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Long bloody title, but a great film no doubt. I had seen 'The Chronicles of Narnia: The Lion, the Witch and the Wardrobe' before but hadn't watched it for years and years, I remembered the vast majority though - it's a memorable film after all. There's a great battle scene in there, some fun characters and strong effects. It's a tad too long, but not by much. It has a nice charm to it also, as they set up Narnia excellently. The quartet of children are very well cast, all four of them suit their roles to a T. Georgie Henley is sweet as Lucy, while William Moseley and Anna Popplewell fulfil the roles of Peter and Susan comfortably. Edmund, meanwhile, is of course annoying, but Skandar Keynes does a good job portraying him. Elsewhere, Tilda Swinton and Liam Neeson are terrific casts as the White Witch and Aslan. Both do great, especially Swinton. James McAvoy, Ray Winstone, Michael Madsen and Rupert Everett are smart choices too. I've, as far as I'm aware, never seen the two sequels so very much look forward to seeing what they have in store for me. They'll do well to match this first film, that's for sure.
In my last review (which you can find on my Letterboxd), I said _The Lion, the Witch, and the Wardrobe_ was a "nearly perfect film." Well, I am here to say that with this viewing, to me, it is a perfect film. I used to always think this film was a sort of step below LOTR, and, while LOTR is indeed a masterpiece of cinema, I don't regard this film as lesser. The movie is just pure magic! Every aspect of the movie (minus the CGI – which doesn't really hold up [except for Aslan] but is still serviceable) is even better with age! And I find myself moved emotionally by more things this time than I ever have watching this film. The score by Harry Gregson-Williams is just phenomenal. Especially "The Battle" – that goes without saying. But this time, part of the magic and nostalgia I was struck by was the musical piece that sounds like it's a song. The one that plays while the train is leaving London. (I found out it's actually about halfway into the track "Evacuating London.") That magical song, combined with the great camera work by Donald M. McAlpine and the appearance of the movie title makes for feelings of peak nostalgia and magic for me. Also, this film has one of the best opening scenes of all time. When Netflix (finally) remakes the films, I don't know how they can top this opening. – In fact, that's another thing about this movie: There are so many things that I don't think any remake could top. Liam Neeson as Aslan, Tilda Swinton as Jadis, the White Witch, and James McAvoy as Tumnus. – Oh, and, though he's not in the book, the centaur, Oreius (played by Patrick Kake), is so cool! Can't top that. Also, the costuming is excellent – especially for the White Witch – and the gryphons are so cool! The sound design on their shriek gives me chills (in a good way). And I can't go without saying that this is also an emotional story because of what the story represents, the symbolism of the story. Edmund represents us – represents me, a sinner. I who have walked in rebellion against God, and who am by nature opposed to God. And as such, I deserve the wrath of God, punishment that He would be fully just to give me. But Aslan represents Jesus Christ. Like Aslan sacrificed himself for Edmund, dying the death he should have died, Jesus sacrificed Himself in our stead, taking upon Himself the wrath of God we deserved, so that “if [we] confess with [our] mouth that Jesus is Lord and believe in [our] heart that God raised Him from the dead, [we] will be saved” (Romans 10:9), we “will not perish but have eternal life” (from John 3:16), and as a result of that faith, “we have peace with God through our Lord Jesus Christ” (from Romans 5:1). Ephesians 2:1-10 > “[1] And you were dead in the trespasses and sins [2] in which you once walked, following the course of this world, following the prince of the power of the air, the spirit that is now at work in the sons of disobedience— [3] among whom we all once lived in the passions of our flesh, carrying out the desires of the body and the mind, and were by nature children of wrath, like the rest of mankind. [4] But God, being rich in mercy, because of the great love with which He loved us, [5] even when we were dead in our trespasses, made us alive together with Christ—by grace you have been saved— [6] and raised us up with Him and seated us with Him in the heavenly places in Christ Jesus, [7] so that in the coming ages He might show the immeasurable riches of His grace in kindness toward us in Christ Jesus. [8] For by grace you have been saved through faith. And this is not your own doing; it is the gift of God, [9] not a result of works, so that no one may boast. [10] For we are His workmanship, created in Christ Jesus for good works, which God prepared beforehand, that we should walk in them.”
