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The life and work of stage designer ADOLPHE APPIA, originator of the most profound agitations in contemporary theatre. Through the dynamic alternation of animated drawings and choreographies specially conceived for the film, we discover the steps of his artistic evolution.
Marking Out is a comedic documentary that follows a group of grown men as they try to figure out why they can't seem to let go of professional wrestling. Travel with them as they meet with wrestlers (including EC3, Eric Young, and the stars of Chikara and Olde Wrestling) and wrestling fans in an attempt to either rekindle their love of the business or put it behind them forever.
A documentary film investigating the 1928 murder of a Pennsylvania farmer and the allegations of witchcraft that shocked the nation.
From the John Wayne Tribute Collection A Tribute Restrospect celebrating John Wayne's illustrious career and personal highlights.
A reportage cross-cutting film about the development of Africa from 1900-1936, using archive footage and film material from earlier African expeditions.
Indonesian noise, the largest scene of extreme and independent music scene is the biggest in South-East Asia. This documentary gives an extensive overview with numerous bands, artists and speakers, all from Jakarta, Bandung, Bekasi, Yogyakarta, and Tokyo, who freely talk about their own definitions and approaches to noise music.
A mysterious web of international shortwave radio towers once dominated the Tantramar marshlands near Sackville, New Brunswick. For almost 70 years the RCI shortwave towers broadcast around the world. Due to budget cuts, the site was decommissioned in 2012 and dismantled in 2014. Examining themes of identity and memory, the film captures images of the towers over four seasons in various weather conditions, accompanied by the voices of residents and technicians narrating accounts of hearing radio broadcasts emanate from their household appliances.
In the 17th century, the Netherlands experienced an unprecedented artistic explosion: painters such as Rembrandt, Vermeer and Hals were so prolific that they were able to make a living from their talent alone; so much so that, within a prosperous society, thanks to wealth from overseas colonies and financial speculation, collecting works of art became a status symbol.
