Black Girls 2024 - Movies (Jan 29th)
Freelance 2024 - Movies (Jan 29th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Flight Risk 2025 - Movies (Jan 28th)
Dark Night of the Soul 2024 - Movies (Jan 28th)
Juror #2 2024 - Movies (Jan 28th)
The Fish Thief A Great Lakes Mystery 2025 - Movies (Jan 28th)
Wicked 2024 - Movies (Jan 28th)
In Between Stars and Scars Masters of Cinema 2024 - Movies (Jan 28th)
Loch Ness Monster Captured 2024 - Movies (Jan 28th)
Echoes Of A Hermit Solitude Resilience and the Power Of Writing 2024 - Movies (Jan 28th)
The Pushover 2024 - Movies (Jan 28th)
A Real Pain 2024 - Movies (Jan 28th)
The Tattooist’s Son Journey to Auschwitz 2025 - Movies (Jan 28th)
Tom Green I Got a Mule 2025 - Movies (Jan 28th)
Monster on a Plane 2024 - Movies (Jan 28th)
The Fire Inside 2024 - Movies (Jan 28th)
Den of Thieves 2 Pantera 2025 - Movies (Jan 28th)
The Chase - (Jan 29th)
Deal or No Deal - (Jan 29th)
Katy Tur Reports - (Jan 29th)
Four in a Bed - (Jan 29th)
The Real Manhunter - (Jan 29th)
Come Dine With Me- South Africa - (Jan 29th)
Andrea Mitchell Reports - (Jan 29th)
Chris Jansing Reports - (Jan 29th)
The Bidding Room - (Jan 29th)
Richard Osmans House of Games - (Jan 29th)
Tyler Perrys The Oval - (Jan 29th)
The Tucker Carlson Show - (Jan 29th)
Homes Under the Hammer - (Jan 29th)
Perfect Match - (Jan 29th)
Wild Cards - (Jan 29th)
Allegiance - (Jan 29th)
Family Feud Canada - (Jan 29th)
The Kelly Clarkson Show - (Jan 29th)
After Midnight - (Jan 29th)
Ishura - (Jan 29th)
Could this be the original observational documentary? We begin as the audience flood into a cinema and settle down in front of the big screen. The cameraman then takes us on a tour of his city with no apparent rhyme nor reason to the imagery we see. There's a bit of the old Imperial opulence reflected in the architecture to contrast with the street beggars (whom the Soviet Union aways denied existed). A very near miss whilst trying to get some POV footage of a train. Then what feels rather pruriently like a look at a woman's morning levée all intercut cleverly using the camera shutter to deliver this in chapters as their city awakens and the trams start to run, the bustle sets in and the industry comes alive. The photography frequently captures the intricacy of different manufacturing processes - both with and without human input, the latter sometimes being quite labour intensive. People mill about like ants racing to and fro and the cameraman himself appears in shot now and again to add additional context to this remarkably captivating look at a day in the life of an huge variety of people and activities - including a wedding and funeral. What's quite astonishing is the quality of the film. It's almost pristine, almost a century after it was made, and there are even some very basic visual effects merging the images and creatively capturing the lives of the community. It's barely an hour long, but effectively combines pictures of the serious and professional as well as the mischievous and playful and it's well worth a gander.
A dual portrait of young drifters on the streets of Odessa, where every day seems the same and the future keeps getting further away.
Promotional documentary for the MGM film "Ice Station Zebra" focusing on the career and cinematographic innovations of cameraman John Stephens.
AMIN portrays Qashqai musician Amin Aghaie, a young modern nomad and his family who despite facing steep financial, cultural and political obstacles are dedicated to their art and culture. Amin travels to remote towns and villages to record the music of the surviving masters whose numbers decline each year. His nomadic family are selling their meager belongings to help support their son's education in performance and ethnomusicology at Tchaikovsky's Conservatory in Kyiv, Ukraine, but it is not enough. Amin, desperate to finish his academic education, sells his violins one at a time just to pay for his tuition.
An experimental docu-fiction short from hours of collected material shot by the director. Different scenes, from drunk parties with friends to shots of the Dutch landscape during a train ride, are cut together to see if a narrative story can be constructed from nothing but randomly shot footage.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Two women – one passive and resigned, the other aggressive and domineering – interact in various locations in New York city. The film explores the dynamic between them before ending with a showdown at the roller-coaster on Coney Island.
Is there an audience for Latin American movies? These are some of the questions posed by an Ecuadorian filmmaker whose latest movie was a commercial flop. He embarks on a query to find answers to his questions and relief for his despair. His research leads him to a giant contraband market in the port city of Guayaquil, where pirated movies from all over the world are sold for one dollar each. Here, he discovers a number of Ecuadorian low budget movies produced by amateurs, with titles he had never heard of before: from action packed productions to evangelical melodramas.
The encounter of three movies, three territories. A personal story that portrays, through experiments revealed by images and extracts from a diary, lived meetings and inhabited places filled by forces of nature, colors, incidents and struggles.
Every weekend for six years, Jessica takes a bus from NYC, where she lives and works as a set decorator, to Boston, her hometown, where she cares for her dad, Aloysius, who is 87 and has advanced Alzheimer's disease.