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This is quite possibly the slowest burn of a film I have ever seen. It is reminiscent of a video game that you used to play: initially you don't get past the end of level one; then you progress slowly but surely through the game learning from your mistakes, though frequently having to start again from scratch.... Well this is one of them, with Robbie Amell and Rachael Taylor caught in a time loop that gradually reveals a story of betrayal and duplicity as they try to protect a gizmo that might just be the answer to humanity's energy problems from "Torus", a company that wants it too. Unfortunately, and as usual for Amell, this is a rather dry, uninteresting piece of drama - neither character really has any depth; the dialogue and effects are repetitive and all in all it amounts to little more than a digital "Groundhog Day" with apples and fisticuffs.
ARQ is a neat sci-fi flick that's enjoyable enough to keep you from hitting the fast-forward button. The directing by Tony Elliott is straightforward and effective, keeping the action tight and focused without getting bogged down in unnecessary distractions. Cinematography-wise, the film does well considering its confined setting, creating just enough claustrophobic tension to maintain interest. The visuals aren't mind-blowing, but they serve the story perfectly, giving it a gritty, futuristic vibe without leaning too heavily on special effects. The acting is pretty solid, especially Robbie Amell and Rachael Taylor, who manage to deliver believable performances that hold your attention despite the repetitive nature of a time-loop plot. Speaking of which, the script offers an intriguing premise built around the concept of an "Arcing Recursive Quine," cleverly referencing self-replicating programs known in coding circles as quines. The time loop itself lasts exactly 3 hours, 14 minutes, and 15 seconds, intentionally mirroring the number π (pi), symbolizing the endless cycle the characters are trapped in. However, while these ideas sound intriguing, the film doesn't quite explore them as deeply as it could, leaving certain questions unanswered. The script includes subtle nods to looping concepts, notably through the codename "Mobius," referencing the Möbius strip, a symbol of infinite loops and endless cycles. The score and sound design don't particularly stand out, but they're effective enough at enhancing tension during key moments. Overall, ARQ is worth a watch if you're into mind-bending sci-fi and don't mind a story that opts for mystery over detailed explanations.
Only a few people still live in New York in 2012. They are organized in gangs with their own turf. One of them is led by Baron, another one by Carrot, and they are constantly at war with each other.
In the distant future, the human race nears extinction and a new race of beast-like creatures rule the earth. The few surviving people live in the City, a huge protected construction with the ability to travel in both space and time. The City travels back to our time to save humanity...
After lesbian couple Meg and Kayla split following a traumatic homophobic incident, their three friends are intent on mending the rift during the wedding of Lizzie at a paradise resort. But a pre-wedding boat excursion turns to disaster and the wedding breakfast is likely to be the five girls!
Doraemon and its friends open a hole in the time and they're travel to the Country of Mayana, a lost Mayan civilization in the jungle. There, Nobita will know its perfect double, prince Thio, heir to the throne. Both will decide to interchange papers to try to save to the Country of Mayana of the claws of the infernal Ledina witch and her evil forces.
Inventor Nick Miller dreams of traveling through time, of stopping war and curing humanity's problems. He invents the Transport, a time machine, to better the world. When he sells his invention to a defense contractor, the time machine is used by its evil CEO as a sinister weapon. Nick soon discovers that the future has been changed into a desolate wasteland controlled by gangs. Robertson has sold use of the Transport to anyone who wants to take advantage of knowing the normal course of history. The only way Nick can stop the destruction of the future is to erase his past. If somehow he can prevent his past-self from creating the Transport, the threat will be averted. In this pulse-pounding race through time that takes you from the future of 2041 to the Revolutionary War, Nick must risk everything to try and save the future!
George, host of a television show focusing on literature, receives videos shot on the sly that feature his family, along with disturbing drawings that are difficult to interpret. He has no idea who has made and sent him the videos. Progressively, the contents of the videos become more personal, indicating that the sender has known George for a long time.
All grown up in post-apocalyptic 2018, John Connor must lead the resistance of humans against the increasingly dominating militaristic robots. But when Marcus Wright appears, his existence confuses the mission as Connor tries to determine whether Wright has come from the future or the past - and whether he's friend or foe.
In the year 2035, convict James Cole reluctantly volunteers to be sent back in time to discover the origin of a deadly virus that wiped out nearly all of the earth's population and forced the survivors into underground communities. But when Cole is mistakenly sent to 1990 instead of 1996, he's arrested and locked up in a mental hospital. There he meets psychiatrist Dr. Kathryn Railly and the son of a famous virus expert who may hold the key to the Army of the 12 Monkeys; thought to be responsible for unleashing the killer disease.
Lola receives a phone call from her boyfriend Manni. He lost 100,000 DM in a subway train that belongs to a very bad guy. She has 20 minutes to raise this amount and meet Manni. Otherwise, he will rob a store to get the money. Three different alternatives may happen depending on some minor event along Lola's run.
Eighties teenager Marty McFly is accidentally sent back in time to 1955, inadvertently disrupting his parents' first meeting and attracting his mother's romantic interest. Marty must repair the damage to history by rekindling his parents' romance and - with the help of his eccentric inventor friend Doc Brown - return to 1985.
Bill and Ted are high school buddies starting a band. They are also about to fail their history class—which means Ted would be sent to military school—but receive help from Rufus, a traveller from a future where their band is the foundation for a perfect society. With the use of Rufus' time machine, Bill and Ted travel to various points in history, returning with important figures to help them complete their final history presentation.