Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
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The Day the Earth Blew Up A Looney Tunes Movie 2024 - Movies (Feb 19th)
The Forgotten Coast 2024 - Movies (Feb 19th)
Controlling My Husband 2024 - Movies (Feb 19th)
Rosebud Baker The Mother Lode 2025 - Movies (Feb 18th)
We Beat the Dream Team 2025 - Movies (Feb 18th)
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Gogglebox Australia - (Feb 20th)
The Chase Australia - (Feb 20th)
Australia on Fire- Climate Emergency - (Feb 20th)
The Family Business- New Orleans - (Feb 20th)
Ozark Law - (Feb 20th)
Dateline- Secrets Uncovered - (Feb 20th)
The Chief - (Feb 20th)
Storyville - (Feb 20th)
Bangers and Cash - (Feb 20th)
Tribunal Justice - (Feb 20th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
Fine historical film, though it has less emotional depth than other Mike Leigh movies. That makes sense, for his movies have never been described as an epic before. I often state when I write reviews that I am patient than many viewers when it comes to slower paced movies. Also, since I write novels in my spare time and feature plenty of dialogue, I don't mind a lot of talking in movies either. I think this movie lacked some of the emotional impact of other Mike Leigh films, perhaps due its scope. You know how it is; people can shrug off a disaster elsewhere in the world when it kills 500 people, but if they hear a personal story well told about a single victim, the tears may fall. There are a lot of people in this movie. There were so many extras that I half expected to see myself in one of the crowd scenes. With so many different main characters and perspectives, I didn't find myself forming a connection with any of them. But I liked the film just fine, and I never would have sat through a documentary on the subject.
It's quite interesting to consider that even in the mother of western democracies, as recently as two hundred years ago most men did not have the vote in the UK, and great swathes of urban Britain had no representation at all. Mike Leigh is perhaps a little heavy handed here, but he does offer us an at times poignant glimpse into the poverty in which the working class lived in England's north west whilst the governing class lived a life of opulence and privilege under the Prince Regent. Rory Kinnear is the renowned orator "Hunt" who travels the length and breadth of the land advocating a peaceful, positive, realignment of power. A trip to Manchester proves to be the ultimate catalyst for the increasingly panic-stricken authorities who - with events in Paris forty years early still prescient - have decided that these increasingly popular gatherings must be stamped out. Leigh has assembled a workmanlike cast here - there isn't really a star, as such - and that helps better illustrate that this is a story about the ordinary man. I say man, because we are a long way from female emancipation being on the back burner, even - indeed the stronger characters here - "Mary" (Rachel Finnegan) and "Nellie" (Maxine Peake) are entirely focussed on empowering their "men folk". What this film does not present though, is any sort of balance to the historical aspects of this conflict. It exaggerates the indifference and excesses of the landed gentry whilst offering a rather naive portrayal of some those advocating revolution. Like many films that present a political assessment of an hugely complex set of scenarios, it ends up reflecting the views of the auteur and that's a shame. This is a story of profound societal evolution that could have been more effective had the establishment been given slightly more airtime and been treated slightly less one-dimensionally and judgmentally. The dialogue is at times, though, really quite powerfully potent and this is a very authentic-looking story that history ought not to readily forge and that is well worth a watch.
A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.
An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
Spurred by a white woman's lie, vigilantes destroy a black Florida town and slay inhabitants in 1923.
A European prince terrorizes the local peasantry while using his castle as a refuge against the "Red Death" plague that stalks the land.
Reporter Judith Wilkes leaves her husband and two sons in Sydney and goes to Malaysia to cover the story of the Vietnamese boat people. She becomes romantically involved with Kanan, and strikes up a friendship with Lady Minou Hobday, who keeps a regular vigil at "Turtle Beach" where the refugees try to land secretly in the hope that one day her own children will arrive. Accompanying Minou one night, Judith witnesses a brutal massacre by the Malaysians which spurs her on to expose the horrors of the internment camps at Bidong.
Henry VIII of England discards his wife, Katharine of Aragon, who has failed to produce a male heir, in favor of the young and beautiful Anne Boleyn.
In the midst of the Hundred Years' War, the young King Henry V of England embarks on the conquest of France in 1415.
A man embarks on a quest to make peace between two families fighting over the water problem in their district. In a bid to solve this crisis, he agrees to marry a girl from the rival family.
A french writer documents the seductive power of the beautiful Carmen, who has enchanted José, a young soldier, awakening his most fervent passions leading to tragedy. A path chained to obsession, jealousy, betrayal, and blood.
Kings of War merges Henry V, Henry VI and Richard III into one explosive performance about leadership. In successive kings, Shakespeare sketches an image of political leaders, face to face with the ultimate responsibility for life and death in times of war. Shakespeare’s kings are political leaders who come face to face with the ultimate responsibility: they must make the life-or-death decision of whether to go to war. Shakespeare draws us into the psychology of the rulers, while also revealing the machinations of their courtiers and advisors. Kings of War lays bare the mechanisms of decision-making in times of political crisis, exposing the dichotomy between national interests and self-importance.
Izo is an assassin in the service of a Tosa lord and Imperial supporter. After killing dozens of the Shogun's men, Izo is captured and crucified. Instead of being extinguished, his rage propels him through the space-time continuum to present-day Tokyo. Here Izo transforms himself into a new, improved killing machine.