Matthew Perry A Hollywood Tragedy 2025 - Movies (Feb 25th)
Take That This Life – Live In Concert 2024 - Movies (Feb 25th)
Den of Thieves 2 Pantera 2025 - Movies (Feb 24th)
Cellphone 2024 - Movies (Feb 24th)
Into the Deep 2025 - Movies (Feb 24th)
Gladiator II 2024 - Movies (Feb 24th)
Sisterhood Inc. 2025 - Movies (Feb 24th)
Bottom Feeders 2024 - Movies (Feb 24th)
Veselka The Rainbow on the Corner at the Center of the World 2024 - Movies (Feb 23rd)
Monster Mash 2024 - Movies (Feb 23rd)
Kraven the Hunter 2024 - Movies (Feb 23rd)
Azrael 2024 - Movies (Feb 22nd)
Swimming Home 2024 - Movies (Feb 22nd)
Sugar Mama 2025 - Movies (Feb 22nd)
Ghost Rite Here Rite Now 2024 - Movies (Feb 22nd)
The Bayou 2025 - Movies (Feb 21st)
Old Guy 2024 - Movies (Feb 21st)
Millers in Marriage 2024 - Movies (Feb 21st)
Inheritance 2025 - Movies (Feb 21st)
Daytime Revolution 2024 - Movies (Feb 21st)
Assassins Guild 2024 - Movies (Feb 20th)
Matthew Perry A Hollywood Tragedy 2025 - ()
Take That This Life – Live In Concert 2024 - ()
Den of Thieves 2 Pantera 2025 - ()
Cellphone 2024 - ()
Into the Deep 2025 - ()
Gladiator II 2024 - ()
Sisterhood Inc. 2025 - ()
Bottom Feeders 2024 - ()
Veselka The Rainbow on the Corner at the Center of the World 2024 - ()
Monster Mash 2024 - ()
Kraven the Hunter 2024 - ()
Azrael 2024 - ()
Swimming Home 2024 - ()
Sugar Mama 2025 - ()
Ghost Rite Here Rite Now 2024 - ()
The Bayou 2025 - ()
Old Guy 2024 - ()
Millers in Marriage 2024 - ()
Inheritance 2025 - ()
Daytime Revolution 2024 - ()
**_Fun “Meatballs” sequel, but without the innocence_** Rudy Gerner (Patrick Dempsey) gets a summer job in upstate New York at a river “resort” on the St. Lawrence River wherein a strange woman (Sally Kellerman) helps him with his pursuits of the fairer sex. "Meatballs III: Summer Job" was shot in the summer of 1984, but not released until early 1987 due to the difficulty of apprehending a distributer after the box office failure of “Meatballs Part II” (1984). Of the three sequels this is the only one with connections to the original 1979 film in that Rudy, the mentee of Tripper (Bill Murray), is 2-3 years older and focused on girls. Tripper doesn’t appear in this one, but Rudy reads a letter from him. The flick is a mixture of the original “Meatballs” with the goofiness and biker gang of the beach party films of the ’60s, plus the raunchiness of “Porky’s” (1981). It’s that last part that ruins the movie for me, although it’s thankfully not AS crude. In short, this is “Meatballs” minus the innocence. Another negative is the eye-rolling competition involving bedding the marina owner’s woman upstairs (Shannon Tweed). Nevertheless, Dempsey makes for a quality protagonist and the subplot of the porn star (Kellerman) having to come back from the other side to do a genuine good deed is amusing, reminiscent of the quirkiness of a Woody Allen flick. Moreover, the coming-of-age element is compelling. There are several nubile females with winsome Isabelle Mejias playing the girl interested in Rudy, Wendy. For a superior movie featuring Isabelle, check out the similar “State Park” (1988). The film runs 1 hour, 35 minutes, and was shot in Hudson, Quebec, with some stuff done west of there in Ontario. GRADE: C
It's been ten years since the paths of René and François parted ways. From the glorious era when, as cops, they roamed the Montmartre district, they only have a handful of memories left, the money from their cronies having evaporated over time. Everything comes to an end. Until it starts again.
While scouting out apartments in London for her Venetian boyfriend, Carla rents an apartment overlooking the Thames. There, she meets the lesbian hyper-horny real estate agent Moira.
During the end of the world, two best friends walk around their city, talking about their sex lives, and one of them reveals they are still a virgin.
A coming of age dramedy where infidelity, real estate, and Lyme disease have two families falling apart on Long Island in the early eighties. Scott, 15, is at the point in his life when he finds out that the most important people around him, his father, his mother, and his brother, are not exactly who he thought they were. They are flawed and they are human.
Jay Mandao is not your average hero. He’s an astral projecting time traveler who spends his days hanging with his adult nephew Jackson, crashing on his scheming cousin Andy’s couch, and riding with his cabbie friend Fer. In the days leading up to Christmas, Jay tries to make contact with his deceased father Raymond, but ends up contacting the ghost of B-movie star, Aura Garcia. Aura enlists the gang to astral project back in time to prevent her death. Jay quickly finds out that the more he messes with time, the more he falls down a rabbit hole of cults, conspiracies, and death. This Christmas is gonna kick astral! The sequel to Mandao of the Dead.
Brad is about to hook up with the girl of his dreams, but runs into a problem, no condom. So Brad sets out into the night to find one, running into many obstacles along the way, while not knowing his best friend, Leah is in love with him.
Ray Pluto has many problems. He is satirized in the tabloids as the "loser cop." His partner is starting to seem suspiciously attracted to him. A pair of screenwriters across the hall keep bugging him for help. The superintendent of his building is stabbed by hoodlums hired by his own rebellious daughter. To top it off, a sexually aggressive chiropractor may just be Ray's undoing.
Ciel learns of a "Aurora Society", that is rumored to be researching how to bring the dead back to life. Their next meeting is scheduled to be conducted on the ship Campania, voyaging across the Atlantic Ocean. Much to Ciel's dismay, Elizabeth "Lizzy" Midford, is taking the same ship, thus leaving him with no choice but to get aboard as well.
Anna takes part in a talent competition. With the support of her brother Aaro, she wishes to create something new.
Baskara, a paraplegic with paralyzed nerves, Danton with a brain tumor that paralyzes his lower body, and Miko with retinitis pigmentosa, which has made him completely blind. But they are not going to let anything stand in their way, hellbent to finally losing their virginity.
The film begins with a flashback from the titular character, Antoine. We are introduced to his fixation with female hairdressers which began at a young age. The film uses flashbacks throughout and there are frequent parallels drawn with the past. We are unsure what Antoine has done with his life, however, we know he has fulfilled his childhood ambition, to marry a hairdresser.