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Rancho Skulduggery. Man in the Saddle is directed by Andre De Toth and adapted to screenplay by Kenneth Gamet from the novel written by Ernest Haycox. It stars Randolph Scott, Joan Leslie, John Russell, Ellen Drew, Alexander Knox, Richard Rober and Guinn Williams. Music is by George Duning and cinematography by Charles Lawton Jr. More known and rightly lauded for the series of Western films he made with Budd Boetticher, it often gets forgotten that Randolph Scott also had a long working relationship with Andre De Toth. Man in the Saddle was the first of six Western films the two men would make together, and it’s a pretty impressive start. Sometimes you see words such as routine and standard attributed to a lot of Westerns from the 1950s, and Man in the Saddle is one such film that’s unfairly tarred with that brush. Not that the narrative drive is out of the ordinary, the plot essentially sees Randy as a peaceful farmer forced to get nasty when evil land baron flexes his muscles, but the zest of the action, the stunt work, the colour photography (Lone Pine as always a Mecca for Western fans) and Scott, mark this out as a thoroughly entertaining production. Characterisations carry a bit more psychological smarts than your average “B” Western of the era. There’s a four way tug-of-love-war operating that is clearly going to spell misery, pain and death for somebody, a capitalist slant that bites hard with its egotistical bully boy overtones, while the obsessive behaviour of the principal players adds another dark cloud over this part of the West. Then there is the action scenes, of which De Toth once again shows himself to be a darn fine purveyor of such directional skills. And so, we get an ace runaway blazing wagon sequence, a stampede, a quite brilliant gunfight in a darkened saloon, a mano-mano fist fight that literally brings the house down – and then continues down a steep ravine, and the closing shoot-out played out during a dust storm doesn’t lack for adrenalin rushes. Scott is once again a bastion of Western coolness, more so when he throws off the bright attire he wears for the first half of film, to then switch to black clothes that signifies he’s going all bad ass on those who have caused him grief. Undervalued for sure, both as a Scott picture and as a Western movie in general. Don’t believe the routine and standard scare mongers, there’s good craft here and it’s a whole bunch of Oater fun. 7.5/10
Wealthy rancher Bick Benedict and dirt-poor cowboy Jett Rink both woo Leslie Lynnton, a beautiful young woman from Maryland who is new to Texas. She marries Benedict, but she is shocked by the racial bigotry of the White Texans against the local people of Mexican descent. Rink discovers oil on a small plot of land, and while he uses his vast, new wealth to buy all the land surrounding the Benedict ranch, the Benedict's disagreement over prejudice fuels conflict that runs across generations.
Jim Killian arrives in a small Arizona town hoping to establish a peaceful life as the local preacher, but he soon finds himself in the middle of a feud between sheep ranchers and cattlemen. Leloopa, a young Native American woman, pleads for Killian's help after her shepherd father is hung by Coke Beck, the vicious son of the head cattle rancher. Killian must weigh his actions carefully lest he perpetuate the cycle of retribution and revenge.
The brother (House Peters Jr.) of rancher Bill Martin (Bill Elliott) is killed in a stampede started by cattleman. Bill returns to the Fargo country to take his brother's place and is welcomed by law-abiding cattleman MacKenzie (Jack Ingram)) and his daughter Kathy (Phyllis Coates). The leader of the ruthless cattle interests are townsman Austin (Arthur Space) and his henchmen Red (Myron Healey), Link (Robert J. Wilke) and Albord (Terry Frost). Bill has the idea of putting up barbed wire to keep the herds from been driven over the land cultivated by the farmers. He, aided by Tad Sloan (Fuzzy Knight), produces the wire by make-shift methods, but it proves effective. The cattleman charge in court that the wire is dangerous to their herds but lose the case. Austin orders his men to seize Bill, bale him in strands of the wire, and throw him on the stage of the town hall during a fall festival. Bill doesn't take kindly to this and it precipitates open war.
In the Oklahoma territory at the turn of the twentieth century, two young cowboys vie with a violent ranch hand and a traveling peddler for the hearts of the women they love.
After a few years trying to earn money to marry Jessica Harrison, Jim Craig returns to Snowy River. But he finds that a lot of things have changed.
An authoritarian rancher rules an Arizona county with her private posse of hired guns. When a new Marshall arrives to set things straight, the cattle queen finds herself falling for the avowedly non-violent lawman. Both have itchy-fingered brothers, a female gunman enters the picture, and things go desperately wrong.
A woman seeking revenge for her murdered father hires a famous gunman, but he's very different from what she expects.
Questions arise when Senator Stoddard attends the funeral of a local man named Tom Doniphon in a small Western town. Flashing back, we learn Doniphon saved Stoddard, then a lawyer, when he was roughed up by a crew of outlaws terrorizing the town, led by Liberty Valance. As the territory's safety hung in the balance, Doniphon and Stoddard, two of the only people standing up to him, proved to be very important, but different, foes to Valance.
Two estranged siblings return home to the sprawling ranch they once knew and loved in order to care for their ailing father.
Dan Evans, a small time farmer, is hired to escort Ben Wade, a dangerous outlaw, to Yuma. As Evans and Wade wait for the 3:10 train to Yuma, Wade's gang is racing to free him.
When his cattlemen abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his cowboys in order to get his herd to market in time to avoid financial disaster. The boys learn to do a man's job under Andersen's tutelage, however, neither he nor the boys know that a gang of cattle thieves is stalking them.