Tibet - Widerstand des Geistes

There are only a few Bluegrass Boys still around that played with the Father of Bluegrass, Bill Monroe. Peter Rowan was a bluegrass boy in the 1960's for only a short time, but Bill's influence and musical knowledge still resonates with Peter. Even as he branched out into his own music after leaving Bill's band, his bluegrass roots were never far away. This portrait of Peter expands beyond his music to his artistic and spiritual endeavors spanning four decades giving the viewer an in-depth look at a true legend within our Americana musical history. His lyrical quality and melodies are memorable; influencing the next generation of musicians, sharing what Bill taught him and what he has learned being a troubadour traveling the world.

The main characters of the film are two small boys who share the throne of Karmapa, the highest office of one of Tibetan Buddhism's main sects and the third in line after the Dalai Lama and Panchen Lama. As with the Dalai Lama, Karmapa is the same soul which reincarnates in each successor to the office, who is identified by omens, portents and other signs. The Karmapa line actually pre-dates the Dalai Lama's, and their respective importance has alternated in the course of history with either the Karmapa or Dalai Lama holding precedence. Only one of the current Karmapas lives in Tibet, who is recognized by the Dalai Lama but controlled by the Chinese government for political ends. The second Karmapa lives in New Delhi, India and was selected by a Tibetan group in exile. The film was shot in India, Nepal and Tibet and features the Dalai Lama as narrator, providing an incisive spiritual and political view of occupied Tibet.

An inside look at China working towards the goal of becoming a superpower by the year 2000 via education as the key to modernization. Filmed in Peking, on a rural commune in central China, and in the industrial northeast region, Jack Reynolds interviews Vice Premier Fang Yi and the president of Peking University, as well as students, workers, and peasants.

A new film compiled from the BFI National Archive's unparalleled holdings of early films of China, features films from 1900-48 filmed across China. The cinematic journey of Around China with a Movie Camera contains many films which may never have been seen in China, or at the very least not for over 70 years. These travelogues, newsreels and home movies were made by a diverse group of British and French filmmakers, some professionals, but mainly enthusiastic amateurs, including intrepid tourists, colonial-era expatriates and Christian missionaries.

Resulting from an ancient volcanic eruption, revered as sacred by the Chalun and Matsun Native American Tribes as the home of the Firebird/Thunderbird (California Condor) a supernatural being of power and strength. Pinnacles represents transcendent moments, spiritual guidance and forging new timelines within interpersonal landscapes.

A taxi drives through the city of Berlin. Its driver is a punk, left and a well-known figure in the autonomous scene. The stations of his trip are the most important places of the autonomous scene: all in the struggle for survival. The last evictions have not yet been processed and the next ones are coming right up.

The Land of Ahimsa” is a feature length documentary that follows Dolly Vyas-Ahuja on her journey to veganism. Dolly narrates and produces the film, alongside Bollywood actor Aryeman, who directs. “The Land of Ahimsa” will strive to inspire and encourage the people of India to adopt a vegan way of life by showing them how easy it is. Indians are waking up to the truth that all animals are intelligent species and deserve a chance to live.