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Gangland Chronicles - (Oct 1st)
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Deadliest Catch - (Oct 2nd)
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A reflective gem of an Oater. Wild Rovers is written and directed by Blake Edwards. It stars William Holden, Ryan O'Neal, Karl Malden, Joe Don Baker, Tom Skeritt and James Olsen. Music is scored by Jerry Goldsmith and the Panavision/Metrocolor cinematography is by Philip Lathrop. It's a Western that not only was butchered by cretinous execs at MGM, but has also proved to be divisive among the Western faithful - those that have seen the now thankfully available un-butchered version that is. Wild Rovers is one of those Oaters that is very much concerned with the changing of the West, where cowboys start to find themselves out of place with their era. Think Monte Walsh/Will Penny/Ride The High Country, with a bit of Wild Bunch/Butch & Sundance thrown in for good measure, and you get where Wild Rovers is at. Some critics were quick to accuse Edwards of merely copying Western films of past, but that is unfair. For this is a loving homage to those movies, also managing to be its own beast in the process. The tale is simply of two cowpokes, one aged and world weary, the other a young excitable buck, best friends who want more from life, so decide to rob the local bank and flee to Mexico to start afresh. Of course two men and destiny are quite often not the best of bed fellows... There's an elegiac beauty to Edwards' screenplay, with some of the scripted dialogue lyrical and poetic. And yet even though the harshness of the West, of the life of a cowboy, and the violence that is abound, is deftly pulsing within the story, there's plenty of dashes of humour as well. This is not a perpetually downbeat movie, slow moving? Absolutely, short on ripper action? Also correct. But as the themes of heroism and honour, of friendship and folly, are born out, and the many tender sequences draw you in, a pratfall is never far away. Technically it's high grade stuff. Holden is superb and he drags O'Neal along with him to avert what could have been a casting disaster. They make a fine and beguiling partnership and both men are turning in some of their best ever work here. The photography of the Arizona locations is outstanding, with Lathrop (Lonely Are the Brave) managing to add some ethereal beauty to the story. Goldsmith knocks out a triffic score, part blunderbuss Western excitement, part intimate pal to all and sundry. Skip any version that is under two hours, for that is an MGM crime. The MOD DVD comes complete with overture, intermission, entr'acte and exit music, while TCM shows the uncut version but minus the aforementioned roadshow segments. This is not a Western for those looking for a Magnificent Seven style actioner, for as fun as that great movie is, this is an altogether different and mature beast, and it deserves to be better known. 9/10
Produced in Arizona, this very low-budget Western starred Walter Wayne as a law-abiding citizen helping to get his neighbor (Steve Raines) out of the hoosegow. The latter, however, repays the gesture by giving shelter to Lee Morgan and his gang of rustlers.
The story revolves around a valuable silver deposit, located between two ranches. Villain Lash Bender cooks up a scheme to gain control of both ranches so that he may have a clear field to the silver lode.
Whip Wilson and Andy Clyde are back and Monogram's got 'em in Fence Riders. The Whipster comes to the aid of beautiful ranch owner Reno Browne, who is being victimized by rustlers Myron Healey and Riley Hill. To get Wilson out of the way, the villains frame him on a murder rap.
The story concerns a fierce struggle over water rights. Complicating the plot is the presence of a masked desperado who is systematically killing off local ranchers.
Jerry Johnson inherits a 50,000 acre ranch. Lucky Miller wants to take over the ranch. Roy is trying to get a railroad spur right of way. Lucky has a woman come west to marry Jerry to get control of the ranch. After the wedding, Lucky has the owner killed. Roy’s gun is substituted for the murder weapon, so Roy is put in jail.
A man who's a dead ringer for the leader of an outlaw gang kills the gang leader, then takes his place to try to bring the gang to justice.
Twin brothers - one rough and tough, the other a city-bred milquetoast - compete for their father's fortune.
Johnny Mack Brown follows his tried-and-true western formula in Law of the Panhandle. This time, U.S. Marshal Brown backs up Sheriff Tom Stocker (Riley Hill) in an ongoing battle against a marauding outlaw gang. The thieves, led by snarling Henry Faulkner (Myron Healey), hope to scare all the local ranchers off the land that will soon be purchased by the railroad that's coming through the territory.
Singing cowboy Whip Wilson, the foreman on a cattle drive, quits his job to pursue five bank robbers who murdered his brother.
As executor of the owner's will, singing ranch foreman Gene must see that the daughter/heiress doesn't marry without his approval.
Gene takes care of three tough kids sent west from Chicago after their father died and left them a cattle ranch. They help him catch a bunch of rustlers.