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***Post-Apocalyptic Horror*** "Carriers" (2009) is easily one of the best post-apocalyptic films. The story involves four youths in Southwest USA seeking sanctuary from a lethal virus that has wiped out much of the population and continues to do so. To all intents and purposes Government no longer exists and society is now a world without laws. To survive, they live by a set of rules of their own making: Avoid anyone with the disease, trust no one (not even your friends/family), immediately sterilize anything a carrier touches and realize that anyone with the disease is already dead. The four youths are Danny (Lou Taylor Pucci), his brother Brian (Chris Pine), his girlfriend Bobby (Piper Perabo) and Danny's school friend Kate (Emily VanCampo). Over the course of a handful of days they are continually forced to make difficult moral decisions that no human being should ever have to make. They soon discover that the real enemy is not the sinister pandemic, but the darkness within their own hearts. Unlike semi-goofy post-apocalyptic films like the Mad Max series, "Carriers" is deadly serious from beginning to end. This works in the film's favor because if the filmmakers take the material seriously the viewer can as well. One of the moral conundrums explored is what do you do if a loved one gets the disease? Since anyone with the disease is as good as dead, do you mercifully kill them? Leave them behind to suffer and die alone? Or stay with them, which is tantamount to suicide since you'll catch the virus as well? The film also explores one's reaction to such a pandemic: Do we forsake all sense of morality in an attempt to survive -- lie, steal, forsake and murder -- or do we hold on to our moral compass, come what may? Is life worth living if you must become an immoral, wicked savage to survive? Isn't it better to live with dignity at all costs -- fight with nobility and die with dignity when and if we must? "Carriers" is to be commended for provoking such poignant questions. Some denounce the film on the grounds that it's too downbeat and depressing, but wouldn't a lawless society with a highly contagious lethal virus on the loose be a very dire situation? In other words, the downbeat vibe reflects the reality of the story. This doesn't mean that every character has to be some moralless savage, as one of the main characters becomes, but it definitely makes the proceedings believable for the viewer. That said, I admit that I would have preferred if the film offered more glimpses of hope, faith and human dignity, but the filmmakers obviously wanted to explore the element of a near-hopeless-situation and the film should be accepted and respected on that level. One obvious plothole is the perfectly maintained lawn of the golf course at the abandoned resort. The film was shot in desolate regions of New Mexico & Texas and runs a short-but-sweet 84 minutes. FINAL SAY: "Carriers" is an excellent -- albeit decidedly melancholic -- depiction of a post-apocalyptic world where conventional law & order are non-existent. The film successfully stimulates moral reflection and is engrossing from beginning to end. Although it looses points for being too downbeat... ***ENDING SPOILER ALERT*** ...especially the climax. C'mon, the dude makes it to the remote beach and he has a hot lass at his side; they could be the new Adam & Eve, but all he does is whine like it's the end of the world or something. GRADE: A-
Ten years after a terrible disease has killed the majority of the human race, Stanislas Merrick, a former boxing champion, survives alone near a lake. In this world without humanity, his motivation to keep living starts to fade. His meaningless existence will be changed forever when he meets Esther, a teenager running from a refugee camp.
Trapped on her family’s isolated farm, Pearl must tend to her ailing father under the bitter and overbearing watch of her devout mother. Lusting for a glamorous life like she’s seen in the movies, Pearl’s ambitions, temptations, and repressions collide.
Terrorists hijack a 747 inbound to Washington D.C., demanding the release of their imprisoned leader. Intelligence expert David Grant (Kurt Russell) suspects another reason and he is soon the reluctant member of a special assault team that is assigned to intercept the plane and hijackers.
Delos is a futuristic amusement park that features themed worlds—ancient Rome, Medieval times and the Old West—populated by human-like androids. After two patrons have a run-in with a menacing gunslinger in West World, the androids at Delos all begin to malfunction, causing havoc throughout the park.
In 19th century New England, the lives of a diverse group of people collide through interweaving stories of despair, identity, faith, hope and trust.
Twenty-eight days after a killer virus was accidentally unleashed from a British research facility, a small group of London survivors are caught in a desperate struggle to protect themselves from the infected. Carried by animals and humans, the virus turns those it infects into homicidal maniacs - and it's absolutely impossible to contain.
Strange things begin to occurs as a tiny California coastal town prepares to commemorate its centenary. Inanimate objects spring eerily to life; Rev. Malone stumbles upon a dark secret about the town's founding; radio announcer Stevie witnesses a mystical fire; and hitchhiker Elizabeth discovers the mutilated corpse of a fisherman. Then a mysterious iridescent fog descends upon the village, and more people start to die.
Trapped within an eerie mist, the residents of Antonio Bay have become the unwitting victims of a horrifying vengeance. One hundred years earlier, a ship carrying lepers was purposely lured onto the rocky coastline and sank, drowning all aboard. Now they're back – long-dead mariners who've waited a century for their revenge.
When a guardian angel – who invisibly watches over the citizens of Los Angeles – becomes captivated by a strong-willed heart surgeon, he ponders trading in his pure, otherworldly existence for a mortal life with his beloved. The couple embarks on a tender but forbidden romance spanning heaven and Earth.
A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.
An average, everyday metalworker and volunteer firefighter content in his marriage to his childhood sweetheart finds his emotions unexpectedly stirred when he falls for a pretty waitress from a nearby town.