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Unnodu Ka opens with a clash between two families in Sivaganga. Jayavel (Prabhu) and Keerthy Vasan (Thennavan), the heirs of these families, are expected to take on each other, and thereby safeguard the village's 'tradition'. However, they are actually thick friends, and have no clue about the feud, which has been prevailing for five generations. They leave to Chennai with their respective families in search of a peaceful life, and settle there as neighbours. Jayavel's son Siva (Aari) and Keerthy Vasan's daughter Abhirami (Maya) are brought up together. Interestingly, the two were born on the same day, though Abhi was born just a second before Siva — one of the reasons for her overbearing attitude towards him. Their parents hope they get married to each other, but the two are often found quarrelling. However, they realise their true feelings for each other when they try to help out their friends, Bhagat Singh (Bala Saravanan) and Sundarambal aka Su (Misha Ghoshal). Meanwhile, a few disappointed villagers who have been 'missing the action' for a while, come to the city to know the 'status' of rivalry between Jayavel and Keerthy Vasan, and take them back to Sivaganga to settle the issue once for all. So, what happens to Bhagat Singh and Sundarambal's romance, which her father (Mansoor Ali Khan) doesn't accept? Do Siva and Abhi marry and make their parents' dream come true? Will Jayavel and Keerthy be able to save the village from further damage? The story by Abirami Ramanathan has scope for a better entertainer, but the flow of sequences is sluggish for most parts of the first half. The cinematography by Naga Saravanan deserves appreciation, especially in the scenes shot in the village. The village portions in the film are a relief and elevate the drama in the story compared to the other portions, which are a bit loud. The scenes involving Prabhu and Urvashi (who plays his wife) needed to be livelier and engaging. As for the actors, Aari and Maya put up not-so-bad performances. Bala Saravanan fits the bill, and manages to entertain in the scenes in which he appears, while Misha, as his lady love, is OK. Mansoor Ali Khan does what is expected of him, and MS Bhaskar is apt in the brief role of a kidnapper.
In 1900s India, Calcuttan zamindar Devdas Mukherjee — unable to marry his lover — takes up alcohol and the company of a courtesan to alleviate the pain.
In 1915, Elizabeth has fallen in love with Horace Robedaux, a young man her father condemns as a "wild boy." No matter how strict and protective, her parents cannot deter their daughter's growing independence.
Linus and David Larrabee are the two sons of a very wealthy family. Linus is all work – busily running the family corporate empire, he has no time for a wife and family. David is all play – technically he is employed by the family business, but never shows up for work, spends all his time entertaining, and has been married and divorced three times. Meanwhile, Sabrina Fairchild is the young, shy, and awkward daughter of the household chauffeur, who goes away to Paris for two years, and returns to capture David's attention, while falling in love with Linus.
Although Tom Leezak and Sarah McNerney come from different worlds, they are both unexpectedly swept off their feet after their first meeting. They quickly fall in love and plan to get married, despite opposition from Sarah's uptight, rich family. After their wedding, the happy couple sets off - with the highest of hopes and ideals about love and marriage - on what they expect will be the perfect honeymoon in Italy. Thanks to a relentless string of bad luck with one disaster after another, and an impromptu visit from Sarah's wealthy one-time ex-lover Peter Prentiss, the newlyweds experience the honeymoon from hell that tests the limits of their young love. Is it worth throwing away their love and marriage?
Sabrina Fairchild, a chauffeur's daughter, grew up at the Long Island estate of the wealthy Larrabee family enchanted with their sparkling world of privilege and wealth, but she's especially enamored of younger son David, a charming playboy. After the once plain Sabrina returns from a sojourn in Paris transformed into a glamorous young woman, she at long last catches David's eye. In a calculated effort to manipulate David away from her and into a more financially advantageous marriage, formidable older brother Linus devises a plan to keep them apart.
Recently widowed after 41 years of marriage, Frank Walsh meets the outgoing Florence, sparking joy back into his life again. However, there is clear disapproval of her from his grown children, especially his eldest son Robert. As Frank and Florence grow closer in their relationship, Robert begins to change his perspective on their commitment and devotion to one another.
Karthik and Shakthi marry against the wishes of their families and start their new life. However, they soon realize that marriage is not the bed of roses they had imagined it would be.
When lovebirds Nifemi and Swell elope after the former's parents disapprove of their relationship, Nifemi's parents lock her up in their mansion. Swell and his friends fake a robbery in order to rescue Nifemi, but things don't go exactly as planned.
An English widow goes to Italy, falls in love with a dentist's son and marries him, against her straitlaced family's wishes.
Life at home changes when a housewife from a middle-class, conservative family in Calcutta gets a job as a salesperson. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1996.
A young foot soldier in the yakuza seeks revenge when his prostitute girlfriend dies after a session with a high-ranking Japanese politician with a taste for torture. He sets out on a 'kamikaze' mission to kill his bosses and the politician; along the way, he acquires the aid of a taxi driver who has recently returned to Japan after living in South America for several decades and is struggling to cope with poverty and the prejudices of native-born Japanese.