Rue de Blamage

The construction of the Obelisco in Buenos Aires, Argentina.

Bern, 1979: a tower block called Tscharnergut. A group of friends get together to make a film about their experiences growing up in suburban Switzerland.

Bern, 1980: A caleidoscopic portrait of Swiss urban life in the early 1980s.

Young members of 3 New Orleans school marching bands grow up in America's most musical city, and one of its most dangerous. Their band directors get them ready to perform in the Mardi Gras parades, and teach them to succeed and to survive.

Genuine connections between children and nature can revolutionize our future. But is this discovery still possible in the world's major urban centers? The new chapter of "The Beginning of Life" reveals the transformative power of this concept.

Bern, 1979: a tower block called Tscharnergut. Together with a few friends (among them famous Swiss actor Stefan Kurt), director Aron Nick's father and uncle shoot the idealistic Super 8 film "Dr Tscharniblues" ("The Tscharni Blues") – a wild, unvarnished self-portrait of their generation. 40 years later, Nick gathers the friends at Tscharnergut and asks what has happened to them and their ideals in the meantime. What have the achieved? What have they lost? Past, present, and future clash and form a journey of personal disappointments, hopes, and a collective search for identity. In "Tscharniblues II," Aron Nick discovers a kind of friendship that can weather anything.

The protests of 1968 had a significant impact on the great cities of the world. But people like to forget that the periphery went through the same social upheavals – Central Switzerland, for example. This is hardly surprising: in the founding cantons of the Old Swiss Confederacy, society followed a strict order; tradition, shaped by centuries of Catholic rule, seemed untouchable. But in the 1960s, the local youth could not take these stifling conditions anymore: starting in 1969, resistance broke out across Central Switzerland.

Welcome to “the prime of life”. All his life, Rudy has worked hard for the firm, and for the family. But now, everything is about to change: Rudy retires. No alarm clock, no meetings, no travels to distant countries to set the pace. Shopping, cooking, gardening, and the daily routines of marital bliss will now fill his schedule. Rudy was actually looking forward to it, to the next phase. But as he soon realizes, “the prime of life” is a wild ride on an emotional rollercoaster. Retirement is not for cowards.

Essay on the epic story of an ordinary man, a filmmaker, born in the beginning of the Second World War. From 1942 to 2016, his personal story and the world history, the history of his films, of cinema and the images that inspired him. Life and creation entangled, untangled, intertwined, jostled together. From his childhood to his first steps as an artist. From the distant war to the war against everyone, from the dreamed revolution to the consumer society that ruins your dreams like Coca Cola dissolves your bones.

Before its economic decline, Detroit was a major metropolis. Now, in the 2000s, the young people of the Motor City are making it their own DIY paradise where rules are second to passion and creativity. Johnny Knoxville tours the city to meet some of the people who are creating a new Detroit on their own terms, against real adversity.

A high-rise apartment built in the 1960s provides housing for 2500 people from 42 nations. Separated from the city by a river and bounded by towering sandstone cliffs, everyone attempts to live and survive in their own way. Foreigners who have a go at being Swiss, and Swiss who observe with scepticism. They meet in the corner shop run by an Iraqi living in exile, send their kids to a children’s club managed by a missionary, and old drinking mates meet regularly over a beer in the neighbourhood’s only bar. Despite all the differences, they are rather proud of the fact that they come from here.