Matthew Perry A Hollywood Tragedy 2025 - Movies (Feb 25th)
Take That This Life – Live In Concert 2024 - Movies (Feb 25th)
Den of Thieves 2 Pantera 2025 - Movies (Feb 24th)
Cellphone 2024 - Movies (Feb 24th)
Into the Deep 2025 - Movies (Feb 24th)
Gladiator II 2024 - Movies (Feb 24th)
Sisterhood Inc. 2025 - Movies (Feb 24th)
Bottom Feeders 2024 - Movies (Feb 24th)
Veselka The Rainbow on the Corner at the Center of the World 2024 - Movies (Feb 23rd)
Monster Mash 2024 - Movies (Feb 23rd)
Kraven the Hunter 2024 - Movies (Feb 23rd)
Azrael 2024 - Movies (Feb 22nd)
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Old Guy 2024 - Movies (Feb 21st)
Millers in Marriage 2024 - Movies (Feb 21st)
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Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Beyond the Gates - (Feb 26th)
Win or Lose - (Feb 26th)
Wildcard Kitchen - (Feb 26th)
WWE NXT - (Feb 26th)
FBI - (Feb 26th)
7 Little Johnstons - (Feb 26th)
Kitchen Nightmares - (Feb 26th)
The Rookie - (Feb 26th)
Road Rage - (Feb 26th)
Renovation Aloha - (Feb 26th)
The Real Housewives of Beverly Hills - (Feb 26th)
St. Denis Medical - (Feb 26th)
The Irrational - (Feb 26th)
Hudson and Rex - (Feb 26th)
PITINO- RED STORM RISING - (Feb 26th)
The Last Word with Lawrence ODonnell - (Feb 26th)
Will Trent - (Feb 26th)
Great role for Burt in Carol Reed's love tryst circus plot. Great curio piece with Burt Lancaster being a former circus performer, the film was something of a big success on its initial release. It's not hard to see why either, because it's a solid enough story backed up by great aerial sequences set to the backdrop of circus life. The love triangle between the three leads (our intrepid trapeze artists) that threatens to envelope them with disastrous consequences, is never less than intriguing, and of course we get led into a breath holding finale that achieves the desired effect. Sadly for me the acting here lets the film down, Lancaster does "OK" and holds the film together, and I really liked Thomas Gomez as the money orientated Bouglione, but it is here is where the Tony Curtis detractors get their ammunition from. Curtis is very wooden and it's hard to believe this is the same actor from The Defiant Ones & The Boston Strangler. Katy Jurado is reduced to being a bit part player, and as the female lead, Gina Lollobrigida looks gorgeous but delivers her lines in unconvincing fashion. This is good honest entertainment, with some exuberant set-pieces that raise the pulses, but ultimately it becomes bogged down by some less than memorable acting. 6/10
**_Corny love triangle at a circus in France with Burt Lancaster, Tony Curtis and Gina Lollobrigida_** A disillusioned former aerobatics star functioning as a rigger at a Paris circus (Lancaster) is revived when a young prodigy from Brooklyn comes under his coaching wing (Curtis). Everything’s going great until an alluring tumbler worms her way into their act (Lollobrigida). "Trapeze” (1956) comes in the tradition of "The Greatest Show on Earth" (1952) and was a hit at the box office. But it’s way more one-dimensional by comparison in that the setting is stationary (shot at Cirque d'Hiver, Paris) and the focus is naturally on the trapeze gymnastics as opposed to other acts. The three stars are the drawing factor and were all in their prime with Burt being the oldest at 42 during shooting; Tony was 30 and Gina 28. For those not in the know, Burt was a circus performer before entering the movie biz. He performed all but one of the aerial gymnastics stunts himself. Meanwhile the stunt double for Lollobrigida died after a 40’ fall during production, suffering a broken back. Speaking of the shapely Gina, she’s obviously the highlight in the feminine department and the camera doesn’t fail to fully capture her beauty. Katy Jurado is also on hand, along with several peripherals. While the flick’s enjoyable in its quaint way, it’s hindered by the aforementioned one-dimensional tone and, worse, the corny melodramatics of the love triangle. Plus Lola’s manipulations don’t exactly endear her to the viewer. My favorite circus flicks are probably "Water for Elephants" (2011) and "Circus of Horrors" (1960), along with "The Greatest Show on Earth,” but "The Big Circus" (1959), "Roustabout" (1964) and "Circus of Fear" (1966), aka "Psycho-Circus," are also worth checking out. The film runs 1 hour, 45 minutes. GRADE: B-
A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.
Two angels, Damiel and Cassiel, glide through the streets of Berlin, observing the bustling population, providing invisible rays of hope to the distressed but never interacting with them. When Damiel falls in love with lonely trapeze artist Marion, the angel longs to experience life in the physical world, and finds - with some words of wisdom from actor Peter Falk - that it might be possible for him to take human form.
When Gelsomina, a naïve young woman, is purchased from her impoverished mother by brutish circus strongman Zampanò to be his wife and partner, she loyally endures her husband's coldness and abuse as they travel the Italian countryside performing together. Soon Zampanò must deal with his jealousy and conflicted feelings about Gelsomina when she finds a kindred spirit in Il Matto, the carefree circus fool, and contemplates leaving Zampanò.
Throughout his life Edward Bloom has always been a man of big appetites, enormous passions and tall tales. In his later years, he remains a huge mystery to his son, William. Now, to get to know the real man, Will begins piecing together a true picture of his father from flashbacks of his amazing adventures.
A snake-charmer falls in love with a circus trapeze artist who trains her and has her debut in this discipline.
Set in a 1910 circus, young Charlotte travels from city to city with her acrobat family who perform on the Trapeze. With her training almost complete, she already takes on the daring Blindfolded trick. Despite never having successfully completed the trick, Charlotte is determined to do the trick at the upcoming performance. But worries about that take a back seat when Charlotte learns about the circus potentially going out of business. She's determined to find the truth about whether or not she- and her daring Trapeze act- are the secret to saving the circus. But to do that, she will have to get into the Forbidden Train Car Z.
Director Karl Brown's 1938 circus drama stars Marjorie Main as a tough, fur-coat-wearing circus boss who raises her orphaned niece to be a trapeze star.
Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.
Post-war Germany 1945: Two rival gangs of uprooted boys fight each other in the ruins of Berlin, whose business is the black market out of necessity in order to survive. Their respective leaders are Gerhard and Dietrich. A pretty young circus artist named Corona comes to the destroyed city with a traveling circus. She immediately caught the boys' attention. When the latter notice that the circus director is abusing the girl, the two gangs join forces and plot an act of revenge against the tyrant. But with the hustle and bustle caused by this, Corona falls from the trapeze and is seriously injured. When the circus moves on, the boys organize a doctor for the sick artist who has been left behind. Their collectively concern for the blonde beauty makes them forget their enmity. This welds the troops closer together and sets the course for a common, meaningful future.
A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.
A former circus artist escapes from a mental hospital to rejoin his mother – the leader of a strange religious cult – and is forced to enact brutal murders in her name.