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Desperate Siege. Rawhide is directed by Henry Hathaway and written by Dudley Nichols. It stars Tyrone Power, Susan Hayward, Hugh Marlowe, Jack Elam, George Tobias, Dean Jagger and Edgar Buchanan. Music is by Sol Kaplan and Lionel Newman and cinematography by Milton Krasner. A stagecoach station employee and a stranded woman traveller and her baby niece find themselves held hostage by four escaped convicts intending to rob the next day's gold shipment. A Western remake of 1935 crime film Show Them No Mercy, Rawhide is the embodiment of a solid Western production. Beautifully photographed in black and white by Krasner, smoothly performed by a strong cast of actors and seamlessly directed by the astute Hathaway, it builds the hostage plot slowly, tightening the screws of character development a bit at a time, and it unfolds in a blaze of glory come film's end. Characterisations are always interesting, if a bit conventional to anyone who has watched a lot of Oaters. Power is of course our hero in waiting and Hayward is spunky and feisty, I wonder if they will get together romantically? The four convicts are your typical scuzzy types, with Marlowe dominating the screen as the intelligent leader saddled with cohorts he really doesn't care for, while Elam is wonderfully vile as a lecherous loose cannon. The thematics of greed, sexual hostility and jeopardy for Hayward and child keep the pot boiling nicely, so suspense is a constant, and some thought has gone into the writing as regards the convict group dynamic. Sadly Kaplan's musical score is quite often cheese laden, even ridiculously jolly and not at one with the noirish thriller conventions of the story. But regardless of irritating musical interludes, this is a very good Oater and comfortably recommended to Western fans who want more than your standard shoot em' up B pictures. 7.5/10
**_Western noir with Tyrone Power, Susan Hayward and Hugh Marlowe_** Four outlaws take captive the residents of a way station in southern Wyoming (Power, Hayward and Edgar Buchanan) while waiting for a stage with a gold shipment. Marlowe plays the head thug while Jack Elam is on hand as his psychotic subordinate. "Rawhide" (1951) is a B&W Western that influenced future ones, like "Hangman's Knot" (1952), “The Tall T” (1956), “Day of the Outlaw” (1959), "Ride Lonesome" (1959), "Comanche Station" (1960) and "Apache Uprising" (1965). It ranks with the best of these. If you remove the opening and closing scenes, which are understandably passé, “Rawhide” holds up in the modern day as a psychological adult Western that's film noir-ish and realistic. While some people favor B&W, I don't (although I can roll with it), and would love to see a colorized version. Susan is a highlight, looking her best along with convincing spunkiness. Meanwhile Power is a quality protagonist, just a regular guy suddenly caught up in a life-or-death situation. The film runs 1 hour, 29 minutes, and was shot at Alabama Hills, Lone Pine, and nearby Olancha, which are located in the Sierra Nevada Mountains in central California, about an hour’s drive from the Nevada border and 200 miles north of Hollywood. GRADE: B
An outlaw committing a string of robberies and murders manages to blame the crimes on Apaches, bringing about an Indian war.
Lash and Fuzzy sent to help John Watson with his stage line arrive to find him murdered. Recognizing the outlaws they trail them to their leader Baxter. But before Baxter can tell who the big boss is he is shot. After getting the stage through to assure the mail contract, Lash now realizes who the boss is.
The coming of the railroad to Cedar City spells the end of the stagecoach as the government gives the mail contract to the fastest means of delivery. McCord loses the stagecoach line gambling with the new buyer, but has enough hidden money to buy a ranch and some cattle. To make more money, he starts a gang to rob the railroad, express offices and steal cattle. But the railroads send out special agent Cameron to end his reign of violence.
A group of people traveling on a stagecoach find their journey complicated by the threat of Geronimo, and learn something about each other in the process.
In order to obtain a stage coach mail contract, a new road must be built. A gang of outlaws try to prevent the building of the road.
Stodge City is in the grip of the Rumpo Kid and his gang. Mistaken identity again takes a hand as a 'sanitary engineer' named Marshal P. Knutt is mistaken for a law marshal. Being the conscientious sort, Marshal tries to help the town get rid of Rumpo, and a showdown is inevitable. Marshal has two aids—revenge-seeking Annie Oakley and his sanitary expertise.
A boy haunted by nightmares about the night his entire family was murdered is brought up by a neighboring family in the 1880s. He falls for his lovely adoptive sister but his nasty adoptive brother and mysterious uncle want him dead.
In the late 19th Century, Mary Breydon, a widow, and Peggy Breydon, her daughter manage a stagecoach stop on The Cherokee Trail. The story is told from the perspective of Peggy, looking back on her adventures.
Questions arise when Senator Stoddard attends the funeral of a local man named Tom Doniphon in a small Western town. Flashing back, we learn Doniphon saved Stoddard, then a lawyer, when he was roughed up by a crew of outlaws terrorizing the town, led by Liberty Valance. As the territory's safety hung in the balance, Doniphon and Stoddard, two of the only people standing up to him, proved to be very important, but different, foes to Valance.
Jim Bannon and his partner own a stagecoach line. With the coming of the telegraph and the end of the Pony Express, two men plot to take over and get the new mail contract. When Jim's partner is murdered and Jim's name is written in the sand beside the body, Jim is arrested. At his trial Whip brings surprising evidence that clears Jim and the two plotters are soon arrested.
An authoritarian rancher rules an Arizona county with her private posse of hired guns. When a new Marshall arrives to set things straight, the cattle queen finds herself falling for the avowedly non-violent lawman. Both have itchy-fingered brothers, a female gunman enters the picture, and things go desperately wrong.