the artist and engineer who trade for their needs, to the surfers and woodsmen who fish and hunt, to the scavengers, and a communal farm. We also see how the community deals with those who threaten it, and how the youth are growing up with different values from those who knew our world.
A man and his daughter are attacked in the woods by what they believe is a Bigfoot-type creature. However, they soon begin to suspect that they may have stumbled onto a nest of aliens in a hidden spacecraft.
A woman named Emily checks into a hotel and offers the bellboy $2000 to temporarily marry her. We soon find out Emily is the caretaker of a wheelchair-bound mute named Helga, who was the childhood guardian of a pair of siblings: Miriam Webster and her half-brother, Warren, who is about to inherit the estate of their late father. Who is the mysterious Emily and what are her intentions?
Rock and Dr. Andrea travel up the Amazon to find out why the plantation workers have left their work in panic, allegedly because of attacks from Curucu, a monster who is said to live up the river where no white man has ever been before...
Jimmy Duncan is a film director working on his fourth film but things are not exactly going as planned.
A documentary of serial killer Wayne Montgomery and his followers.
Young urban couple Ed and Sarah are set to begin a new life when they move from London into an isolated borders Scottish farmhouse. After falling in love with the 19th century Castle Farm and seeing its potential as a fixer-upper they are anxious to get started on the renovations. In bed on their first night Sarah thinks she can hear noises in the darkness but Ed is disbelieving saying it’s her imagination playing tricks. Persisting in her fear they are not alone in the house, she forces Ed to investigate. When he doesn’t return after a scarily long period, she goes downstairs to investigate only to be confronted by a welcoming committee of masked intruders. As she desperately searches for Ed, a terrifying game of cat and mouse ensues with the mysterious assailants. But what do they want and what horrors do they have planned for the two newcomers?