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Stirring chest beater for those prepared to indulge. You don't need me to give you a history lesson here, Battle Of Britain, much like 98% of all war movies is a glossed up extension of an historical event, if you want history then go read all the serious historian comments instead. Wanna read about a film? OK, Battle Of Britain is something of a frustrating love of mine, I'm not one to be over enthused as regards jingoistic fervour, but there are a handful of films that really have me pounding my chest like some flag waving King Kong clone, Battle Of Britain, in spite of the obvious flaws is one such film. The plus points will always outweigh the bad for me, as a top array of acting talent line up to tell the tale of the British Air Force fighting the good fight against the German Air Force for control of British air space - and thus stopping the Nazis from invading England on the south coast. It should be noted that the film gains extra credit for giving the due respect to the other European countries that also fought in the Battle for the skies in 1940. The aerial sequences are a delight, it's easy to see where the main portion of the budget went here, be it dogfights or squadrons looming ominously in the sky, the effects are never less than good, and some of the POV cockpit shots firmly have the blood pumping. The climatic battle (played out to an almost operatic score) is deftly shot and is a riveting reel of film that pays you back for having sat through one of the film's flaws, that of the sadly scripted moments of tedium. True enough to say that the film is a bit overlong, and whilst it's smart in portraying the reality of pilots under prepared, it just comes across as at times like boorish filler, while the inevitable love interest strand involving Susannah York is not only pointless, it's also bloody annoying. The score is hit and miss as well, at times Ron Goodwin & Henry Walton's music lights up the proceedings as the planes swoop and conquer, but does the operatic switch for the film's final battle enhance the picture? I would say no because the harshness of battle gives way to swan lake like indulgence, it's not for me I have to say. Still, I don't think anyone is proclaiming this as a masterpiece, it entertains far above average, and for this viewer at least, it makes me proud for a couple of hours at least. Lest we ever forget the real life heroes of The Battle of Britain. 7/10
It's 1940 and the ebullient Reichsmarschall (Hein Riess) arrives in his powder blue uniform to inspire his invincible Luftwaffe in their imminent reduction of the RAF to a pile of bombed out aerodromes and blazing aircraft. Across the channel, Sir Hugh Dowding (Sir Laurence Olivier) is trying to organise His Majesty's forces - outnumbered by something like four to one, to thwart that ambition. The next couple of hours demonstrate just how the British - helped by a disparate collection of dispossessed European allies from Poland, Czechoslovakia and France as well as many from Commonwealth nations fought the eponymous battle. Rather than just follow an historical chronology, though, the narrative uses the lives and loves of a series of characters - from both sides of the water - to illustrate the horrors of war, the strains on relationships and the strength of friendships and loyalty. We know what happened, so there's little jeopardy, but a combination of Ron Goodwin's scoring and some superb aerial photography help to elevate this above any accusations that it's a propagandist, even gloating, exercise. It's hard to imagine anyone being able to assemble quite the cast that Guy Hamilton has here and each familiar face plays a part in presenting this collage of stories and events the empowered the battle for the very survival of the nation against an enemy that was well equipped, disciplined and believed God was on it's side, too.
Documentary detailing the successful Operation Mincemeat in 1943, which led to the Allies successfully invading Sicily and the war turning in their favour.
Father Edward J. Flanagan is a familiar name to many Americans, often for the Oscar-winning 1938 film starring Spencer Tracy about Flanagan’s groundbreaking child welfare organization. But the story extends far beyond that, to a man whose name and legacy are still well-known as far as Germany and Japan. Flanagan gained influence and admiration over the course of his life from Presidents, CEOs, celebrities and more, but none mattered more to him than that of the children for whom he tirelessly worked. A sobering reminder of this was during WWII, as Flanagan saw droves of former Boys Town citizens go off to war. In fact, so many former Boys Town boys named Flanagan as their next of kin that the American War Dads Association named him as America’s No. 1 War Dad.
Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.
The lifelong friendship between Rafe McCawley and Danny Walker is put to the ultimate test when the two ace fighter pilots become entangled in a love triangle with beautiful Naval nurse Evelyn Johnson. But the rivalry between the friends-turned-foes is immediately put on hold when they find themselves at the center of Japan's devastating attack on Pearl Harbor on Dec. 7, 1941.
A dramatic history of Pu Yi, the last of the Emperors of China, from his lofty birth and brief reign in the Forbidden City, the object of worship by half a billion people; through his abdication, his decline and dissolute lifestyle; his exploitation by the invading Japanese, and finally to his obscure existence as just another peasant worker in the People's Republic.
In the 1980s U.S. Rep. Charlie Wilson, Texas socialite Joanne Herring and CIA agent Gust Avrakotos form an unlikely alliance to boost funding for Afghan freedom fighters in their war against invading Soviets. The trio's successful efforts to finance these covert operations contributes to the fall of the Soviet Union and the end of the Cold War.
The Nazis, exasperated at the number of escapes from their prison camps by a relatively small number of Allied prisoners, relocate them to a high-security 'escape-proof' camp to sit out the remainder of the war. Undaunted, the prisoners plan one of the most ambitious escape attempts of World War II. Based on a true story.
In 1980, an American journalist covering the Salvadoran Civil War becomes entangled with both the leftist guerrilla groups and the right-wing military dictatorship while trying to rescue his girlfriend and her children.
During World War II, millions of Jews from all over Europe are deported and killed in German concentration camps. When the German troops invade Norway, the Norwegian Jews feel safe and protected. But anti-Semitism knows no borders and as the war escalates in Europe, the situation changes drastically. Suddenly, their radios are taken away; their passports are stamped with a big J and one day, all the men men over the age of 15 are arrested and taken to prisons camps. Many of the women left behind are too frightened to escape and are desperately waiting for their husbands and sons to come back home. On November 26, 1942, hundreds of Jews are picked up by the police in the middle of the night and are transported to the dock in Oslo. Unknowing and frightened men, women, children, sick and old are forced on board the awaiting German cargo ship "SS DONAU". The ship leaves with 532 Norwegian Jews onboard; 302 men, 188 women and 42 children. The end station is Auschwitz.
In 1945 a group of victorious American officers discover a stash of German jewels and try to fence them in New York.
Hitler no longer believes in himself, and can barely see himself as an equal to even his sheep dog. But to seize the helm of the war he would have to create one of his famous fiery speeches to mobilize the masses. Goebbels therefore brings a Jewish acting teacher Grünbaum and his family from the camps in order to train the leader in rhetoric. Grünbaum is torn, but starts Hitler in his therapy ...