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***Post-Apocalyptic Horror*** "Carriers" (2009) is easily one of the best post-apocalyptic films. The story involves four youths in Southwest USA seeking sanctuary from a lethal virus that has wiped out much of the population and continues to do so. To all intents and purposes Government no longer exists and society is now a world without laws. To survive, they live by a set of rules of their own making: Avoid anyone with the disease, trust no one (not even your friends/family), immediately sterilize anything a carrier touches and realize that anyone with the disease is already dead. The four youths are Danny (Lou Taylor Pucci), his brother Brian (Chris Pine), his girlfriend Bobby (Piper Perabo) and Danny's school friend Kate (Emily VanCampo). Over the course of a handful of days they are continually forced to make difficult moral decisions that no human being should ever have to make. They soon discover that the real enemy is not the sinister pandemic, but the darkness within their own hearts. Unlike semi-goofy post-apocalyptic films like the Mad Max series, "Carriers" is deadly serious from beginning to end. This works in the film's favor because if the filmmakers take the material seriously the viewer can as well. One of the moral conundrums explored is what do you do if a loved one gets the disease? Since anyone with the disease is as good as dead, do you mercifully kill them? Leave them behind to suffer and die alone? Or stay with them, which is tantamount to suicide since you'll catch the virus as well? The film also explores one's reaction to such a pandemic: Do we forsake all sense of morality in an attempt to survive -- lie, steal, forsake and murder -- or do we hold on to our moral compass, come what may? Is life worth living if you must become an immoral, wicked savage to survive? Isn't it better to live with dignity at all costs -- fight with nobility and die with dignity when and if we must? "Carriers" is to be commended for provoking such poignant questions. Some denounce the film on the grounds that it's too downbeat and depressing, but wouldn't a lawless society with a highly contagious lethal virus on the loose be a very dire situation? In other words, the downbeat vibe reflects the reality of the story. This doesn't mean that every character has to be some moralless savage, as one of the main characters becomes, but it definitely makes the proceedings believable for the viewer. That said, I admit that I would have preferred if the film offered more glimpses of hope, faith and human dignity, but the filmmakers obviously wanted to explore the element of a near-hopeless-situation and the film should be accepted and respected on that level. One obvious plothole is the perfectly maintained lawn of the golf course at the abandoned resort. The film was shot in desolate regions of New Mexico & Texas and runs a short-but-sweet 84 minutes. FINAL SAY: "Carriers" is an excellent -- albeit decidedly melancholic -- depiction of a post-apocalyptic world where conventional law & order are non-existent. The film successfully stimulates moral reflection and is engrossing from beginning to end. Although it looses points for being too downbeat... ***ENDING SPOILER ALERT*** ...especially the climax. C'mon, the dude makes it to the remote beach and he has a hot lass at his side; they could be the new Adam & Eve, but all he does is whine like it's the end of the world or something. GRADE: A-
In the midst of an industrial revolution, the people of Hinomoto fight hordes of undead creatures, known as Kabane, using powerful armored trains. (Compilation film of the first half of the original TV series.)
A young woman fakes her own death in an attempt to escape her nightmarish marriage, but discovers it is impossible to elude her controlling husband.
Mere seconds before the Earth is to be demolished by an alien construction crew, Arthur Dent is swept off the planet by his friend Ford Prefect, a researcher penning a new edition of "The Hitchhiker's Guide to the Galaxy."
Murakawa, an aging Tokyo yakuza tiring of gangster life, is sent by his boss to Okinawa along with a few of his henchmen to help end a gang war, supposedly as mediators between two warring clans. He finds that the dispute between the clans is insignificant and whilst wondering why he was sent to Okinawa at all, his group is attacked in an ambush. The survivors flee and make a decision to lay low at the beach while they await further instructions.
On a trip to the beach, a teenage girl named Tobe meets a charismatic stranger named Harlan, who dresses like a cowboy and claims to be a former ranch hand. The pair feel an instant attraction and begin a relationship, but her father, a lawman, is suspicious of her lover.
Andrea, a gifted young Polish violinist from Krakow, is bound for America when he is swept overboard by a storm. When the Widdington sisters discover the handsome stranger on the beach below their house, they nurse him back to health. However, the presence of the musically talented young man disrupts the peaceful lives of Ursula and Janet and the community in which they live.
In 1931, three Aboriginal girls escape after being plucked from their homes to be trained as domestic staff, and set off on a trek across the Outback.
Jerry (Jamie Draven) was an idealist when he served in the first Gulf War. But when he was later deployed to Iraq, Jerry was an older man, a father of three and embittered by broken promises and unfulfilled desires. When Jerry returns from Iraq he has been transformed by horrors that cannot be forgiven. He lives a life of poverty, his children afraid of him and his wife, Nora (Vinessa Shaw), unsympathetic and unhappy. When Jerry discovers that Nora has betrayed him, his anger and despair drive him to commit an act so heinous and irreversible that nothing he had experienced in combat could have prepared him for.
Chuck Nolan, a top international manager for FedEx, and Kelly, a Ph.D. student, are in love and heading towards marriage. Then Chuck's plane to Malaysia crashes at sea during a terrible storm. He's the only survivor, and finds himself marooned on a desolate island. With no way to escape, Chuck must find ways to survive in his new home.
Two couple of friends, one very rich, the other almost homeless, decide to go on Holiday. Julie, a single mother, joins them too. Once at seaside, it starts a complicate love cross among them that will involve also a transsexual, a jealous brother, a Latin Lover and another nervous stressed couple. Not to mention about the daughter of one of them that is secretly in Chicago with one of her father's employees... At the end of the summer, all of them will join the same party...
When the crew of an American tugboat boards an abandoned Russian research vessel, the alien life form aboard regards them as a virus which must be destroyed.