さいころ奉行

Bored Hatamoto film #20

The film is set in Kyoto at the end of the Tokugawa period, when there is a fierce clash between the supporters of the Emperor, who are fighting for the overthrow of the Shogunate, and the Shinsengumi squad, who are chasing them. Suddenly, a mysterious masked warrior appears, on a white horse he is called Tengu from Mount Kurama and he opposes the Shinsengumi.

A humble page fathers a child by the daughter of a clan official and is banished. Years later, the child, now a stable boy, is reunited with his father, but feudal codes threaten their happiness. Uchida’s poignant masterpiece condemns the inflexible class system and launches an indictment of values that favor symbolic objects over human life. The film’s focus is on character rather than swordplay, and charged performances - especially child actor Motoharu Ueki - add to the emotional power.

In feudal Japan, during a bloody war between clans, two cowardly and greedy peasants, soldiers of a defeated army, stumble upon a mysterious man who guides them to a fortress hidden in the mountains.

Iwane Sakazaki returns to his homeland and gets caught in the middle of an incident that results in the tragic death of two of his best friends from childhood. He decides to leave his domain, parting with his fiancée Nao, and becomes a vagrant masterless samurai with nothing more to lose. Iwane drifts to Edo, filleting eels during the day and working as a bodyguard at night for Imazuya, a reputable money exchanger. He gradually wins the trust of the people around him because of his mellow nature, the chivalrous way he treats everyone with courtesy, and his skills of swords. One day, he learns that Imazuya is being targeted in a conspiracy to sabotage a new monetary system implemented by the government, and Iwane decides to protect the people who have given him support.

A history drama portraying the confrontation between the indigenous Ainu people living on Japan’s northernmost main island—then called “Ezo” and now known as “Hokkaido”—and the “sisam”, the Ainu word for ethnic Japanese.

1953 jidaigeki directed by Nobuo Nakagawa of Jigoku and Ghost of Yotsuya fame.

Brimming with action while incisively examining the nature of truth, "Rashomon" is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man's murder and the rape of his wife.

Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.

Aspiring to an easy job as personal physician to a wealthy family, Noboru Yasumoto is disappointed when his first post after medical school takes him to a small country clinic under the gruff doctor Red Beard. Yasumoto rebels in numerous ways, but Red Beard proves a wise and patient teacher. He gradually introduces his student to the unglamorous side of the profession, ultimately assigning him to care for a prostitute rescued from a local brothel.

Even though Gennosuke and Oboro are from rival ninja villages, they are secretly in love. At an annual conference with the Lord, it is dictated that a competition-a fight to the death-will take place between the five best shinobi from each village. Gennosuke and Oboro's love is made even more impossible when they each got picked as the leader of the five to represent their respective villages.