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Filmmaker Terrence Malick has always harbored the meditative and naturalistic nuances that seem to resonate so forcefully in his themed narratives. Malick’s movie-making consciousness and captive consideration for the visual sumptuousness of his brand of landscape cinema feels like a conventional tool for his sort of sweeping storytelling in method and styling. Well, **Voyage of Time: The IMAX Experience** certainly fits the bill when entertaining the filmmaker’s quest for his take on presenting the history of the world in a 45-minute documentary that is noteworthy in stimulating, eye-popping wonderment and speculative forethought. No doubt that Malick’s imaginative, succulent and hypnotic **Voyage of Time: The IMAX Experience** has convincing and concentrated scope as it explores the elliptical elegance through the realm of the natural world’s conception of creation. The exposition indeed is minimal in time but feels grand and inviting as it is reminiscent of a cryptic, scientific global field trip en route to The Museum of Science for soul-searching self-discovery. Malick’s **Voyage of Time** is a metaphysical feast for the eyes and an absorbing invitation for embedded curiosities and uncertainties. There are various degrees of lyrical layers that define a Malick-oriented artistic vehicle that strives to showcase an instinctual aura for a colorful canvas of a nature-driven opus. The writer-director’s lavish filmography have been rewarding spectacles that pitted his characterizations and plot-lines against picturesque projects that include 1973’s _Badlands_, 1998’s _The Thin Red Line_, 2011’s _Tree of Life_, 1978’s _Days of Heaven_, 2005’s _The New World_ and 2012’s _To the Wonder_ just to name a few features that justifies Malick’s creative and collaborative tastes for majestic, scenic and glossy showcases. Indeed, **Voyage of Time: The IMAX Experience** may have its questionable designated ranking in terms of where it fits into the evocative portrait of Malick’s stable of narrative gems saddled with vibrant visuals. Still, the formula manages to hold its own in **Voyage** as Malick challenges our personal journeys to seek out collective truths in what we inherited as a beautifully crafted world in an IMAX documentary that is spell-binding in its brief boundaries of screen time. In true fashion, Malick serves up two dependable components in his trademark exposition: the allurement of nature and narration. In this case Malick taps Hollywood hotshot Brad Pitt as the polished presentation’s narrator whose flowing voice-over delivers the dutiful task of playing tour guide for the indescribable planetary and galactic gazing of the breath-taking imagery that persists on the widened IMAX screen. It is a larger-than-life experiment that feels quite transfixing when it exposes its momentous helpings of scientific scenery that only an IMAX backdrop can accomplish to delve into Malick’s elaborate world-forming vision. The invigorating attempt to address the beginning of the cosmos on the big screen is a resourceful gesture and Malick ensures that his cinematic research is stamped with authenticity as he involves experts skilled in natural history, NASA consultation and of course special effect demonstrations that bring us what the Earth’s formations would have developed into from the theological frames of time, space, nature and yes…the rise of mankind and the mighty creatures (dinosaurs in particular) that once ruled the planet without early man’s stronghold, destructive taming or technological intrusions. Some may get the uneasy feeling that **Voyage** may be nothing more than a glorified, preachy on-screen science project on display. However, Malick’s philosophical and exploratory story of our worldly existences in life forms, powerful land masses and space odysseys should not be dismissed as merely a celluloid earth general science homework assignment for viewing. Malick’s foray into inquiring from Homo sapiens to revealing fossils from the earth’s valued soil to the evolution of our planet’s animal species both monstrous and meek to the miraculous configuration of massive land structures and oceans (and yes…the mysteries of the encompassing galaxies that still arouse our fears and fascination) are convincingly compelling and show an in-depth appreciation for the gained acknowledgement of our complex yet intriguing planetary surroundings. Sadly, the fragility of humanity is on the brink of destruction in a deluded contemporary world laced with the poisons of cynicism, distrust, perversion and inhumane deterioration. Thankfully, **Voyage of Time: The IMAX Experiment** is a critical reminder that our amazing start pertaining to the gift of life is grounded in the preciousness of our understanding for inheriting the aforementioned mysteries of physical existence and planetary purpose. However, the inevitable end of mankind’s meandering madness in today’s toxic climate threatens to pollute Malick’s **Voyage** existential interpretation for the nature-inspired beauty that emerged from the early civilizations of time and space. Whether you are a committed tree-hugger or techno-titan at large one thing is definitely clear–Malick’s adventurous **Voyage** is worth exploring with a conscientious compass at the environmental hip. **Voyage of Time: The IMAX Experience** (2016) Length of time: 45 mins. Narration by: Brad Pitt (Cate Blanchett in the longer, standard-format version) Written and Directed by: Terrence Malick MPAA Rating: G Genre: Documentary/Science and Nature Critic’s rating: *** stars (out of 4 stars) (c) **Frank Ochieng** 2016
The fourth generation in his family to be born intersex, Jewish Rabbi Levi was assigned the female gender at birth and grew up thinking he was sick and defective. "In the Image of God" tells the story of his struggles and transitions, culminating today in a life as a religious leader and an LGBTQI+ activist living happily in Los Angeles with his wife.
Fellow violinist and artist Tony Conrad, in collaboration with software engineer Tom Demeyer, made for Steina the instrument seen in this title. Conrad and the Vasulkas all taught at the University at Buffalo in the Media Study Department from 1976 to 1979.
An insight into the life and works of Michel Foucault and how his work on Knowledge and Power still has an impact on daily life. This is applied practically to the real world of SOAS University and the online world of Social Media. Presented by Merle Tschirschnitz, Kiran Thomas and Adam Brocklesby
Alaska is a wordless experimental film with a simple, droning soundtrack that sounds as if it is a piece for violin and refrigerator hum.
With a team of the world's foremost historic and marine experts as well as friend Bill Paxton, James Cameron embarks on an unscripted adventure back to the wreck of the Titanic where nearly 1,500 souls lost their lives almost a century ago.
Stockholm 1965. A comet is heading towards earth. A man with a super-8 camera documents the city and its inhabitants the days before the end of the world.
Trees talk, know family ties and care for their young? Is this too fantastic to be true? German forester Peter Wohlleben and scientist Suzanne Simard have been observing and investigating the communication between trees over decades. And their findings are most astounding.
Aspects of a London day, including prostitutes on street corners, a striptease show and the 2i's Coffee Bar.
Experiments on the crystallization of various inorganic substances: crystallization from solution, crystallization from melt and vapour phase, mixed crystal formation, oriented growth, change from a metastable into a stable phase.
This short documentary follows Frank Ladouceur, a man who lives alone for months at a time, trapping muskrat in the vast, desolate wilderness of northern Alberta. He receives no visitors, and rarely voyages to his family home in Fort Chipewyan. What some may consider an unthinkably lonely, isolated existence is the calling of this fiercely independent Métis man. Remarkably determined and self-sufficient, Frank makes his home in the wild bush.