Sebechlebskí hudci

A beautiful temptress re-kindles an old romance while trying to escape her past during a tension-packed train journey.

Marquise is a drama about the rise and fall of a beauteous actress. As cheerfully portrayed by Sophie Marceau, the eponymous heroine is an engagingly ribald, but perhaps rather too modern, character. She rises from an impoverished background to become a favourite of the Sun King, Louis XIV, and the mistress of the celebrated Racine, who wrote roles especially for her; but her fate, in the end, is a tragic one.

For many Americans, the journey of the Mayflower symbolizes the birth of their nation. To this day, the Pilgrim Fathers are a glorified symbol of American virtue. In search of autonomy and with the desire to preserve their cultural identity, a group of English Puritans left their Dutch refuge in 1620 to set off for the New World. That voyage is not just a tale of a religious community bravely going their own way; the events of those days would have a major impact on the course of modern history. The rules and regulations of the Mayflower Compact that the Pilgrim Fathers, religious sectarians, abided by, became the secular prototype for the constitution of the United States of America; a social contract that would serve as an example for many other national constitutions during the European age of civil society and thereafter.

Adolf (Miloš Kopecký), the irresistible seducer of women, is fond of Janicka (Hana Lelitová), a novice opera singer. The girl, however, prefers famous men and Adolf thus does not have a single chance with her. One day in a hospital, he meets a Greek partisan named Apostolek (Pavel Landovský) who impresses him with his spontaneity and ease in solving all problems, especially those with women. Adolf has an idea for a revenge. He makes Apostolek familiar with social manners, dresses him after the latest fashion and introduces him to Janicka as a Greek conductor. Janicka instantly falls in love with the made-up composer and Apostolek does no better.

The dramatization of the Old Prague short story by the writer Ignát Herrmann is an acting concert by Jan Pivec. In this film from 1964, the actor let all registers of his mature acting sound, from outright comical positions to tones sounding with tragic undertones. And although the character of Vavřinec Konopka clearly dominates in this story, the great actor disciplinedly left enough space for his teammates, especially Jaroslav Marvan, Dana Medřická (her poisonous Petronila is an excellent figure), the modest Libuša Havelková and the bohemian Josef Kemr and everyone else. The director František Filip was actually the conductor here, who got a beautifully coordinated orchestra of soloists at his disposal... But let's go back to the century before last. Where is the dignified and rather burly official Mr. Konopka peláší? And even runs with a jet and without a hat…

Urho Kaleva Kekkonen, the long-time president of the Republic of Finland, is scheduled to visit Alli’s Bar on his way to northern Finland. He is blindly worshiped and the nearer the visit draws, the more envy, competition and dirty tricks come to bear in this small town setting. No one is spared the brutality!