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***CONTAINS SPOILERS*** Daniel de la Vega is fast making a name for himself and a good name it is too. Naturally due to this, he is also making a name for Argentinian film also and after now watching two of his features (Necrophobia being the first) I am becoming a real fan of his surreal and utterly bizarre style. Now admittedly this style may not to be everyones taste but I would urge people to check them out nontheless. Virginia (Cardinali) and her daughter are travelling across the country in their car, playing a word game to help pass the time and aleviate the boredom of the journey. The car suffers a puncture near a deserted and very run down cemetary. Out of the blue a stranger appears and offers to help with warnings of not staying in the area too long. A recovery vehicle looms in the distance. Once on their way Virginia stops to get petrol and lunch. She instructs her daughter to stay at the table while she makes a quick phone call outside (cliched I know). When she returns back to the table, her daughter is missing and a deadly and surreal game of cat and mouse starts to send Virginia deep down a rabbit hole she may never emerge from in order to save her daughter. More so than Necrophobia, this is a very messed up, disturbing and brutal film. The runtime helps here once again (he never seems to out stay his welcome) with its fast pace and frantic style it never lets up either. It will certainly take you on one unforgettable ride. Whether you actually understand that ride is entirely another matter altogether. Strange, confusing, full of 'what the hell' moments, it is certainly an interesting if not flawed production. The production values (as in Necrophobia) are high and the acting all round (especially from the main actors) are reasonable enough. Certainly better than some much bigger Hollywood efforts recently at least. Likewise, my biggest bugbear in film, the audio is excellent and you never find yourself struggling to hear what is being said or reaching for the remote. Being subtitled may help there naturally, but overall this film is excellent in that regard. Once again the cinematography is excellent (this time by Alejandro Giuliani) and this seems to be part of de la Vega's style also. He has an eye for what he wants the viewer to see and seems to have a way with his photographers that they see his vision equally well. The score is wonderful and suits the film and setting perfectly without being in your face. Excellent work by all involved. If you are looking for a bloody, brutal film, that will also most likely confuse the hell out of you and leave you scratching your head as the credits roll, this very well could be your thing. Beware though it pulls no punches in some of the imagary regarding harm to children at times so viewer discretion is highly advised there for the more sensitive of you. Highly recommended if you're looking for something decidedly different.
A traveling couple end up in an abandoned Nebraska town inhabited by a cult of murderous children who worship a demon that lives in the local cornfields.
A deadly virus has spread across the globe. Contagion is everywhere, no one is safe, and no one can be trusted. Four friends race through the back roads of the American West on their way to a secluded utopian beach in the Gulf of Mexico where they could peacefully wait out the pandemic. Their plans take a grim turn when their car breaks down on an isolated road starting a chain of events that will seal their fates.
Tony's father Sam, abducted by aliens three years earlier, returns to earth and seeks out his wife and son, but Rachel has since been living with Joe and the reunion is awkward. Joe doesn't trust Sam, and Rachel can't quite decide what her feelings are for her two men. Sam is not the same as when he left, and he begins affecting Tony in frightening ways.
For never-do-well compulsive gambler Fong, there's only one thing more fearsome than debtors at his doorstep - having to coax a crying baby. But what if the baby becomes his golden goose to fend off his debtors? Can he overcome his phobia of diapers, milk bottles, and cloying lullabies?
A twisted tale of two unemployed graduates who embark on a journey to make it in a world where you need more than what you have to get what you want.
Hoping to put to rest years of unease concerning a past case, retired criminal investigator Benjamín begins writing a novel based on the unsolved mystery of a newlywed’s rape and murder. With the help of a former colleague, judge Irene, he attempts to make sense of the past.
A disturbed young man threatens violence at the World Series after failing to make the Houston Astros.
When a madman dubbed 'Scorpio' terrorizes San Francisco, hard-nosed cop, Harry Callahan – famous for his take-no-prisoners approach to law enforcement – is tasked with hunting down the psychopath.
It has kidnapped Roxane Labelle, a Canadian singer covered gold records and awards. To his captors, no question of release without payment of a large ransom. Father and manager of the star, Paul Labelle asks a small accountant do it. Easier said than done, especially the payer also has a large sum to the Mafia and, rapidly, what Québec account scoundrels, thieves and killers are chasing the fabulous bonanza.
A group of friends set out on a road trip to "the party of the century" in the middle of nowhere, but on the way, they break down and find themselves being hunted for a satanic ritual.
Detectives Marcus Burnett and Mike Lowrey of the Miami Narcotics Task Force are tasked with stopping the flow of the drug Ecstasy into Miami. They track the drugs to the whacked-out Cuban drug lord Johnny Tapia, who is also involved in a bloody war with Russian and Haitian mobsters. If that isn't bad enough, there's tension between the two detectives when Marcus discovers that playboy Mike is secretly romancing Marcus’ sister, Syd.