Jejich den

Emma, a young author, goes to see Erik, the publishing editor whom she's sent her debut novel. Their meeting leads to a love affair. The middle-aged Erik leaves his wife. What Erik doesn't know is that Emma recently began a relationship with the dramatist Stefan, whose play is also being published by Erik's company. One day Stefan overdoses and is brought to the emergency ward where Erik's wife Ann works as a doctor. These incident is the start of the story about how four people's lives are crossed during ten years, until the four of them finally end up in the same loneliness they started.

Searching for ratings at any cost, an unscrupulous radio-network owner forces his program manager to air a serial based on a past murder, tormenting a woman involved.

On the brink of turning 30, a promising theater composer navigates love, friendship and the pressure to create something great before time runs out.

At a war crimes trial in an African country, an idealistic lawyer delves into the past of a man who, accused of committing unspeakable atrocities, is treated as an inhuman monster.

At a tennis club in rural Germany, preparations for the summer party are led by Heribert. When a separate grill is suggested for Erol, the club's only Muslim member, tensions flare. What begins as a simple discussion quickly turns into a debate about societal and personal conflicts, threatening to tear the club apart.

Because of his wavering health, Monsieur Henri can no longer live alone in his Paris appartment. Particularly grumpy, he ends up nonetheless accepting his son Paul's suggestion that he let one of his rooms out to a young female student. Far from falling for her charms, Henri uses her to orchestrate utter family chaos...

Kay Arnold is a gold digger who wanders from party to party with the intention of catching a rich suitor. Jerry Strong is a young man from a wealthy family who strives to succeed as an artist. What begins as a relationship of mutual convenience soon turns into something else.

A glimpse at the few days and nights in the lives of a brother and sister, Amanda and Tito, in Santiago’s semi-criminal underworld. A rambling portrait of Chilean society.

Dostoevsky’s latter-day opus about the siblings and their father is among the masterpieces of world literature. It asks profound questions about ethics and religion. Is there a God? Does the devil exist? Is everything allowed because we live in a world without morality? And if so, does patricide even constitute a crime? One of the most interesting adaptations of the material is The Karamazovs by Czech director Petr Zelenka. We witness a group of thesps from Prague on a trip to Krakow in Poland to stage the novel as a play in a derelict steelworks as part of the Closer to Life Festival. The project, however, is born under the bad sign, apparently doomed from the start. When they arrive, the roof is about to cave in, so that the actors are told to wear safety helmets. Their sole consistent audience is a laborer (Andrzej Mastalerz) who rather follows each dress rehearsal than watching over his seven-year-old son who has suffered a tragic accident in the factory.

Moments from the uncompromisingly bleak existence of a secretary, her intellectually disabled sister, aloof and uneasy teacher boyfriend, bizarre neighbor and irritating workmate.

In a dreary North London flat, the site of perpetual psychological warfare, a philosophy professor visits his family after a nine-year absence and introduces the four men - father, uncle and two brothers - to his wife.