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There is no going back, to that other person, that other place. This thing, this stranger, she is all you are now. Erica Bain (Jodie Foster) survives a vicious subway attack that saw her intended husband killed. Unsatisfied with the police efforts to catch the killers, and submerged by grief, she decides to take matters into her own hands and clear the streets of criminal vermin... Well there's no getting away from it, this is basically a feminist version of Death Wish. Director Neil Jordan pitches the always great Foster right into the moral quagmire of vigilante justice. This is a smart and provocative vigilante thriller at the core, yet the preposterous machinations on show render it somewhat annoying - none more so than with the finale which is just ridiculous. Erica takes up a gun, it becomes her comfort blanket, and as she battles with self loathing of what she is doing, she amazingly starts ridding the streets of scumbags. We are also asked to swallow that she becomes very tight to the lead detective investigating the vigilante crimes, played by Terence Howard (superb). Unfortunately, Jordan seems to run out of guts to follow through in creating something worth saying. Instead pitching Erica in increasingly daft situations, with dialogue to match, for a film with a lady lead kicking butt, the whole thing actually lacks balls. The lead actors ensure it's no stinker, and who doesn't feel a punch the air moment in them as scumbag criminals gets what's due? But really it's an above average vigilante film at best. 6/10
Following the latest Ghostface killings, the four survivors leave Woodsboro behind and start a fresh chapter.
Estranged twins Maggie and Milo coincidentally cheat death on the same day, prompting them to reunite and confront the reasons their lives went so wrong. As the twins' reunion reinvigorates them, they realize the key to fixing their lives may just lie in repairing their relationship.
Under the direction of a ruthless instructor, a talented young drummer begins to pursue perfection at any cost, even his humanity.
During a 1980s crime wave, a cop’s daughter goes on a rampage to unearth her father’s attempted assassin and weed out deep-rooted corruption in the New York City Police Department.
When his family gets killed by corrupt business tycoon, Soorya (Prithviraj) decides to take revenge, all by himself
David, a robotic boy—the first of his kind programmed to love—is adopted as a test case by a Cybertronics employee and his wife. Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David.
In 25 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.
With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate man seeks revenge on his captors.
Many loosely connected characters cross paths in this film, based on the stories of Raymond Carver. Waitress Doreen Piggot accidentally runs into a boy with her car. Soon after walking away, the child lapses into a coma. While at the hospital, the boy's grandfather tells his son, Howard, about his past affairs. Meanwhile, a baker starts harassing the family when they fail to pick up the boy's birthday cake.
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
