A Walk in the Woods

A ghostly visitor with a shocking secret, a daughter devastated by loss, a deadly duel – and the most famous question in all of drama. Just some of the reasons why Shakespeare’s iconic tragedy will hold you spellbound.

The timeless tale of Ebenezer Scrooge comes to thrilling new life as Tony winner Jefferson Mays plays over 50 roles in a virtuosic masterclass of a performance that must be seen to be believed.

This couple’s business has been more about Andre than his longtime girlfriend, Alicia, whose passion seems to have been long forgotten. When an old acquaintance shows up and the person she thought she knew best begins to switch up on her, Alicia is reminded of the one thing she has always loved, and she is forced to decide whether or not she’ll finally make a move to will benefit Alicia.

An aging actor remembers his past stage triumphs and contemplates a dim future on the stage of an empty theatre. The film was nominated for an Oscar for Best Live Action Short Film.

Takatora Kureshima (Kamen Rider Zangetsu) visits a former Yggdrasill Corporation experimental project site located in the poverty and conflict stricken Republic of Torukia. He is visiting the site for the first time in 8 years, and is suddenly attacked! Suprised he stumble and falls into a giant hole which leads into an underground city. This underground city is the most dangerous place in the republic, in which many young men are killed defending themselves while trying to survive. These men use Lock Seeds and Drivers to transform into Armored Riders. Due to the fall Takatora has lost his memory. He is helped by the leader of Team Orange Ride. Unbeknownst to them, there are cameras hidden all around the underground city. The ones behind the cameras are responsible for the conflicts in the city. One man in particular is seeking revenge on Takatora for a specific reason...

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.

‘Beauty is but skin deep, ugly lies the bone; beauty dies and fades away, but ugly holds its own.’ After three tours in Afghanistan, Jess finally returns to Florida. In a small town on the Space Coast, as the final shuttle is about to launch, Jess must confront her scars – and a home that may have changed even more than her. Experimenting with a pioneering virtual reality therapy, she builds a breath-taking new world where she can escape her pain. There, she begins to restore her relationships, her life and, slowly, herself.

Sam Shepard's Pulitzer Prize-winning play in a production by The New Group, directed by Scott Elliott. Dodge (Ed Harris) and Halie (Amy Madigan) try to hang on to their farmland and their sanity while caring for their two wayward grown sons (Rich Sommer and Paul Sparks). When their grandson (Nat Wolff) arrives no one seems to recognize him and a secret must be kept.

Chul-soo is a twelve-year-old boy who attends an acting training course. One day, the teacher arranges for him to rehearse a "love confession" scene with the prettiest girl in class, Yeon-hee, but he is unable to perfectly portray the feeling of his heart pounding. However, when his acting counterpart gets replaced with Soo-hyun, a male classmate, Chul-soo realizes that some emotions don't need to be rehearsed...

One of several collaborative dance films by the Brothers Quay & (dancer, choreographer) William Tuckett. Little enough info around on line, but there's briefly by way of Wikipedia entry. Adapted rather loosely from the works of the E.T.A. Hoffman. Familiar Quays' tropes, much in evidence: automata, trompe l'oeil effects, etc. No credit on the sound design (which is fairly elaborate), tho' that is possibly Larry Sider.

Based on Michael Morpurgo's novel and adapted for the stage by Nick Stafford, War Horse takes audiences on an extraordinary journey from the fields of rural Devon to the trenches of First World War France.