War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
They came, they saw, they briefly conquered the 80s. A trio of misfit parapsychologists set up business as Ghostbusters. Ideal really because although slow at first, their business starts to boom as New York comes under threat from a supernatural force. Dan Aykroyd had this idea about space Ghostbusters in the future and the plan was to have himself and fellow Blues Brother, John Belushi, star in it. Pitching it to producer and director Ivan Reitman saw the basic concept retained but eventually it became what we now know as Ghostbusters. Co-written with Harold Ramis (also a co-star), Aykroyd's genesis turned not only into a "monster" smash hit at the box office, but also into a pop-cultural "phenomenon". In fact it actually is nice to re-visit the film these days without the public euphoria that swamped the movie for what seemed like a decade. T-shirts with the Ghostbusters logo on were everywhere, a telephone number if you rang it would have the Busters on answer phone, whilst the title song from Ray Parker Jr could be heard on the hour every hour on the radio. Even the catch phrase of "who ya gonna call?" was being used by the young, the old and the restless. Marketing genius or cynical tactics covering a sub-standard film? Well ultimately the film is really rather ace, it has some problems for sure (the effects were bad back then, never mind now and Ernie Hudson is a token addition to the team) but it's razor sharp with its wit and has a mass appeal to people of all ages. It's a basic odd ball's to the rescue plot, but the differing characterisations and comedy lift it considerably higher than similarly themed films that had come prior to it. That it boasts a bigger budget and Bill Murray of course helps the cause. Murray was brought in after Belushi had left the mortal coil, and promptly owns the film. His Dr. Venkman is a fusion of sarcasm, biting one liners and sees science as a way of getting girls. All of which blends mirthfully with the polar opposites that are Aykroyd's Stanz and Ramis' Spengler. Sigourney Weaver lights up the screen as the soon to be possessed, and chased by Venkmen, Dana Barrett and Rick Moranis does meek goof-ball supreme as Louis Tully. There's also value to be found in the script courtesy of some political nudging as the mayor is aware of vote power, while the human element badness and cynicism comes from William Atherton's (suitably weasel like) stiff suit Walter Peck. Given its success (it made a worldwide profit of almost $262 million) a sequel was inevitable. Amiable enough as it was, it was a pale shadow of the first film and even recycled the ending. So stick with this bad boy then, a fun film for all that serves as a reminder of when the world went Ghostbusters barmy. 8/10
It was luck that I had this film and the sequel on my NowTV. I watched this in the afternoon and it brings me back fond memories. Not too scary but suitable for the spooky month. Who ya gonna call?!
Like my review of Footloose, this is a classic, everyone has seen it, everyone loves it. It's one of those movies that came from your childhood and lasts well into the adult manboy years. So, we're going to do a comparison with the remake. For starters..the Ghostbusters plays it straight. The comedy is presented like a drama and that is usually the absolute best way to do comedy...straight. And conversely the remake is just sort of over the top. And when comedies try that hard to be comedies, they stop being funny. Another part would be scene length. And again, playing it straight, the opening of 1984 is short and honestly kind of scary... ...when the remake drags on and deals with characters that honestly have nothing else to do with the film but introduce it. You lose interest sort of fast. And this can be seen again with the humor. The introduction of the car in the remake is prime example. Pulls up with a hearse, someone makes a joke about checking to see if there is a body in there.... ...the scene SHOULD stop when they look at the hearse and cut away to a different scene. But the remake drags on and the joke loses momentum and falls flat when it COULD have been an easy laugh. Conversely in 1984 you have jokes like the Twinkie that ends with "tell him about the Twinkie" and it is funny because it doesn't drag on in an effort to be funny. The same can be said about testing the proton packs, the joke ends fast enough for it to actually be funny. And then there is the script and direction, the 1984 version stuck to it and made sure everything was tight, even when it was improvised, it wasn't allowed to get out of control. But the remake the actors took control and the improvisation went on too long, even with scenes being cut. So what you have is a tight and fast film that is a comedy played straight like it should be...and one that everyone knows and loves because of it.
Probably since my childhood days I was fond of this movie, but now it is not impressive anymore. However, the music and sound clips were impressive
Bud Baxter is a minor clerk in a huge New York insurance company, until he discovers a quick way to climb the corporate ladder. He lends out his apartment to the executives as a place to take their mistresses. Although he often has to deal with the aftermath of their visits, one night he's left with a major problem to solve.
Danny Ocean and his gang attempt to rob the five biggest casinos in Las Vegas in one night.
Liquidated after discovering a corporate conspiracy, mild-mannered graphic artist Patience Phillips washes up on an island, where she's resurrected and endowed with the prowess of a cat — and she's eager to use her new skills... as a vigilante. Before you can say "cat and mouse", handsome gumshoe Tom Lone is on her tail, fascinated by both of her personas.
John Brown is a bumbling but well-intentioned security guard who is badly injured in an explosion planned by an evil mastermind. He is taken to a laboratory, where Brenda, a leading robotics surgeon, replaces his damaged limbs with state-of-the-art gadgets and tools. Named "Inspector Gadget" by the press, John - along with his niece, Penny, and her trusty dog, Brain - uses his new powers to discover who was behind the explosion.
An anthology of 5 different cab drivers in 5 American and European cities and their remarkable fares on the same eventful night.
Andy moves to New York to work in the fashion industry. Her boss is extremely demanding, cruel and won't let her succeed if she doesn't fit into the high class elegant look of their magazine.
Batman must face The Penguin, a sewer-dwelling gangleader intent on being accepted into Gotham society. Meanwhile, another Gotham resident finds herself transformed into Catwoman and is out for revenge...
When a childless couple-an ex-con and an ex-cop-decide to help themselves to one of another family's quintuplets, their lives become more complicated than they anticipated.
A mother and daughter move to a small French town where they open a chocolate shop. The town, religious and morally strict, is against them, as they represent free-thinking and indulgence. When a group of gypsies arrive by riverboat, the Mayor's prejudices lead to a crisis.
A group of student want to challenge themselves by entering the most haunted building of their school, which is forbidden.
Valentina Moreno, a single mother who works as a housekeeper for a wealthy Manhattan family, takes decisive action when something from her past threatens to ruin her personal and professional relationships.