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"ill try to be what he loves to call me. a little woman." katharine hepburn has easily become my favorite jo march. in reality, this film is probably five stars for the first half, and two for the second. one thing i really liked about this version compared to the others was the subtle forshadowing of key events. beth's introduction shows her with a cold and a broken piano, and i liked how she begged her sisters to find an imperfection in her, but they couldn't. her desperateness to fit in with them. a subtle hint at her fear of being left behind. then amy's first scene has her getting in trouble for doodling in class, which shows us early on that she is artistically aligned, though perhaps not completely encouraged, which makes her decision to go with aunt march feel all the more justified. and jo is right away mischevious, working for her aunt but intentionally acting lazy and boyish. as someone who believes jo to be transmasc more than a lesbian (though she could be both), i felt that the first half of this was way more in line with how i imagine jo in my head. the only character who feels a bit underdeveloped to me is meg, but this is likely because her character falls intro tropes typical of female characters in this era. they don't see the need to break the mold with her. it's times like these, though, that i miss the precision and delicacy of gerwig's adaptation. i will also add that this is my least favorite laurie and marmee. laurie still has a fun dynamic with jo initially, but christian bale will always be my favorite, even if i believe gerwig understood his character more than anyone. and marmee, besides her incredibly kind nature, didn't stand out to me here, though we can't all be susan sarandon. oh, and i didn't know how to include this in my review, but i also really loved that jo stepped asside at the family gathering to talk to beth in heaven. that she never forgot her and spoke to her about things that'd make her happy, like the family being back together again. it's a really cute detail that adds a lot to their deep love for one another.
Whilst doing their last concert before the Christmas Holidays, Busted find that their guitars have all disappeared mysteriously. With their only clue to there where-abouts being a mysterious note signed by 'Sinister Santa' the band take on London in hopes of finding their Guitars but learn the true meaning of Christmas along the way.
17-year-old Sara leads a sheltered existence with her family, members of Jehovah’s Witnesses, when she meets the outsider Teis and falls in love. Sara, herself a believer, now faces an important turning point in her life as she is forced to choose between religion and love.
Set in the early 1960s, the story revolves around high school sweethearts Jonas and Agnete, their friendships and families, trials and tribulations.
A teenage boy and his mother are on the run. The father is violent and has a history of beating up his wife. They manage to get away from him and drive far away, until they arrive in a small town where they settle down. They rent a house from a nice man and soon they forget everything that has happened in the past, until the boy begins to have bad dreams of his father.
Denmark, 1961. Bjørn, a middle-class boy in his early teens, wants to be accepted by Steen, a bullying peer of his with wealthy but freezingly cold parents. Bjørn's other good friend is Mulle, a cheerful and more childish working-class boy. All three seem friends at first, but gradually Steen starts pushing Mulle away while pulling the impressionable Bjørn with him towards more and more violence.
The film centers mostly around the personal and professional life of Thomas "Stonewall" Jackson, a brilliant if eccentric Confederate general, from the outbreak of the American Civil War until its halfway point.
Austin is a boy with both a rare brittle-bone disease and autism. But what makes Austin truly unique is his joyous, funny, life-affirming worldview that transforms and unites everyone around him.
Johnny Case, a freethinking financier, has finally found the girl of his dreams — Julia Seton, the spoiled daughter of a socially prominent millionaire — and she's agreed to marry him. But when Johnny plans a holiday for the two to enjoy life while they are still young, his fiancée has other plans & that is for Johnny to work in her father's bank!
As Finn slips back into a groove of mindless parties, sunburn, and hangovers, he let's his life take a mind-numbing vacation. But when he's confronted with death first hand, he takes a new outlook on life, remembering his endless dreams and goals when he was young. A micro-budget, DIY-minded, independent film incorporating elements from mumblecore and found footage cinema.
An 18th birthday mushroom trip brings free-spirited Elliott face-to-face with her wisecracking 39-year-old self. But when Elliott’s "old ass" starts handing out warnings about what her younger self should and shouldn't do, Elliott realizes she has to rethink everything about family, love, and what's becoming a transformative summer.
