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The Repair Shop on the Road - (Feb 20th)
The Kelly Clarkson Show - (Feb 20th)
NCIS- Sydney - (Feb 20th)
Dimension 20 - (Feb 20th)
The Nature of Things - (Feb 20th)
Family Feud Canada - (Feb 20th)
The 11th Hour with Stephanie Ruhle - (Feb 20th)
Green Eyed Killers - (Feb 20th)
On Cinema - (Feb 20th)
Tyler Perrys Sistas - (Feb 20th)
Conspirators - (Feb 20th)
The Chase - (Feb 20th)
Vince - (Feb 20th)
Gogglebox Australia - (Feb 20th)
The Chase Australia - (Feb 20th)
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The Family Business- New Orleans - (Feb 20th)
Ozark Law - (Feb 20th)
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Tony and Denzel get back on track. Unstoppable is directed by Tony Scott and written by Mark Bomback. It stars Denzel Washington, Chris Pine, Rosario Dawson, Ethan Suplee & Kevin Dunn. Cinematographer is Ben Seresin and the music is scored by Harry Gregson-Williams. Plot finds Washington and Pine as Pennsylvania rail yard workers at the opposite ends of their working careers. Whilst working on their first job together, and not exactly hitting it off, the two men are thrust into a frantic pursuit of a runaway train. The runaway (coaster) is pulling tankers containing highly explosive material, and hurtling along at 70mph it has to be stopped before it hits civilisation. Almost as if to atone for the misfire that was The Taking of Pelham 1 2 3, Scott and Washington jump on board another type of train movie and literally let it rip. The film is as simple as its plot synopsis suggests, it's a disaster movie on the railway, but with Scott cranking it up as much as he can, it's as much fun as you can hope to have with a modern day popcorner. Carrying all the trade mark licks of its director; roving camera, scattergun editing and ear splitting sound mix, it's also nice to report that unlike Pelham, the pace never sags. Even as the principal characters hang ups and back stories are unfolded in the narrative, Unstoppable literally doesn't pause for breath. Sure the "Bromance" development is signposted at the first stop, and yes, are we ever in doubt about where this will end up? But if you are going into Unstoppable for wry social commentary or an expose on the political shenanigans involved in today's rail yards? Well you deserve all the disappointment you will undoubtedly get. A runaway train pursued by Captain Kirk and Malcolm X, directed by the man who brought us Top Gun. Yeah baby, it's a thrill ride for sure. 8/10
Unstoppable is an intense, high-energy thriller that keeps you on edge from start to finish. The premise is simple but packed with tension, and the performances by Denzel Washington and Chris Pine elevate the film. Their chemistry makes the stakes feel real, and you genuinely connect with their characters. The movie does a great job of building suspense, and the pacing never lets up, making it an easy and engaging watch. That being said, the script didn’t fully hold up for me. While I understand the need for character-building moments, some of the dialogue felt excessive and took away from the urgency of the story. The film could have focused more on developing the plot instead of lingering on conversations that didn’t add much. I also had issues with the cinematography, especially the constant swirling camera movements. It felt like an attempt to create a sense of motion and energy, but instead, it became distracting and even frustrating at times. Despite its flaws, Unstoppable delivers where it counts. The action sequences are well-executed, the intensity is gripping, and the climax is satisfying even if expected. It may not have the strongest script, but the solid performances and non-stop momentum make it an entertaining ride. If you’re looking for a fast-paced thriller with strong leads and adrenaline-pumping moments, it’s worth a watch.
A group of strangers trapped in a farmhouse find themselves fending off a horde of recently dead, flesh-eating ghouls.
The extravagant cop Michael Dooley needs some help to fight a drug dealer who has tried to kill him. A "friend" gives him a dog named Jerry Lee (Officer Lewis), who has been trained to smell drugs. With his help, Dooley sets out to put his enemy behind the bars, but Jerry Lee has a personality of his own and works only when he wants to. On the other hand, the dog is quite good at destroying Dooley's car, house and sex-life...
In order to release his kidnapped sister, sports car mechanic, Chan Foh To, has to defeat a super-criminal street racer.
An earthquake shatters a peaceful Los Angeles morning and opens a fissure deep into the earth, causing lava to start bubbling up. As a volcano begins forming in the La Brea Tar Pits, the director of the city's emergency management service, working with a geologist, must then use every resource in the city to try and stop the volcano from consuming LA.
Tom Ripley is a talented mimic, moocher, forger and all-around criminal improviser; but there's more to Tom Ripley than even he can guess.
When Baton Rouge police detective Bud Carter busts contract killer Jesse Weiland, he convinces Jesse to become an informant and rat out the South's most powerful crime ring.
A fearless, faithful albeit slightly forgetful Mumbai cop, Veer Sooryavanshi, the chief of the Anti-Terrorism Squad in India pulls out all the stops and stunts to thwart a major conspiracy to attack his city.
When Lou Bloom, desperate for work, muscles into the world of L.A. crime journalism, he blurs the line between observer and participant to become the star of his own story. Aiding him in his effort is Nina, a TV-news veteran.
In 1978, $20 million was stolen from a Detroit bank. One of the robbers was caught, one was found dead, and the third disappeared. The money was never found. Seven years later, the robber who was caught was released from jail. He immediately went to Miami, only to be found dead the next day. Now FBI agents Doug Bennet and Steve Forest have been called in to investigate the case while posing as Miami police officers. Somewhere in Miami the third robber is hiding with his $20 million, and he has a seven-year head start on the authorities.
An aging, reclusive Southern belle plagued by a horrifying family secret descends into madness after the arrival of a lost relative.