Matthew Perry A Hollywood Tragedy 2025 - Movies (Feb 25th)
Take That This Life – Live In Concert 2024 - Movies (Feb 25th)
Den of Thieves 2 Pantera 2025 - Movies (Feb 24th)
Cellphone 2024 - Movies (Feb 24th)
Into the Deep 2025 - Movies (Feb 24th)
Gladiator II 2024 - Movies (Feb 24th)
Sisterhood Inc. 2025 - Movies (Feb 24th)
Bottom Feeders 2024 - Movies (Feb 24th)
Veselka The Rainbow on the Corner at the Center of the World 2024 - Movies (Feb 23rd)
Monster Mash 2024 - Movies (Feb 23rd)
Kraven the Hunter 2024 - Movies (Feb 23rd)
Azrael 2024 - Movies (Feb 22nd)
Swimming Home 2024 - Movies (Feb 22nd)
Sugar Mama 2025 - Movies (Feb 22nd)
Ghost Rite Here Rite Now 2024 - Movies (Feb 22nd)
The Bayou 2025 - Movies (Feb 21st)
Old Guy 2024 - Movies (Feb 21st)
Millers in Marriage 2024 - Movies (Feb 21st)
Inheritance 2025 - Movies (Feb 21st)
Daytime Revolution 2024 - Movies (Feb 21st)
Assassins Guild 2024 - Movies (Feb 20th)
Win or Lose - (Feb 26th)
Wildcard Kitchen - (Feb 26th)
WWE NXT - (Feb 26th)
FBI - (Feb 26th)
7 Little Johnstons - (Feb 26th)
Kitchen Nightmares - (Feb 26th)
The Rookie - (Feb 26th)
Road Rage - (Feb 26th)
Renovation Aloha - (Feb 26th)
The Real Housewives of Beverly Hills - (Feb 26th)
St. Denis Medical - (Feb 26th)
The Irrational - (Feb 26th)
Hudson and Rex - (Feb 26th)
PITINO- RED STORM RISING - (Feb 26th)
The Last Word with Lawrence ODonnell - (Feb 26th)
Will Trent - (Feb 26th)
FBI- Most Wanted - (Feb 26th)
All In with Chris Hayes - (Feb 26th)
The Rachel Maddow Show - (Feb 26th)
The Beat with Ari Melber - (Feb 26th)
What's more overdone? The gratuitous cleavage shots or the catchphrase? I did enjoy 'The Three Musketeers' - but boy is there a load of cleavage shoved in your face. The famous Musketeer phrase is also said a lot. This film is a little bit of a weird one, in terms of how I feel about it. It's clearly enjoyable but I wasn't sure if it deserves the step above rating that I've given, by the end I think it just about gets there. I like the plot, the locations and pacing, but it took a relative while for the cast to grow on me. Chris O'Donnell (D'Artagnan) and Oliver Platt (Porthos) would be my standouts, I liked both of them pretty much from the beginning; it's my first time seeing O'Donnell, away from his 'Batman' appearances, though have seen Platt a number of times. Charlie Sheen (Aramis) and Kiefer Sutherland (Athos) are the ones who don't work amazingly in my opinion. I don't love their acting styles here, while I didn't sense enough chemistry between the two - and Platt, for that matter. Tim Curry, meanwhile, is always hit-and-miss to me - not helped by the fact that 'Garfield: A Tail of Two Kitties' is my biggest memory of him, I'm constantly hearing Prince XII whenever he talks - my apologies, Mr. Curry. Lastly for the cast, it's also interesting (for me) seeing Paul McGann involved - I've very recently become aware of him through television's 'Luther'. Funny ol' world. Sorry for the few tangents there. My final thoughts on this film: It's entertaining. Worth a watch.
They say a hero is only as good as the villain. If, by the same token, a villain is only as bad as the hero, then The Three Musketeers has, proportionately speaking, the best villains of any movie. Tim Curry and the diabolical Michael Wincott are inspired choices for Cardinal Richelieu and the Count (for some reason Captain in this movie) de Rochefort. In contrast, Charlie Sheen, Kiefer Sutherland, Chris O'Donnell, and Oliver Platt as Aramis, Athos, D'Artagnan, and Porthos, respectively, are like the Three Stooges without Moe, Larry, and Curly (i.e., Shemp, Joe, and Joe). Athos, Porthos, Aramis, d'Artagnan; for those who have read Dumas's Musketeers saga, these aren't mere mortals; they are titans, demigods, princes of the Universe. Even The Man in the Iron Mask – an otherwise bad movie – knew that the Musketeers demand actors who can throw their weight around; in that case, Jeremy Irons, John Malkovich, Gérard Depardieu, and Gabriel Byrne (no points for guessing Depardieu's role). Sutherland is the only film actor among the quote-unquote heroes; the rest are glorified TV stars. Sheen in the role of Aramis is simply outrageous; it's true that both the character and the actor are fond of women, but Aramis likes ladies and Sheen likes whores, and it's safe to say that the actor and the character make their conquests in very different circles. Moreover, Aramis has class, grace, and elegance; Sheen, on the other hand, has exactly what he deserves (this film was released just six years after Wall Street, but Sheen's career even then was for all intents and purposes over). As for O'Donnell, what can you really say about him? Dumas's original novel opens with one of the best father-and-son heart-to-hearts in literature (although the gold standard remains Polonius and Laertes in Hamlet). At the beginning of The Three Musketeers, though, D'Artagnan Sr. is already pushing daisies; “my father was a musketeer”, boasts Junior; “the personal bodyguard of the King”, to which someone, quite rightly, replies: “the King was assassinated. Your father was a failure". If it's any consolation, at least he wasn't as big a flop as this movie (which ends on a very positive note, and not just because it's finally over; similar to its protagonists and antagonists, its official theme song is as good as the movie is bad).
