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_Note: I am about to review the 71 min. version of the film, this version was edited for TV, so it's likely that it has some scenes missing, which may cause damage to the films pacing or story, so until there's another version that I can see, this is what I am reviewing._ "Apuesta Contra La Muerte" also known as "Apuesta Con La Muerte" it's a mexploitation film about a young man named Juan, who tries to get away from his dysfunctional family, a father who lives in mediocrity, and an alcoholic mother, so he moves to live with his best friend since school, Mario, a rich boy who lives a life of excess and sleaze, at first, things go well for Juan and Mario, but he will soon find out just how reckless his friend is, and that he will be stuck in a life of crime and danger. The film it's directed by Ismael Rodríguez Jr. the very talented son of legendary filmmaker Ismael Rodríguez, his father always said that what really matters in a film it's the story, if you don't have a good story to hold your film, everything else will fall apart, and it looks like his son listened to him because in everyone of his films you find yourself engaged and invested, and this film it's no exception. For whatever flaws that this film may have, it seems pretty clear that it has a very good script, as you will find the characters to be very likable and you will also understand their frustrations and their motives, when the film starts you think you will be able to tell the spirit of the film, a basic melodrama with a few sleaze scenes, but as the film goes on, you realize that you are actually invested in the film, not many exploitation films do that, as the movie goes on, it get's darker and ends with a very depressing ending that may not be very well executed but it's still quite interesting. The acting in this film by our two main leads it's quite good, Juan (played by Edgardo Gazcón) it's quite a generous character who is just trying to get away from the troubles in his family, he is pushed to the limit by his friend, Mario (played by Sebastian Ligardo) who is always getting them in trouble, whether it is by playing Russian roulette with another man, racing in the opposite side of the freeway, or beating and abusing "his" women. The great Mario Almada is in this film, he doesn't really do much, he's just a father who wants his wife to stop drinking, he's average here, there isn't much to say about his performance, but it's nice to see him here, Lorena Velázquez does a good job at incarnating a lonely woman who becomes an alcoholic, she does a really good performance. This is a film about consequences, about how everything that you do in life affects someone else's life, whether it is in a good way or a bad way, it will affect someone, we see the concerned parents of the boy who dies in the Russian roulette bet, in one scene, Mario breaks the camera of a photographer in prison, and we see the aftermath of his actions, in a very intense scene, that leads to the climax, Juan's girlfriend says to a taxi driver "if you don't hurry, many peoples lives will be affected" (it doesn't sound as absurd in the film, it's actually quite compelling) that makes the movie more interesting as opposed to just showing violence on the screen, a very subtle script from the three writers of the film. Overall, I am willing to recommend the film if you can look past a few clunky scenes or an awkward ending, it's quite good for what it is.
The family of Raymond, his wife Val and her brother Billy live in working-class London district. Also in their family is Val and Billy's mother Janet and grandmother Kath. Billy is a drug addict and Raymond kicks him out of the house, making him live on his own. Raymond is generally a rough and even violent person, and that leads to problems in the life of the family.
Fernando, a journalist, and his friend César join terrorist group MR8 in order to fight Brazilian dictatorial regime during the late sixties. César, however, is wounded and captured during a bank hold up. Fernando then decides to kidnap the American ambassador in Brazil and ask for the release of fifteen political prisoners in exchange for his life.
The Krays is a film based on the lives and crimes of the British gangsters Ronald and Reginald Kray, twins who are often referred to as The Krays and were active in London in the 1960s.
When sophisticated New York journalist Edith Iglauer is assigned to go to British Columbia to write a frivolous piece on the fishing industry, she butts heads with local fisherman and notorious loner, John Daly. While she thrives on the fast-paced life of Manhattan, he loathes pretension and could go days without speaking to anyone. But when the two are caught in a perilous situation, they are forced to put aside their pettiness and re-examine their lives. With external factors stripped away, they begin to fall in love. Ultimately, Edith must decide between staying in the glamorous world she has always cherished or leaving it all behind for a chance at love.
Four ambitious and beautiful young women. From four very different corners of Mexico. Just like hundreds of others, they are caught up in the frenzy that sweeps the nation when Alejandro Mateos, one of the country's most powerful producers, dreams up a nationwide talent search to cast the lead in his next big movie. But all this is news to Alejandro's on-again, off-again lover, Eva Gallardo, a diva of epic proportions, who expected to get the part. While Eva schemes to nail down the role, our four leads begin their own journey on the road to fame.
Widowed Avanti Singh lives in an Indian village along with her two sons Dharam and Govinda, and a married daughter. Dharam marries Pavitra, who has a twin sister, Geeta, who meets and falls in love with fellow collegian Govinda. Pavitra has an admirer in Dhaneshwar, a local wealthy land owner and aspiring politician, but Pavitra shuns him. Govinda and Pavitra share a special relationship and Dharam suspects them of having an affair, arguments ensue and Govinda leaves. He returns home to find that Avanti had prevented Dhaneshwar from molesting Pavitra, and Dharam, who went to avenge this humiliation, was killed. Enraged, Govinda rushes to kill Dhaneshwar, but ends up killing someone else instead, and is arrested and put in jail. With Dharam dead and Govinda behind bars, Dhaneshwar seizes the opportunity and this time does molest Pavitra. Who will avenge Pavitra and Dharam now?
Johan Falk hasn't been working for over a year since he resigned from the police. Most of all he wants to move out to the countryside, but fate has a different thought.
Three generations of women survive the east wind, fire, insanity, superstition and even death by means of goodness, lies and boundless vitality.
Prim professor Immanuel Rath finds some of his students ogling racy photos of cabaret performer Lola Lola and visits a local club, The Blue Angel, in an attempt to catch them there. Seeing Lola perform, the teacher is filled with lust, eventually resigning his position at the school to marry the young woman. However, his marriage to a coquette - whose job is to entice men - proves to be more difficult than Rath imagined.
Spanning the years 1945 to 1955, a chronicle of the fictional Italian-American Corleone crime family. When organized crime family patriarch, Vito Corleone barely survives an attempt on his life, his youngest son, Michael steps in to take care of the would-be killers, launching a campaign of bloody revenge.
In the continuing saga of the Corleone crime family, a young Vito Corleone grows up in Sicily and in 1910s New York. In the 1950s, Michael Corleone attempts to expand the family business into Las Vegas, Hollywood and Cuba.