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Storyville - (Feb 20th)
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Gangland Chronicles - (Oct 1st)
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Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
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Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
Reacher - (Feb 20th)
Zero Day - (Feb 20th)
INVINCIBLE - (Feb 20th)
Harley Quinn - (Feb 20th)
I thought the trailer made _Code 8_ look like it was gonna be pretty bad, but I liked the premise, and I wanted to see what Stephen Amell could do in a 2019 feature film, so I gave it a chance, and while I don't think it was great, it was better than I had been expecting. There were some bits that sort of reminded me of last year's _Darkest Minds_, and that's definitely a bad thing, but overall it was actually pretty decent. It goes for both the social commentary, and a *pew pew splodey zap zap* action crime thriller. It doesn't work **spectacularly** as either, but it tries, and its failures certainly are not abysmal ones. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Code 8 never really grabbed me, though I managed to watch it all the way through. Perhaps I am an outlier viewer, but I would have liked to see more time spent on why society lowered the status of the super-powered people to practically second class citizens. To me that might have been more compelling viewing than the details of Connor’s descent into crime or his mother’s rather stereotypical declining health. But within its narrow plot and limited number of interesting characters, it may have been less than great, but it was better than mediocre.
Robbie Amell is undoubtedly a good-looking man, but that really does not forgive the fact that as an actor, he is really dead behind the eyes. The concept here is quite interesting - ordinary people have superpowers and are all still pretty much persecuted by the authorities. Amell is down on his luck and has a sick mother so, to pay for her extortionately expensive treatment, he seeks work casually - and soon falls in with the wrong company where he uses his powers (he can generate and focus electricity) to further their petty, but increasingly ambitious criminal activities. This gets him caught up between a drug-smuggling gang and with the pursuing police. Cousin Stephen discards his bow and arrow for this film, instead heading the druggie gang that will betray everyone/anyone as soon as look at them. The dialogue and pace of the film - there are some decent action scenes - keep it moving quite well, and the visual effects do their job - but the acting is just bland and the story an amalgam of B-grade X-men themes.
Code 8 is X-Men minus the budget and the A-list cast, and that's the good news. Unfortunately, the movie suffers more, not when it deviates from, but when it copies Marvel's mutants. Code 8 is set in a world where 4% of the population are born with various supernatural abilities, but instead of being rich and famous, they face discrimination, live in poverty, and often turn to crime. As far as I can tell, Code 8 is an allegory about illegal immigrants in the US – the image of day laborers waiting for a van to take them to work is unmistakable, because we have seen it in other, better films (e.g., El Norte). There is also the matter of an addictive narcotic called Psyke manufactured from the cerebrospinal fluid of the People with Power (doesn't quite have the same ring as X-Men, does it?); a drug literally made by and for them. Addressing that some immigrants are forced to smuggle and sell drugs while others turn to alcohol and other drugs to cope with depression and anxiety is one of the things that Code 8 does well. The problem is that the movie doesn't seem to understand that illegal immigrants do these things because they are powerless. If Mexicans entering the United States illegally had the kind of power that Code 8 characters have, Los Angeles would have been returned to Mexico a long time ago. Connor and his similarly 'empowered' peers are oppressed because they want to be; what prison could contain them? I estimate that four “People with Powers” could reasonably demand that the President “kneel to Zod” within a week at most. We know where illegal immigrants come from; of places where, to put it in the terms of the United States Declaration of Independence, life, liberty and the pursuit of happiness are nothing short of impossible (otherwise they'd stay put). Conversely, establishing the origin of the protagonists' powers in Code 8 is not as simple. Like those of the X-Men, these powers are unexplained – and unexplainable –, and include the usual for a superhero (manipulation of electricity, superhuman strength), as well as, for lack of a better term, magic (telepathy, telekinesis) and finally, as Jules Winnfield would say, "miracles according to Hoyle" (healing the sick). Consider this: Sutcliffe's main lackey is bulletproof. Bulletproof! How does one even go about becoming bulletproof? Code 8 is a very imaginative movie (my favorite part is the Guardians, robot cops that drop from drones), but it has absolutely zero curiosity about its own characters. Where do their powers come from? How do they work? And why don't they use them on a larger scale? These are all questions that Code 8 doesn't answer because it doesn't even bother to ask them.
Good use of budget. Interesting enough. Good ideas. I watched it because I thought I had to because Code 8 part two was out as well. I probably wouldn't have watched it without that. I'm glad I watched it.
Thomas Jerome Newton is an alien who has come to Earth in search of water to save his home planet. Aided by lawyer Oliver Farnsworth, Thomas uses his knowledge of advanced technology to create profitable inventions. While developing a method to transport water, Thomas meets Mary-Lou, a quiet hotel clerk, and begins to fall in love with her. Just as he is ready to leave Earth, Thomas is intercepted by the U.S. government, and his entire plan is threatened.
In Los Angeles, a wealthy man, known as Mr. Fuller, discovers a shocking secret about the world he lives in. Fearing for his life, he leaves a desperate message for a friend of his in the most unexpected place.
In the winter of 1982, a twelve-man research team at a remote Antarctic research station discovers an alien buried in the snow for over 100,000 years. Soon unfrozen, the form-changing creature wreaks havoc, creates terror... and becomes one of them.
In a world ravaged by crime, the entire island of Manhattan has been converted into a walled prison where brutal prisoners roam free. After the US president crash-lands inside, war hero Snake Plissken has 24 hours to bring him back.
When Hollywood superstar George Reeves dies in his home, private detective Louis Simo is hired to investigate his death and gets caught in a web of lies involving a big studio executive's wife.
In order to save his dying father, young stunt cyclist Johnny Blaze sells his soul to Mephistopheles and sadly parts from the pure-hearted Roxanne Simpson, the love of his life. Years later, Johnny's path crosses again with Roxanne, now a go-getting reporter, and also with Mephistopheles, who offers to release Johnny's soul if Johnny becomes the fabled, fiery 'Ghost Rider'.
The sole survivor of an interplanetary rescue mission lands on the planet of the apes, and uncovers a horrible secret beneath the surface.
The world is shocked by the appearance of three talking chimpanzees, who arrived mysteriously in a spacecraft. Intrigued by their intelligence, humans use them for research - until the apes attempt to escape.
In a futuristic world that has embraced ape slavery, a chimpanzee named Caesar resurfaces after almost twenty years of hiding from the authorities, and prepares for a revolt against humanity.
A cop, his partner, and his father uncover a plot by city elders to smuggle drugs from Mexico into Phoenix, Arizona.
In the future, the government maintains control of public opinion by outlawing literature and maintaining a group of enforcers, known as “firemen,” to perform the necessary book burnings. Fireman Montag begins to question the morality of his vocation…