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Perfection. I think I will just come right out and say it from the off, this is a masterpiece, a truly spell binding, mesmerising tour de force that seeps class from every pore. I have often found myself cringing and turning my back on those who use in film debate the tired old defence of "it's not for everyone", but here I find I have no choice because this picture is purely for those enamoured with poetic beauty and precision film making at its highest. Those in search of an all action gun toting western need not apply, in fact those merely after popcorn fodder to while away an evening viewing should steer well clear. Andrew Dominik's second directorial effort is a character and dialogue driven piece of work, its thematic heart swirling with intelligence and elegiac beauty. The story centrers around the final days of notorious outlaw Jesse James, and how one of his young disciples came to murder him on April 3rd 1882. Using Ron Hansen's novel as its source, it also fills in the gaps as to what became of the murderer Robert Ford as regards the subsequent aftermath of killing the infamous Jesse James. The film is dealing with issues all to prevalent in modern day society, we are witnessing perhaps the first instance of celebrity status gone berserker, we see how the press glamorise the nasty piece of work that was Jesse James, turning him into some sort of quintessential noble outlaw. We observe a stalking menace yearning to be like his hero, a young and impressionable fellow who's hurtling towards infamy completely oblivious of the pitfalls and irony of it all. Structually the film is perfect, and to me the film defines the old saying of art on the silver screen. The performances of the lead actors are incredible, Brad Pitt gives a career high as Jesse James, all teetering villainy yet perfectly befitting the prince charming outlaw persona so gleefully built up by the press. Sam Rockwell is Charley Ford, and here he proves that movie big wigs really need to start giving the guy some more dramatic roles to get his teeth in to. Yet as good as Pitt & Rockwell are, both men are left trailing in the wake of Casey Affleck's performance as Robert Ford, childish emotion fused with flecks of dark undercurrents as Affleck layers a perfect show. How the academy chose to ignore this performance should be seen as an act of treason against American cinema. Few films have left me open mouthed in admiration at the quality on show, but shot after shot, frame after frame, this really is as gorgeous as it comes. Roger Deakins photography sublimely pleasing the eyes at every edit, be it lush rolling hills cloaked in snow, or shadowy figures appearing like ghosts from locomotive smoke, with Deakins firmly cementing his reputation as a master of his craft. The score from Nick Cave & Warren Ellis perfectly captures the ambiance and texture of the piece, with Cave himself bagging a cameo performance as a bar room busker. It's incredible to think that this is only director Andrew Dominik's second feature film, following on from the hugely enjoyable Chopper in 2000, it is now evident that New Zealand can lay claim to producing a talent that if all goes to plan, will go on to become a director to rank up with the best of them. As it is, and just right now, The Assassination Of Jesse James By The Coward Robert Ford should be filed along side Vertigo as a member of that club that only admits the greatest American films of all time, and that be even if it was directed by a Kiwi, wink wink America. Masterpiece. 10/10
The adventures of a small town Croatian family during the 1960s. The decade will leave eternal marks on all of their members, but most of the story focuses on the youngest one, a boy, Frula, who discovers the love and fashion of the time.
Life for a single mom in Los Angeles takes an unexpected turn when she allows three young guys to move in with her.
What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
A young man meets a 23-year-old cancer patient on the way to the park and disrupts her plan to commit suicide.
A man named Farmer sets out to rescue his kidnapped wife and avenge the death of his son – two acts committed by the Krugs, a race of animal-warriors who are controlled by the evil Gallian.
A man who lost his family in the September 11 attack on New York City runs into his old college roommate. Rekindling the friendship is the one thing that appears able to help the man recover from his grief.
Twenty years after his disappearance and while everyone believes him dead, Jacques returns home incognito under the name Laurent Dupas. He finds his wife Hélène, who has remarried Eric, a bank manager. They all look happy. But behind this idyllic family picture lies a mystery.
Kerstin floats stoically across the Mecklenburg Lake District in her red GDR kayak. Aimlessly, between tourism and dreariness, she glides over the water for days, striving to remain alone. The many rivers and lakes are familiar to her. But where does Kerstin come from? What is she fleeing from? Who is pursuing her? The evenness of this journey breaks when Alima appears, finally asking the paddling loner the right questions.
Two brothers argue over what to do with the old house left to them by their late grandfather.
Ceremony is a personal story about fathers and sons, and the overbearing silence which is passed down for generations. After the death of his grandfather, Oliver (21) and his father (50) bring the urn to a cemetery. Seeing his father in distress, Oliver takes the opportunity to acknowledge their distant relationship, attempting to connect.