Ok, first things first - this has nothing at all to do the Dumas' book. We ought to be clear on that before we continue through this Disneyfied interpretation of this classic story. A way too handsome Chris O'Donnell is "D'Artagnan" who arrives in Paris determined to follow in his father's footsteps and join the King's Musketeers. There is a fly in his ointment, though - the evil Cardinal Richelieu (Tim Curry) has seen to it that this particular militia has been disbanded in disgrace. Through a series of mishaps, he finds himself facing three duels with erstwhile musketeers - Messieurs Aramis, Porthos and Athos who all end up fighting the Cardinal's guard and unite... Charlie Sheen, Kiefer Sutherland and Oliver Platt are his colleagues as they struggle to restore their legion and simultaneously avert an English invasion, and quite probably a coup to replace the infantile King Louis. It's quite well paced, there is plenty of action and Curry is clearly having a bit of a laugh as the evil churchman. Otherwise, however, it's an unremarkable remake lacking much of the charm and cunning of either the 1948 or Richard Lester's 1973 romp.
A lonely wood-carver named Geppetto wishes for a son one night before going to bed. The Blue Fairy comes while he sleeps and partially grants the wish by turning his latest puppet, Pinocchio, into a living marionette. Pinocchio can himself fulfill Geppetto's wish of a real human son if he can prove himself to be a good soul. However, the road to becoming a real boy seems to never end, since his innocence continuously causes a problem, especially when the Evil Gypsy and his two goons want to exploit him. Not to mention, every time that he misbehaves or lies, his nose grows...
Chili Palmer is a Miami mobster who gets sent by his boss, the psychopathic "Bones" Barboni, to collect a bad debt from Harry Zimm, a Hollywood producer who specializes in cheesy horror films. When Chili meets Harry's leading lady, the romantic sparks fly. After pitching his own life story as a movie idea, Chili learns that being a mobster and being a Hollywood producer really aren't all that different.
A couple of angels, O'Reilly and Jackson, are sent to Earth to make sure that their next supervised love-connection succeeds. They follow Celine, a spoiled rich girl who has just accidentally shot a suitor and, due to a misunderstanding, is kidnapped by janitor Robert. Although Celine quickly frees herself, she stays with Robert for thrills. O'Reilly and Jackson pursue, hoping to unite the prospective lovers.
Cinephile slackers Franz and Arthur spend their days mimicking the antiheroes of Hollywood noirs and Westerns while pursuing the lovely Odile. The misfit trio upends convention at every turn, be it through choreographed dances in cafés or frolicsome romps through the Louvre. Eventually, their romantic view of outlaws pushes them to plan their own heist, but their inexperience may send them out in a blaze of glory - which could be just what they want.
A briefcase with undisclosed contents – sought by Irish terrorists and the Russian mob – makes its way into criminals' hands. An Irish liaison assembles a squad of mercenaries, or 'ronin', and gives them the thorny task of recovering the case.
David Rice is a man who knows no boundaries, a Jumper, born with the uncanny ability to teleport instantly to anywhere on Earth. When he discovers others like himself, David is thrust into a dangerous and bloodthirsty war while being hunted by a sinister and determined group of zealots who have sworn to destroy all Jumpers. Now, David’s extraordinary gift may be his only hope for survival!
An ex-CIA operative is brought back in on a very personal mission and finds himself pitted against his former pupil in a deadly game involving high level CIA officials and the Russian president-elect.
A thirteen-year-old French girl deals with moving to a new city and school in Paris, while at the same time her parents are getting a divorce.
A young French teenage girl after moving to a new city falls in love with a boy and is thinking of having sex with him because her girlfriends have already done it.
At a tiny Parisian café, the adorable yet painfully shy Amélie accidentally discovers a gift for helping others. Soon Amelie is spending her days as a matchmaker, guardian angel, and all-around do-gooder. But when she bumps into a handsome stranger, will she find the courage to become the star of her very own love story?
Will Freeman is a good-looking, smooth-talking bachelor whose primary goal in life is avoiding any kind of responsibility. But when he invents an imaginary son in order to meet attractive single moms, Will gets a hilarious lesson about life from a bright, but hopelessly geeky 12-year-old named Marcus. Now, as Will struggles to teach Marcus the art of being cool, Marcus teaches Will that you're never too old to grow up.