幸福のアリバイ Picture

An America director tries to shoot a comedy film about the 2011 earthquake and devastating tsunami. Is he out of his mind or could his film bring hope and catharsis to those still struggling to recover?

The four turtles travel back in time to the days of the legendary and deadly samurai in ancient Japan, where they train to perfect the art of becoming one. The turtles also assist a small village in an uprising.

The advertising director of Pacific Pharmaceuticals, frustrated with the low ratings of their sponsored TV program, seeks a more sensationalist approach. He orders his staff to Faro Island to capture King Kong for exploitation. As Godzilla re-emerges, a media frenzy generates with Pacific looking to capitalize off of the ultimate battle.

Chiba appears seven days before a person dies an unexpected death. His job is to observe the person for seven days then decide either to ‘execute’ or ‘pass over’. Today, again, in the rain, he waits. His subject, her death due in seven days, is Kazue Fujiki. She works for a manufacturing company in the complaints department. Exhausted after her day, she emerges from her office. It’s time for the Reaper to go to work.

If Frankenstein's Monster is to the dark side of science, King Kong is to the Great Depression, Alien Invaders (like The Blob and The Thing) is to the Communist Threat, Godzilla is to the bomb, and The Milpitas Monster and Hedorah the Smog Monster are to pollution. Now, this robotic dinosaur made of various technological devices from Japan is to Japanese consumerism and possibly globalization!

Only three days before their high school festival, guitarist Kei, drummer Kyoko, and bassist Nozomi are forced to recruit a new lead vocalist for their band. They choose Korean exchange student Son, though her comprehension of Japanese is a bit rough! It's a race against time as the group struggles to learn three tunes for the festival's rock concert—including a classic '80s punk-pop song by the Japanese group The Blue Hearts called "Linda Linda".

Two teenage best pals attracted to the same boy end up scrambling his life after he walks into a door and is knocked unconscious.

Momoko is an ordinary girl, living an ordinary life. Ordinary, that is, if you define ordinary as wearing elaborate lolita dresses from the Rococo period in 18th Century France. However, when punk girl and self-styled 'Yanki' Ichiko comes calling, her days as 'ordinary' are most certainly numbered...

Two young brothers become the leaders of a gang of kids in their neighborhood. Ozu's charming film is a social satire that draws from the antics of childhood as well as the tragedy of maturity.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

Masaki, a baseball player and gas-station attendant, gets into trouble with the local Yakuza and goes to Okinawa to get a gun to defend himself. There he meets Uehara, a tough gangster, who is in serious debt to the yakuza and planning revenge.