右門捕物帖 片眼の狼

In feudal Japan, during a bloody war between clans, two cowardly and greedy peasants, soldiers of a defeated army, stumble upon a mysterious man who guides them to a fortress hidden in the mountains.

Against the backdrop of the Edo treasury devaluing currency and driving many into poverty, Hanzo Itami enforces the law without regard to status. He shows inadequate respect to the treasurer, who wants him dead.

Hanzo extracts a confession from a ghost using his assaulting methods, foils thieves, connects with Heisuke Takei a friend from his youth, offers protection to a forward-thinking physician Genan Sugino who has defamed his ruler, discovers a pleasure ring of young wives and a blind music teacher, and cuckolds a corrupt official under his very nose.

Orphaned Kiku was raised at a Buddhist temple and learned theatrical arts and martial arts as a child, which were used to put on stage productions to raise money for the temple, but also to display young lads who were essentially for sale to the highest bidder. When Kiku gets fed up with how the temple uses the orphans and wants to leave he gets accused of a double murder and has to flee for his life and liberty.

Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin’s resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.

With Ran, legendary director Akira Kurosawa reimagines Shakespeare's King Lear as a singular historical epic set in sixteenth-century Japan. Majestic in scope, the film is Kurosawa's late-life masterpiece, a profound examination of the folly of war and the crumbling of one family under the weight of betrayal, greed, and the insatiable thirst for power.

Toshiro Mifune swaggers and snarls to brilliant comic effect in Kurosawa's tightly paced, beautifully composed "Sanjuro." In this companion piece and sequel to "Yojimbo," jaded samurai Sanjuro helps an idealistic group of young warriors weed out their clan's evil influences, and in the process turns their image of a proper samurai on its ear.

The film tells about a young detective Zenigata Heiji who successfully solves a disgusting and unusual case involving the manufacture of counterfeit money.

In the second film of the Lone Wolf and Cub series, Ogami Itto battles a group of female ninja in the employ of the Yagyu clan and must assassinate a traitor who plans to sell his clan's secrets to the Shogunate.

A pair of black-robed thieves who robbed many wealthy merchants in Edo one after another. One of them is a young woman who is called "Aoi no Kozo" because she always takes off her skin to show the tattoo on her back. The target of the robbers was the Kogi, and in particular, the big stores that were under the control of Hotta Bizen. Itami Hanzo, a Doshin known as "Kamisori Hanzo" discovers when he tracks down the Aoi no Kozo! What is the truth?!

Wishing to find peace, Zatoichi travels to his old village but only finds trouble when he ends up in a love triangle and finds old scores have followed him home.