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***CONTAINS SPOILERS*** Daniel de la Vega is fast making a name for himself and a good name it is too. Naturally due to this, he is also making a name for Argentinian film also and after now watching two of his features (Necrophobia being the first) I am becoming a real fan of his surreal and utterly bizarre style. Now admittedly this style may not to be everyones taste but I would urge people to check them out nontheless. Virginia (Cardinali) and her daughter are travelling across the country in their car, playing a word game to help pass the time and aleviate the boredom of the journey. The car suffers a puncture near a deserted and very run down cemetary. Out of the blue a stranger appears and offers to help with warnings of not staying in the area too long. A recovery vehicle looms in the distance. Once on their way Virginia stops to get petrol and lunch. She instructs her daughter to stay at the table while she makes a quick phone call outside (cliched I know). When she returns back to the table, her daughter is missing and a deadly and surreal game of cat and mouse starts to send Virginia deep down a rabbit hole she may never emerge from in order to save her daughter. More so than Necrophobia, this is a very messed up, disturbing and brutal film. The runtime helps here once again (he never seems to out stay his welcome) with its fast pace and frantic style it never lets up either. It will certainly take you on one unforgettable ride. Whether you actually understand that ride is entirely another matter altogether. Strange, confusing, full of 'what the hell' moments, it is certainly an interesting if not flawed production. The production values (as in Necrophobia) are high and the acting all round (especially from the main actors) are reasonable enough. Certainly better than some much bigger Hollywood efforts recently at least. Likewise, my biggest bugbear in film, the audio is excellent and you never find yourself struggling to hear what is being said or reaching for the remote. Being subtitled may help there naturally, but overall this film is excellent in that regard. Once again the cinematography is excellent (this time by Alejandro Giuliani) and this seems to be part of de la Vega's style also. He has an eye for what he wants the viewer to see and seems to have a way with his photographers that they see his vision equally well. The score is wonderful and suits the film and setting perfectly without being in your face. Excellent work by all involved. If you are looking for a bloody, brutal film, that will also most likely confuse the hell out of you and leave you scratching your head as the credits roll, this very well could be your thing. Beware though it pulls no punches in some of the imagary regarding harm to children at times so viewer discretion is highly advised there for the more sensitive of you. Highly recommended if you're looking for something decidedly different.
Lew is a small time loser with a troubled past and a very big secret. Overhearing a couple plan a kidnapping, Lew is tempted to come up with a scheme of his own. He decides to get to the victim first and then blackmail the real criminals. His plan soon spins out of control.
During a bitter family feud, Jodie Hatfield, and her boyfriend Ricky McCoy, decide to leave town to avoid being found out, but are soon caught in the act. Wanting vengeance, he seeks out the monster Pumpkinhead, and resurrects it seek revenge on the family. Despite being warned away by the ghost of Ed Harley, his vengeance plan starts out, and the Hatfield family is soon under siege by the powerful demon. Not accepting the legend of the creature and believing their arch-rivals are the real cause, the two families attempt to go to war, only to be stopped when Pumpkinhead attacks the Hatfield house. Putting aside their differences, they band together to stave off the creature before it's vengeance pact is completed.
In this science-fiction action opus, intergalactic extremist Alex Windham has seized control of Dome 4, a scientific outpost on another planet, after escaping from a penal colony on Mars. Windham is forcing the staff of Dome 4 to construct new weapons that he can use to destroy his enemies, but what he doesn't know is that one of his captives is the wife of interstellar lawman Chase Moran, and Mor
“Red Fox” tells a gripping contemporary tale of kidnapping, terrorism and political intrigue. Based on the book by Gerald Seymour, with a screenplay by James McManus, it tells the story of when Geoffrey Harrison (Brian Cox), a top executive with British Defence Industries, is kidnapped in Paris and, when held to ransom, his company and the British Embassy are unwilling to meet his captors demands. Wanting to avoid publicity and secure a lucrative French defence contract, matters are made worse when the British and French Governments refuse to negotiate with the kidnappers. Archie Carpenter (John Hurt), Head of Internal Security at BDI, is assigned to investigate the kidnapping, and finds an unexpected ally in an Paul de Vigny (Didier Flamand), an agent with the French MI5. As Harrison’s fate hangs in the balance, Carpenter risks his life in the fight to save him but the nightmare has only just begun…
Communication is the key to the survival for nine strangers who have been kidnapped by a masked gunman and told that one of them will die every ten minutes until they discover how they are all connected. Who of the nine lives and who dies?
After getting out of jail, car thief Ernest "Stick" Stickley witnesses the murder of his friend Rainy during a drug deal. To avoid getting killed by the same people, who work for mobster Chucky, Stick gets a job as a chauffeur for millionaire Barry Braham and lies low. As he gets used to his new routine, Stick woos Barry's financial consultant, Kyle McClaren, but must fight back when Chucky's men come after him.
An overworked female executive is haunted by strange dreams. She is compelled to travel to a remote fishing village where she is inexplicably kidnapped and sold to a peasant farmer on a remote island.
When a couple is robbed and locked in their car's trunk, they must face their relationship issues.