CS Lewis certainly had one heck of an imagination and it is rarely better exemplified than in this lovely fantasy adventure. Four wartime siblings are evacuated from London to stay with the reclusive "Professor Kirke" (Jim Broadbent) in the relative safety of the English countryside. Once they get there, the housekeeper "Mrs. Macready" (Elizabeth Hawthorne) makes it quite clear that they are to be seen and not heard! Boredom sets in and thus a game of hide and seek seems sensible. "Lucy" takes refuge in an old wardrobe - a wardrobe that has a secret! Much to her astonishment, she finds herself in a snowy land with a single streetlamp and there meets "Mr. Tumnus" (James McAvoy) - a scarf-clad faun. She returns to her brothers and sister and after some convincing, they join her in the wardrobe and all discover the delights and dangers of "Narnia" meeting loads of new friends and a couple of not so nice wolves, too! This is the first of the adventures of the "Pevensie" children in this mysterious land where animals can talk and winter is perpetual under the control of the villainous "White Witch" (Tilda Swinton). They align with "Aslan" the all powerful lion (voiced by Liam Neeson) and have a battle royal to free the kingdom from her icy grip. The CGI isn't, to be honest, great. Indeed, some of the effects are a bit cheap and cheerful for 2005; but the story, settings and characterisations are great - as is Harry Gregson-Williams' eerie and gentle score.
Rewatching The Chronicles of Narnia: The Lion, The Witch, and The Wardrobe reminded me why it’s such a timeless movie. It still gets me every time, especially the lullaby scene with Mr. Tumnus, played beautifully by James McAvoy, who is one of my favorite actors. Liam Neeson’s voice as Aslan is inspiring and adds so much gravitas to the character. But for me, the standout is Tilda Swinton as the White Witch. Her performance is chilling and commanding, making her one of the most memorable parts of the movie. The production is top-notch. The visuals are stunning, especially considering it was released in 2005, and they mostly hold up well even now. The costumes and set design are fantastic, capturing the magical and otherworldly feel of Narnia. The soundtrack is another highlight, adding emotional depth to key moments and making the experience even more immersive. Based on the beloved novel by C.S. Lewis, the film does a good job of sticking to the important plot points while making the story accessible to a new generation. Of course, no adaptation is perfect, but this one stands on its own as a great piece of fantasy storytelling. It’s not just a movie; it’s a journey into a world full of magic, courage, and redemption. This movie also feels like the perfect pick for the holiday season. It has that warmth and wonder that makes it ideal to watch with family at Christmas. The Lion, The Witch, and The Wardrobe remains a classic, and I can’t recommend it enough for anyone who wants to experience a bit of magic
Max imagines running away from his mom and sailing to a far-off land where large talking beasts—Ira, Carol, Douglas, the Bull, Judith and Alexander—crown him as their king, play rumpus, build forts and discover secret hideaways.
The Big Bad Wolf stalks Little Bo Peep and steals one of her sheep. She enlists Little Boy Blue and a dancing scarecrow to assist her and her mischievous black sheep in rescuing it. Singing, dancing, hilarity and impalement ensue.
Fairy tales collide when Mambo and Munk tip the scales of good and evil once again.
The adventures of a blind, gambling masseur and master swordsman. Zatoichi targets a yakuza-controlled village, because war with a neighbouring town's smaller gang is brewing.
Miser Ebenezer Scrooge is awakened on Christmas Eve by spirits who reveal to him his own miserable existence, what opportunities he wasted in his youth, his current cruelties, and the dire fate that awaits him if he does not change his ways. Scrooge is faced with his own story of growing bitterness and meanness, and must decide what his own future will hold: death or redemption.
A movie for the Sci Fi Channel based on the book series by Philip José Farmer. The location is Riverworld, a mysterious and treacherous land where every human who died between the years 99,000 BC and 2,200 AD has been resurrected on the banks of a huge river.
A brother and sister move into an old seaside house that has been abandoned for many years on the Cornwellian coast only to soon discover that it is haunted by the ghost of the mother of their neighbor's granddaughter, with whom the brother has fallen in love.
Dar, is the son of a king, who is hunted by a priest after his birth and grows up in another family. When he becomes a grown man his new father is murdered by savages and he discovers that he has the ability to communicate with the animals, which leads him on his quest for revenge against his father's killers.
After ex-con Jimmy and his girlfriend are brutally murdered by a biker gang, he is resurrected by the power of The Crow to avenge their deaths and reunite with her in the afterlife.
In the wake of King Edward's death, Uhtred of Bebbanburg and his comrades adventure across a fractured kingdom in the hopes of uniting England at last.
Mari and Humi learn from their mother that their father has dementia on his 70th birthday. They help prepare their mother for his farewell and prepare themselves for the emotions to follow.