National Theatre Live: Yerma

An affluent suburban couple's empty and gin-fueled lives are observed through the eyes of their neglected, eight-year old daughter.

A screenwriter gets conned out of selling a script to a Hollywood producer by his brother, who pitches his own idea for a movie. This video recording of the 1982 Steppenwolf Theatre Company production was later broadcast by PBS.

The epic love story tells the tragic tale of young Vietnamese bar girl Kim, orphaned by war, who falls in love with American GI Chris — but their lives are torn apart by the fall of Saigon.

This musical adaptation of the Studs Terkel book examines the average worker's viewpoint-showing that he or she is anything but average. Based on a series of interviews with real working people-construction workers, waitresses, firemen, secretaries, and cleaning women, Working is both an exploration of the individuals' occupations and a lament for lost hopes and dreams.

Revue Starlight ―The LIVE Seiran― BLUE GLITTER is a spin-off of Revue Starlight ―The LIVE― #2 Transition and features the students and staff of Seiran General Art Institute, which aims to win the national high school drama championship overall. Koharu Yanagi, head of the drama major in the stage department, is impatient because the performance has not been decided. The impatience spreads to deputy chiefs Ryo Minamifu and Hyonami Honami, and the gears of the three people slowly start to go haywire.

The story takes place entirely in a bedroom dominated by a couple's four-poster bed, taking them through fifty years of marriage, through happiness and sorrow, through good times and bad, through childbirth, parenthood, and the eventual sadness from the absence of their children. In the end, they face the future together, while remembering their past.

A true story about one US and one USSR delegate who, during 1982 talks in Geneva between USA and USSR on limiting medium-range nukes in Europe, met by accident in a nearby forest while on a stroll and informally started a key discussion.

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.

When an old adversary threatens Rome, the city calls once more on her hero and defender: Coriolanus. But he has enemies at home too. Famine threatens the city, the citizens’ hunger swells to an appetite for change, and on returning from the field Coriolanus must confront the march of realpolitik and the voice of an angry people.

The Moorish general Othello is manipulated into thinking that his new wife Desdemona has been carrying on an affair with his lieutenant Michael Cassio when in reality it is all part of the scheme of a bitter ensign named Iago.

Adaptation of Arthur Miller's play.